626 stories by "Oscar E. Moore"
Doesn't catch the gold ring but meanders along in short vignettes with various narrators urging it along slowly and unsurely.
A three character genteel and romantic/historical menage a trois fairy tale featuring Gabriel Ebert and Christopher Sears.
Taking place in a bar where everybody knows your name, your habits (good and bad), your favorite brew, your birthday, and who is supplying the drugs and using.
Danny DeVito at 72 making his Broadway debut pulls the rug out from under his co-stars with his revelatory performance as a charming yet shrewd and completely amusing 90 year old antique app…
GO! You will stand up and shout out and support our Canadian friends who have delivered this musical with care and love. A lesson for us all.
If you have any qualms about seeing this production - set them aside. Forget any preconceived notions and meet the Wingfields through a new set of eyes.
Glenn Close won a Tony for her performance twenty three years ago. She has now returned older and wiser and more than spectacular.
The production is intriguing, bizarre, disturbing at times but ultimately unsatisfying. Through March 12th.
What's more confounding? That Mr. Lecesne has won multiple awards or that his new play doesn't support his reputation?
Set in Pittsburgh 1977 we meet a collection of characters that Mr. Wilson has a fondness for and knows deep down inside and out
If you absolutely need to see Cate Blanchett in the flesh be forewarned. She is lovely but the play itself isn't.
It is the extraordinary arrangements by Deke Sharon and Music Supervision by Rick Hip-Flores that are the true stars of this production. Along with each amazing singer. You may not remembe…
Doo-wop, slick hair, crap games, gangsters and guns with stand out performances by Nick Cordero & Hudson Loverro
Brilliantly scaled down by director Leigh Silverman to slip into the intimate three quarters round seating " without sacrificing the super entertainment factor and exciting score one iota.
Attempting to take us to dizzying heights RIDE THE CYCLONE is a series of ups and downs without too many thrills and/or chills.
Light and superficial. Not plausible nor believable. However the acting is convincing. And then all of a sudden in Act II everything begins to make sense. Sort of.
A human story told brilliantly, sung brilliantly with passion, humor and spirit. Love, friendship, family, compassion are all rightfully above the title here.
What is intended to be provocative soon becomes a snooze fest featuring decaying and decadent aristocratic morals.
The Baby Boomer generation is laid bare in satirical splendor by Mr. Bartlett with laser like direction by Michael Myers. The acting exceptional.
Finally towards the end of Act II Mr. Lane arrives like a tornado. In a role that fits him like a glove. A boxing glove. And delivers the goods like a roaring inferno in Act III.
A blight has befallen this ill-conceived cherry orchard represented by a grouping of Calder-like mobiles hovering over this classic play like a series of modern day sabotaging vultures.
A merry band of actors presenting this play in a carefree manner, when offstage are visible watching the preposterous goings on. The plot at times is ludicrous.
There is a bit more here than meets the eye but it is pretty slim pickens. At best it's interesting.
This terrific Roundabout production at Studio 54 is no slap-dash remake of its source material but a well thought out, clever, reverential valentine to the movies of the period and Irving Be…
They are stand-up comics in the tradition of Weber and Fields, Stiller and Meara and Statler and Hilton with a lethal dose of Larry David thrown in.
