626 stories by "Oscar E. Moore"
Director Richard Corley seems to have not found a way to make this static and sometimes preachy piece of writing more compelling.
Beautifully scripted and directed (Barry Kleinbort) and sung to perfection you'll discover what makes Loni tick and talk and sing with heartfelt passion and humor.
Precisely directed by Ethan McSweeny who makes every second count. Who makes every laugh hit its mark.
A life that tragically came to an end as she was recently hit and run over by two cars in Los Angeles after stopping her car to help a wounded animal along the side of the road.
Slapstick Holy Lessons in how we should treat each other. Love and peace and kindness are illustrated in song after song after repetitious song.
A truthful, finely layered and spot on depiction of what it's like to suffer through ovarian cancer. If anything can help it's having a large dose of humor.
Gritty and passionate and powerful with classic songs that are gorgeously sung charged with the varied emotions of love, loss and revenge. The casting is perfection.
I urge you to see this most interesting play that extols the freedom of expression and has great compassion for growing old.
At The Museum of the City of New York through February 20th, you can and should take a close look at this breathtaking time capsule of art (1928-1969)
Revel in the sumptuousness of its score and enjoy the charm of Connick and witness the emergence of Broadway's newest star - the best holiday gift of all " Jessie Mueller
A retelling of "Lysistrata" by Aristophanes " who came up with the satiric anti war plot of "no nookie until we get what we want!"
Not much happens. Until Act II when the bullets fly and the blood flows.
STICK FLY is that unexpected play that surprises, makes one think and is extremely entertaining on its own terms with nary a fly in the ointment.
Not my cup of tea. Limited engagement thru January 1 " Theater A at 59E59
Never underestimate the ingenuity, daring and creativity of the CSC. Production after production amazes. And The Cherry Orchard is one of its finest.
It's a mixed bag of styles at best. Some laughs. Some groans. Some nice comedic performances. And lots of wonderment at how The Man Who Came to Dinner was ever so successful.
Playwright Higgins is hitting on a hot topic " sexual shenanigans turned upside down but it's a case of too little meat and lots of potatoes.
It's an entertaining and different evening of theatre that makes you work to understand what is happening and gives fresh insight to the phrase "building a relationship."
You will laugh, you will cry but most importantly you will be transported and remember the show and the woman who is finally getting the recognition she so longed for.
Can Kim do Coward? She is a revelation " a great comedienne and quite adept at physical comedy. Her made-for-each-other cohort " Paul Gross in his formal wear and silk pajamas is a metrosex…
You won't fall asleep at this sleeper hit of the season.
Nina Arianda and Hugh Dancy have explosive, heated chemistry that is a kinky voyeur's dream come true.
Nina Arianda and Hugh Dancy have explosive, heated chemistry that is a kinky voyeur's dream come true.
Act I resonates with sharp, dry sarcastic humor. But it is the second act that is still troublesome.
How nonchalantly she spouts her venom, smiling and commenting with a pucker of her lips or blotting them with a tissue or issuing a look of utter disbelief.
