626 stories by "Oscar E. Moore"
A hybrid of FORBIDDEN BROADWAY and a prequel to A CHORUS LINE done in the format of a revue akin to THE UPSTAIRS AT THE DOWNSTAIRS
Peer pressure, wanting to fit in, jealousy, revenge, friendship, discrimination and what is truly important in all our lives are put to the test here.
Directed with a fresh and original concept by Timothy Sheader/Liam Steel which features a new look, new insight into character, and a young new narrator.
It's a shambles of a play, extremely profane without being the least bit profound. And not very funny. Unless pedophilia, Nazi and placenta jokes amuse you.
Earp's story has more ups and downs and twists and turns than the Coney Island Cyclone roller coaster.
Director Andy Sandberg does all he can to save the day, including an uncomfortable attempt at an audience join in sing along with the ironic refrain Help! Help! Help!
Oliver! meets Les Miz. A charming, tuneful and most satifying surprise with a score that could one day become a classic.
A conglomeration of styles and ideas that fit as well together as the glass slipper on Cinderella's stepsister's too large foot.
Ms. Peiffer is quite compelling in the part that she has written for herself. RELAX! ALICE is an intriguing look at the relationship between Dr. and patient.
Charming and imaginative. Two great tap numbers. 70 minutes long with inspired sight gags galore.
If blood and guts and gore are your thing by all means check in. The special effects really are astonishing, gruesome and very funny.
Unexpectedly shocking, surprisingly moving and bittersweet. Fresh voiced, theatrical and extremely satisfying.
Clocking in at two hours and two acts it really wears out its welcome early on.
HIMSELF and NORA is a touching, thoughtful and theatrical telling of the eternal if rocky love affair between James Joyce and his muse/lover Nora.
This improbable but highly diverting musical fable is quite entertaining, headed by an extraordinary cast of five
Sit back and be prepared for the unexpected and a fun if uneven time. It's extremely entertaining despite the convoluted plot which skips and sings along with great finesse
Nothing is as painful as seeing excellent actors performing mediocre material as if it were brilliant.
Sporadically amusing with a mediocre rock score that serves the plot as such but won't be remembered long for its melodies or lyrics
Very much like the compelling and strange psychological novels of Georges Simenon, where one story is just the tip of the iceberg
What is normal? We wonder by plays end and that is a very good thing. Sometimes we all need a "pooka" in our lives.
The ultimate staycation destination for all New Yorkers and tourists alike. Simply great. Go. Immediately. Limited run through July 14th.
The Mint Theatre has a knack for finding the obscure and giving those plays excellent productions.
A slow cooked, gastronomic and heartwarming journey that will leave you completely content.
It may not be what you expect but the unexpected pays off with lots of laughs.
Simon Gray's 1984 play deals with the lofty and elitist intentions of a group of Cambridge chums circa 1960 through 1980.
