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2,436 stories by "Michael Billington"

Gypsy " review by Michael Billington

Curve, LeicesterSome people argue this is the greatest Broadway musical. That's open to debate. But there is no dispute that Arthur Laurents's book, Jule Styne's music and Stephen Sondheim's…

SOURCE: The Guardian at 1:54pm on March 16, 2012

Faith Brook by Michael Billington

Actor of poise and beauty who enjoyed a rich and productive career on both sides of the AtlanticFaith Brook, who has died aged 90, was an actor of remarkable elegance, poise and beauty. She …

SOURCE: The Guardian at 8:56am on March 14, 2012

Can We Talk About This? " review by Michael Billington

Lyttelton, London"This is Islamophobic shit," cried an angry spectator two-thirds of the way through DV8's investigation of multiculturalism. I was later told that the intervention was a "st…

SOURCE: The Guardian at 3:15pm on March 13, 2012

N is for national theatres by Michael Billington

The dream of a national theatre has happily come to pass, not only in England but in Wales and Scotland, too. But is regional theatre under threat as a result?I was very struck by something …

SOURCE: The Guardian at 11:34am on March 13, 2012

The London Spring " review by Michael Billington

Etcetera, LondonWhat kind of future London do we see? Francis Beckett, a political journalist and periodic playwright, has devised one in which policing is privatised, hospitals are reserved…

SOURCE: The Guardian at 2:26pm on March 12, 2012

Going Dark " review by Michael Billington

Young Vic, LondonSound and Fury are a rare company in that they combine an experimental process with rich content. In their last show, Kursk, they took us inside the bowels of a nuclear subm…

SOURCE: The Guardian at 2:00pm on March 11, 2012

Abigail's Party " review by Michael Billington

Menier Chocolate Factory, LondonMike Leigh has often been accused of condescension towards his characters. Lindsay Posner's perceptive revival of this 1977 landmark reminds us that we are no…

SOURCE: The Guardian at 1:30pm on March 9, 2012

Farewell to the Theatre " review by Michael Billington

Hampstead theatre, LondonI am normally wary of any new play that could be called "Chekhovian": it implies something fragile and wispily atmospheric. But Richard Nelson's extraordinary p…

SOURCE: The Guardian at 12:15pm on March 8, 2012

Benefactors/Copenhagen " review by Michael Billington

Crucible/Lyceum, SheffieldSheffield is one of the few theatres to devote seasons to living writers. Now it is the turn of Michael Frayn. With Democracy still to come, it is already possible …

SOURCE: The Guardian at 1:11pm on March 7, 2012

Autumn Fire " review by Michael Billington

Finborough, LondonLast year this venturesome venue gave us a riveting portrait of Belfast's Protestant culture in St John Ervine's Mixed Marriage (1911). Now it crosses the border to sh…

SOURCE: The Guardian at 3:30pm on March 6, 2012

M is for musicals | Michael Billington's A-Z of modern drama by Michael Billington

Long gone are the happy days when the musical was a source of innocent pleasure. They have become cultural juggernauts, devoid of risk-taking and, like the banks, too big to failMusicals are…

SOURCE: The Guardian at 7:30am on March 6, 2012

The Leisure Society - review by Michael Billington

Trafalgar Studios, LondonAn air of glamour surrounds this French-Canadian import by François Archambault. The cast, including ex-supermodel Agyness Deyn, is glamorous. The audience is gla…

SOURCE: The Guardian at 7:57pm on March 1, 2012

Goodbye to All That - review by Michael Billington

Royal Court, LondonOne thing intrigues me about this fine play, presented as part of the Young Writers festival: how come its 26-year-old author, Luke Norris, knows so much about senior citi…

SOURCE: The Guardian at 2:00pm on March 1, 2012

Snookered - review by Michael Billington

Bush, LondonThis is a first full-length play by a former Middlesbrough cab-driver, Ishy Din. Even if its plot is formulaic, it has plenty fresh to say about the aspirations of young Pakistan…

SOURCE: The Guardian at 1:30pm on March 1, 2012

Full English, please: will Broadway gobble up One Man, Two Guvnors? by Michael Billington

Richard Bean's West End hit is transferring to New York. Let's hope American audiences get served the full English version in all its improvisatory gloryRichard Bean's One Man, Two Guvnors t…

SOURCE: The Guardian at 7:03am on March 1, 2012

The Lady From The Sea " review by Michael Billington

Rose theatre, Kingston-upon-ThamesJoely Richardson is very brave. In playing Ellida, the mysterious heroine of Ibsen's 1889 drama, she takes on a role already made famous by her mother and l…

SOURCE: The Guardian at 7:55pm on February 28, 2012

All New People " review by Michael Billington

Duke of York's, LondonThanks to the TV series Scrubs and the film Garden State, Zach Braff clearly enjoys cult status in Britain. His first appearance in his own play, All New People, is gre…

SOURCE: The Guardian at 6:00pm on February 28, 2012

L is for lousy plays by Michael Billington

The age of the genuine theatrical stinker is over. But there are still plenty of terrible things to watch out for ...In all the recent controversy about whether British theatre has become mo…

SOURCE: The Guardian at 12:58pm on February 28, 2012

Hay Fever " review by Michael Billington

Noel Coward, LondonHoward Davies has a gift for revitalising Coward's comedies. Having put the sexuality back into Private Lives, he now visually redefines Hay Fever and pulls off the daring…

SOURCE: The Guardian at 1:30pm on February 26, 2012

Bingo " review by Michael Billington

Young Vic, LondonWhen Angus Jackson's fine production of Edward Bond's bony masterpiece was first seen in Chichester two years ago, a respected colleague attacked the author for his assumpti…

SOURCE: The Guardian at 1:30pm on February 24, 2012

In Basildon " review by Michael Billington

Royal Court, LondonBasildon has always been a key political barometer. But, although David Eldridge's riveting new play has its roots in this allegiance-shifting Essex town, he also uses it …

SOURCE: The Guardian at 2:15pm on February 23, 2012

'Tis Pity She's a Whore " review by Michael Billington

Barbican, London"Try everything once except incest and folk-dancing," runs an old Scottish adage. In fact there is plenty of both in Declan Donnellan's revival of John Ford's 1633 tragedy, a…

SOURCE: The Guardian at 1:54pm on February 22, 2012

K is for Jan Kott | Michael Billington's A to Z of modern drama by Michael Billington

The largely forgotten Polish professor, who drew a connection between Shakespeare and 20th-century European theatre, had a huge impact on modern-day theatrical cultureDoes anyone still read …

SOURCE: The Guardian at 1:00pm on February 21, 2012

The Bomb " review by Michael Billington

Tricycle theatre, LondonNicolas Kent bids farewell to the Tricycle with a characteristically grand project: a two-part history of the nuclear bomb consisting of 10 separate plays. Obviously …

SOURCE: The Guardian at 10:52am on February 21, 2012

Patience " review by Michael Billington

Union theatre, LondonThis is the third all-male version of Gilbert and Sullivan that Sasha Regan has directed at this tiny Southwark theatre. But, while the result is as "blithe and gay" as …

SOURCE: The Guardian at 1:56pm on February 20, 2012
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