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240 stories by "Michael Schulman"

The Oscars and the Election by Michael Schulman

Oscar winners aren't the best barometers by which to gauge the national mood. Movies and politics work at different speeds, reshaping themselves"and absorbing each other"in unpredictable bur…

SOURCE: The New Yorker Subscription at 2:41pm on December 2, 2016

Jason Sudeikis's Quotable Wisdom by Michael Schulman

Jason Sudeikis sat at the back of the Bowery Poetry Club, waiting for open-mike night to begin. He had parked his black Vespa outside, having motored in from Clinton Hill, where he lives wit…

SOURCE: The New Yorker Subscription at 11:00pm on November 27, 2016

More Broadway Recommendations for Mike Pence by Michael Schulman

Dear Vice-President-elect Pence,

SOURCE: The New Yorker Subscription at 3:51pm on November 21, 2016

David Oyelowo and Daniel Craig Face Off in "Othello" by Michael Schulman

It's an odd fact of "Othello" that Iago has more lines than the title character. But inconspicuousness"the ability to keep his own name out of the spotlight while cruelly manipulating events…

SOURCE: The New Yorker Subscription at 11:00pm on November 17, 2016

Richard Nelson's Final Election Play Proves to Be Eerily Prophetic by Michael Schulman

Around three-thirty yesterday afternoon, Richard Nelson made his final edits to a project that has spanned this parlous political season: a trilogy of quiet and sad dramas called "The Gabrie…

SOURCE: The New Yorker Subscription at 3:46pm on November 9, 2016

Peter Morgan Serves the Queen, Again by Michael Schulman

Is Queen Elizabeth II interesting? Not in a world-historical sense"the dwindling power of the monarchy in the postcolonial age, the assortment of turmoils that have raged around her durin…

SOURCE: The New Yorker Subscription at 3:00pm on November 4, 2016

Winter Theatre Preview by Michael Schulman

Few living actors can match the raw star power of Cate Blanchett, whose hypnotic self-possession"she has the gravitational pull of a small planet"made her a natural for roles like Queen Eliz…

SOURCE: The New Yorker Subscription at 12:00am on November 4, 2016

Revisiting a Legendary Sondheim Flop by Michael Schulman

In seventh grade, I became completely obsessed with the 1981 musical "Merrily We Roll Along," by Stephen Sondheim and George Furth. It was my introduction to cynicism, set to a brassy Broadw…

SOURCE: The New Yorker Subscription at 3:20pm on October 14, 2016

Immersion Theatre, on Broadway by Michael Schulman

In an era of binge-watching, live-tweeting, and the Oculus Rift, how can theatre compete as all-consuming entertainment? Perhaps it's our desire to be more than spectators"to be sucked headl…

SOURCE: The New Yorker Subscription at 12:00am on October 14, 2016

Festival Spotlight: Playing the President by Michael Schulman

It's become a cliché of this election season that, if you were to present the current Presidential race as fiction, no one would believe it. So what better time to hear from a group of fict…

SOURCE: The New Yorker Subscription at 5:01pm on October 4, 2016

Ghosts of Old Hollywood, as a Podcast by Michael Schulman

Karina Longworth is the host of the popular show "You Must Remember This," which covers the golden age of cinema.

SOURCE: The New York Times Subscription at 1:43pm on September 30, 2016

Andrew Rannells Stars in "Falsettos" by Michael Schulman

The thirty-eight-year-old actor Andrew Rannells is part of a new crop of gay stars"like Chris Colfer and Tituss Burgess"who never had to bother to be closeted in the public eye. Lean and boy…

SOURCE: The New Yorker Subscription at 12:00am on September 30, 2016

Catching Up with Richard Nelson, Real-Time Election Playwright by Michael Schulman

What were you up to on Friday, September 16th? Did you think about Donald Trump or Hillary Clinton? Did you talk about the election with the people you encountered? Chances are that you did,…

SOURCE: The New Yorker Subscription at 8:00am on September 22, 2016

How Many Jokes About the Upper West Side Can You Make? by Michael Schulman

George St. Geegland and Gil Faizon are two Upper West Side alter kakers who are partial to turtlenecks, cultural programs at the Y, and the oeuvre of Alan Alda. For a time, they hosted a …

SOURCE: The New Yorker Subscription at 12:35pm on September 21, 2016

Hari Nef, Model Citizen by Michael Schulman

A few days before graduating from Columbia University, in May, 2015, the actress and model Hari Nef showed up at a Flatiron office building to meet Ivan Bart, the president of IMG, the agenc…

SOURCE: The New Yorker Subscription at 12:00am on September 19, 2016

Remembering Crazy Eddie: His Prices Were Insane by Michael Schulman

Growing up in Manhattan in the eighties, I loved the TV commercials for the electronics chain "Crazy Eddie." What kid wouldn't? The pitchman, an unholy mashup of Pee-wee Herman and Donald Tr…

SOURCE: The New Yorker Subscription at 8:58am on September 17, 2016

Phones On, Curtain Up by Michael Schulman

Most theatregoers I know have an almost physical aversion to audience participation. That's probably because audience members are often cast in the role of patsy"set up to look awkward, outs…

SOURCE: The New Yorker Subscription at 2:11pm on July 22, 2016

The 2016 Tony Awards: After Orlando by Michael Schulman

For more than a year now, any half-conscious prognosticator could have told you that the 2016 Antoinette Perry Awards would unofficially be the "Hamilton" Tonys. Mostly, it was. Nominated fo…

SOURCE: The New Yorker Subscription at 1:15pm on June 13, 2016

Gross Indecency by Michael Schulman

On April 5, 1895, Oscar Wilde was holed up at the Cadogan Hotel, in London, torn between fleeing the country and facing a parlous fate. Spurred by his sometime paramour Lord Alfred Douglas, …

SOURCE: The New Yorker Subscription at 6:01am on May 6, 2016

The 2016 Tony Nominations: Not All About the Hamiltons by Michael Schulman

Yesterday, the Asian American Performers Action Coalition released its annual report of "Ethnic Representation on New York Stages." On Broadway and Off, thirty per cent of available roles we…

SOURCE: The New Yorker Subscription at 11:12pm on May 3, 2016

Theatre for Babies by Michael Schulman

Not long ago, a resident of the Financial District named Evan Miles settled in for a theatrical production on Forty-second Street. He was not an experienced playgoer"actually, this was his f…

SOURCE: The New Yorker Subscription at 7:26pm on April 20, 2016

The Room Where It Happens by Michael Schulman

Of the many allusions woven throughout Lin-Manuel Miranda's score for "Hamilton"""The Pirates of Penzance," the Notorious B.I.G."one of the funniest comes in Act II, when Alexander Hamilton …

SOURCE: The New Yorker Subscription at 8:44am on March 25, 2016

How Broadway Imagines Africa by Michael Schulman

Until a few weeks ago, if you wanted to see Africa represented in a Broadway show, you had two options, both ridiculous. There is the colorful puppet wilderness of "The Lion King," in which …

SOURCE: The New Yorker Subscription at 6:07pm on March 13, 2016

Theatre's Superpower by Michael Schulman

The theatre has the power"more like the prerogative"to warp reality to suit its own ends, exiting the literal world through whatever trapdoors it creates. Why does an angel crash through a g…

SOURCE: The New Yorker Subscription at 5:34pm on November 17, 2015

Fall Preview by Michael Schulman

Movie stars crash-landing on Broadway seems de rigueur, but last season "Fun Home" and "The Curious Incident of the Dog in the Night-Time" led the pack without famous names. This fall, star …

SOURCE: The New Yorker Subscription at 6:35am on August 21, 2015
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