David Hirson - Interview
The author of La Bête shares his thoughts on highbrow, lowbrow and his tiny writing output.
The author of La Bête shares his thoughts on highbrow, lowbrow and his tiny writing output.
Broadway veteran Mary Louise Wilson breaks the fourth wall and brings down the house in On the Twentieth Century — Welcome to Building Character, our ongoing look at performers and how…
In The Insurgents, Lucy Thurber fuses personal and political history for an examination of what ails us — On the surface, Lucy Thurber’s new drama The Insurgents, now at th…
Here's Johnny! John Cameron Mitchell returns to the stage to star in his rockin', madcap musical opus, Hedwig and the Angry Inch
All the creative elements in Constellations, even the set, suggest infinite possibilities Director Michael Longhurst isn’t big on naturalism—at least not for the shows he helms. …
Playwright Jenny Rachel Weiner uses broad comedy to explore the drama of preprepubescent girls — While most dark comedies about adolescent angst take place in high school (see Heathers…
Whether protesting climate change, racial injustice. or overconsumption, Reverend Billy and his Church of Stop Shopping do it in glorious song — It’s going to be a very busy Than…
Bradley Cooper wasn’t the only actor obsessed with bringing the Williamstown Theatre Festival revival to Broadway — Welcome to Building Character, our ongoing look at performers …
How writer/performer Peter Michael Marino’s biggest professional failure led to the founding of SOLOCOM. — When Peter Michael Marino‘s splashy West End musicalization of De…
Playwright Kimber Lee asks audiences to mourn for a murdered up-and-comer in brownsville song — Though not a tuner, brownsville song (b-side for tray) has a musical sensibility. Hip-ho…
Solo artist Ben Rimalower uses his lifelong financial problems for laughs and insight in Bad with Money — In the age of oversharing in life and online, it’s not surprising that m…
Two new immersive shows at the Park Avenue Armory appeal to grown-ups as much as children — I’ve been taking my nine-year-old to stage shows since before she could talk. (Access …
Inspired by our recent Geek Out/Freak Out, TDF Stages readers sound off about the iconic stage performances they wish they could go back in time to see — While hardcore theatre fans of…
Sylvester’s incredible life story becomes an Off-Broadway musical — Sylvester is one of history’s most fabulous pop stars. Back in the ’70s, the flamboyant diva score…
Kathleen Chalfant puts a feminine stamp on a traditionally male role in A Walk in the Woods — Welcome to Building Character, our ongoing look at performers and how they create their ro…
Circus Amok’s latest show marks 25 years of public fun (with a message) — When my then-three-year-old first saw Jennifer Miller, she blurted out, “You’re a girl with …
Samantha Soule is one of two people playing her character in And I and Silence " Welcome to Building Character, our ongoing look at performers and how they create their roles Crafting a …
Why the men in Pageant are sincerely playing women — Though the Off-Broadway musical comedy Pageant could be described as a beauty contest with drag queens, you should banish all image…
Puppet Shakespeare Players turn Titus Andronicus into Comedy Drunk Shakespeare, Shakespeare in the Parking Lot, the Accidental Shakespeare Company:Â the Bard’s plays are constantly …
Raven Snook on Kinky Boots, Taylor Mac, and drag for kids — Last year, after also seeing Matilda, Rodgers and Hammerstein’s Cinderella and the revival of Annie, my then-seven-yea…
Everett Quinton finally plays another shady lady — Although the Peccadillo Theater Company’s new comedy Drop Dead Perfect sends up a wide range of American cultural touchstones…
Welcome to Fanmail, our tributes to theatre artists we admire — I heard Annie Golden's voice before I ever saw her. Her song "Hang Up the Phone"—a bizarrely peppy ode to romantic…
King Kirby celebrates a forgotten legend — Why do some artists become household names while others toil away in obscurity? That question’s at the heart of King Kirby, a bio-play …
In Deepest Man, cutting-edge technology tells a heartbreaking story — No, your eyes aren’t playing tricks on you. But you may find that hard to believe while watching Deepest Man…
In Extraordinary Extremities, a puppeteer explores the power of loss — Last year, when the NYC- based Concrete Temple Theatre mounted a moody solo puppet show called Geppetto at HERE A…