BWW Reviews: THE HEIDI CHRONICLES Celebrates the 'Highly Informed Spectator'
Pam MacKinnon directs an excellent revival of Wendy Wasserstein's landmark feminist drama.
Pam MacKinnon directs an excellent revival of Wendy Wasserstein's landmark feminist drama.
A mediocre production of a great musical is highlighted by Kristin Chenoweth's superlative turn.
Helen Mirren gives a masterful portrayal in Peter Morgan's thoroughly engaging character study.
Larry David mimics his TV style in his very funny playwriting debut.
Lin-Manuel Miranda's historical hip-hop musical is fine musical theatre disguised as freestyle.
Anna Chlumsky and Richard Thomas have been added to the top-flight ensemble.
Jason Robert Brown dumps the artsy stuff for a big fat hilarious musical comedy.
Call Nick Payne's new play IfThen without the music or Sure Thing without the bell.
Bernard Pomerance's one Broadway play is a clinical, alienating drama.
Kateri Hall's drama dares the audience to accept a miracle.
Pam MacKinnon's starry production has its stumbling points.
The 1997 flop with a big cult following returns with major revisions.
Hugh Jackman stars in the longest 90 minutes on Broadway..
Candice Bergen and Alan Alda may be among the most endearing and believable pairs to take on A.R. Gurney's Pulitzer finalist.
Sam Gold's revival of Tom Stoppard's marriage drama gets a jukebox touch.
Sting has mentioned that he's a fan of Rodgers and Hammerstein, and it certainly shows.
Ayad Akhtar's drama of being Muslin in post 911 American makes for enthrallingly provocative theatre.
The beloved comedy star joins Brian Dennehy in the first of the production's scheduled cast changes.
John Rando's fast and furious revival is done in the style of the famed Warner Brothers animator.
Keke Palmer, Sherri Shepherd and Judy Kaye join Douglas Carter Beane's political activist musical based on the Rodgers and Hammerstein television classic.
Terrence McNally updates his wickedly funny 1980s comedy set at a Broadway opening night party.
Director Marianne Elliott and her designers do exceptional work replicating the world as experienced by a teenager with a behavioral condition.
Manhattan Theatre Club's latest addition to the genre of contemporary plays modeled after Chekhov is by far the company's best.
James Earl Jones heads a terrific cast in Scott Ellis' hilarious revival.
The story of a lifelong relationship between two people is told through the handwritten correspondence sent between them throughout the decades.