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835 stories by "Paul Vale"

Hot Gay Time Machine review at Other Palace, London " 'energetic satirical cabaret' by Paul Vale

Camp stereotypes and the class system have always been mainstays of British comedy. Long before homosexuality was decriminalised in the UK, there

SOURCE: The Stage Registration at 8:21am on November 6, 2017[SHARE]

Awful Auntie review at Richmond Theatre, London " 'madcap and inventive' by Paul Vale

Following on from the successful stage adaptation of David Walliams’ Gangsta Granny, Horrible Histories’ writer Neal Foster has turned Awful Auntie "

SOURCE: The Stage Registration at 12:26pm on November 3, 2017[SHARE]

Imagine This review at Union Theatre, London " 'brave, but flawed' by Paul Vale

Though it's common on the fringe to see big shows scaled down for small spaces, it’s a precarious game that can sometimes

SOURCE: The Stage Registration at 9:54am on October 30, 2017[SHARE]

Our House review at Churchill Theatre, Bromley " 'bags of energy' by Paul Vale

With music and lyrics by Madness, Our House went on to win the Olivier award for best new musical after ist premiere

SOURCE: The Stage Registration at 6:38am on October 26, 2017[SHARE]

Why Canadian musicals are flying high by Paul Vale

Investment in workshops and development programmes is paying off as the North American nation looks to develop a production line of hit

SOURCE: The Stage Registration at 11:00am on October 25, 2017[SHARE]

The Legend of King Arthur review at Spiegeltent, Guildford " 'hearty theatrics' by Paul Vale

A week after the National Theatre's flailing attempt to turn the story of Saint George into a state of the nation play,

SOURCE: The Stage Registration at 8:17am on October 18, 2017[SHARE]

Perfect Wedding review at Mill at Sonning " 'great comic timing' by Paul Vale

The rituals of a wedding are prime fodder for a farce. The heightened emotions surrounding the event have been a huge source

SOURCE: The Stage Registration at 11:36am on October 16, 2017[SHARE]

Gilgamesh review at White Bear Theatre, London " 'an entertaining adaptation' by Paul Vale

The Epic of Gilgamesh is one of the earliest piece of literature known to man, dating back to the Third Dynasty of

SOURCE: The Stage Registration at 9:05am on October 13, 2017[SHARE]

Hammer House of Horror Live: The Soulless Ones review at Hoxton Hall " 'not particularly frightening' by Paul Vale

In its heyday, between the 1950s and 1970s, Hammer Films, the British horror film studio, successfully snatched the horror genre back from

SOURCE: The Stage Registration at 7:10am on October 9, 2017[SHARE]

Big Foot review at Stratford Circus Arts Centre, London " 'gentle yet persuasive message' by Paul Vale

Beneath the bold, humorous theatrical style of Joseph Barnes Phillips’ new play Big Foot is a simple, semi-autobiographical rites of passage tale.

SOURCE: The Stage Registration at 7:26am on October 6, 2017[SHARE]

Child of the Divide review at Polka Theatre, London " 'imaginative and educational' by Paul Vale

In 1947, the partition of India and the newly formed Pakistan resulted in the migration of more that 16 million people. The

SOURCE: The Stage Registration at 7:48am on October 5, 2017[SHARE]

Flashdance review at New Wimbledon Theatre, London " 'strangely joyless production' by Paul Vale

Nobody expected the 1983 movie Flashdance to be a hit. The story of the welder-by-day, dancer-by-night turned out to be the perfect

SOURCE: The Stage Registration at 7:30am on October 4, 2017[SHARE]

Lucky Stiff review at Union Theatre, London " 'madcap musical' by Paul Vale

For his directorial debut Paul Callen has chosen Lynn Ahrens and Stephen Flaherty’s collaborative debut Lucky Stiff. The couple have since gone

SOURCE: The Stage Registration at 11:48am on October 2, 2017[SHARE]

Gin for Breakfast review at Tristan Bates Theatre, London " 'stylish debut play on mental health issues' by Paul Vale

It comes as no surprise that Gin For Breakfast began life as a writing exercise as much as a play. Author Jess

SOURCE: The Stage Registration at 7:57am on September 29, 2017[SHARE]

Gate review at Cockpit Theatre, London " 'quirky and amusing' by Paul Vale

Deadpan Theatre's Gate offers us a vision of the afterlife. A quartet of angels herald us into Artemis Fitzalan Howard's new play,

SOURCE: The Stage Registration at 7:10am on September 19, 2017[SHARE]

Holding the Man review at Above the Stag, London " 'a bittersweet love story' by Paul Vale

Penguin published Timothy Conigrave's autobiography Holding the Man posthumously in 1995, four months after his untimely Aids-related death. The book became a

SOURCE: The Stage Registration at 7:59am on September 18, 2017[SHARE]

And the Rest of Me Floats review at Rose Lipman Building, London " 'a generosity of spirit' by Paul Vale

Blending physical theatre with music and spoken word, Outbox Theatre " a company made up of a mix of trans, non-binary, lesbian

SOURCE: The Stage Registration at 6:28am on September 16, 2017[SHARE]

Driving Miss Daisy review at Richmond Theatre, London " 'tender and intimate' by Paul Vale

This 30th anniversary revival of Alfred Uhry's Pulitzer-winning play by Theatre Royal Bath is a salient reminder of how sometimes the most

SOURCE: The Stage Registration at 6:51am on September 13, 2017[SHARE]

The Knowledge review at Charing Cross Theatre, London " 'a strong ensemble' by Paul Vale

In an age before satnav and Uber, the Knowledge was everything. A unique and complex route test, it was required by anyone

SOURCE: The Stage Registration at 10:58am on September 12, 2017[SHARE]

Wait Until Dark review at Richmond Theatre, London " 'an assured performance' by Paul Vale

Frederick Knott's play Wait Until Dark is probably best known for the 1967 movie adaptation staring Audrey Hepburn. Originating on Broadway, the

SOURCE: The Stage Registration at 6:26am on September 6, 2017[SHARE]

Royal Vauxhall review at Royal Vauxhall Tavern, London " 'a slice of LGBT social history' by Paul Vale

Desmond O’Connor’s musical Royal Vauxhall has been knocking around for a while now, including a run at last year's Edinburgh Fringe. This current

SOURCE: The Stage Registration at 11:50am on September 1, 2017[SHARE]

Frank Carson: Rebel Without a Pause review at Assembly, Edinburgh " 'enlightening' by Paul Vale

The popular image of Frank Carson is that of a larger than life Belfast comedian with a distinctive brogue, a pair of

SOURCE: The Stage Registration at 7:57am on August 30, 2017[SHARE]

The Revlon Girl review at Assembly Roxy, Edinburgh " 'emotional clarity' by Paul Vale

In the months following the Aberfan disaster, the bereaved mothers would meet up on a regular basis to offer comfort and support

SOURCE: The Stage Registration at 9:26am on August 29, 2017[SHARE]

Arlene! The Glitz, the Glamour, the Gossip review at Assembly Checkpoint, Edinburgh " 'unremarkable' by Paul Vale

Despite a career spanning four decades, Arlene Phillips has not yet attempted a stint at the Edinburgh Fringe. Of course, there has

SOURCE: The Stage Registration at 8:23am on August 24, 2017[SHARE]

A Thousand Doorways review at C-Primo, Edinburgh " 'epic story, skilfully told' by Paul Vale

Diane Edgecomb is a force to be reckoned with. An American-born storyteller of great energy and imagination, A Thousand Doorways provides a

SOURCE: The Stage Registration at 5:22am on August 22, 2017[SHARE]
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