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17 stories by "Rebecca Mead"

The Wild Mind of the Romanian Director Radu Jude by Rebecca Mead

The director's native city drives him crazy"and drives him to make loony, brilliant films.

SOURCE: The New Yorker Subscription at 6:00am on April 13, 2026

Konrad Kay and Mickey Down, the Finance Bros Behind HBO's "Industry" by Rebecca Mead

Konrad Kay and Mickey Down failed as financiers"but they're making a killing by depicting the profession on HBO.

SOURCE: The New Yorker Subscription at 6:00am on December 8, 2025

Stephen Fry Is Wilde at Heart by Rebecca Mead

The polymathic entertainer has had a lifelong bond with the wittiest"and the most tortured"of writers. And now he's starring in "The Importance of Being Earnest."

SOURCE: The New Yorker Subscription at 6:00am on November 17, 2025

Hearing the Voices of Grenfell Tower by Rebecca Mead

The survivors of the deadly 2017 London fire speak in a theatre piece opening at St. Ann's Warehouse.

SOURCE: The New Yorker Subscription at 6:00am on April 15, 2024

The Commercial Compromises (and Hygge Flourishes) of "Frozen" the Musical by Rebecca Mead

Rebecca Mead writes about the conflicts and compromises of the musical adaptation of "Frozen" on Broadway, directed by Michael Grandage.

SOURCE: The New Yorker Subscription at 5:36pm on April 2, 2018

Can an App Track Sexual Predators in the Theatre? by Rebecca Mead

Rebecca Mead on Callisto, which functions like the "Shitty Media Men" list, without the vulnerability of a Google doc.  

SOURCE: The New Yorker Subscription at 5:00am on March 26, 2018

The Wingmen (and Women) of "Angels in America" by Rebecca Mead

Rebecca Mead on a new Broadway production of Tony Kushner's play, in which puppeteers conjure a heavenly being from feathers and feelings.

SOURCE: The New Yorker Subscription at 5:00am on February 5, 2018

Michael Grandage Finds Shakespeare in "Frozen" by Rebecca Mead

Rebecca Mead talks with the distinguished British director, who is adapting the animated musical for Broadway.

SOURCE: The New Yorker Subscription at 5:00am on January 22, 2018

The Public Theatre at Fifty: "A Machine for Making Community" by Rebecca Mead

The stage of the Delacorte Theatre, in Central Park, was glistening on Monday evening with what remained of an earlier rainfall, while the sky overhead was heavy and gray. These were not the…

SOURCE: The New Yorker Subscription at 12:00pm on June 7, 2017

A Protest Musical for the Trump Era by Rebecca Mead

Five actors gathered in a room on Lafayette Street, in downtown Manhattan, to start rehearsing a new work for the Public Theatre, "Joan of Arc: Into the Fire." Written by David Byrne, former…

SOURCE: The New Yorker Subscription at 12:00am on March 13, 2017

The Renewed Relevance of "Hamilton" by Rebecca Mead

In the immediate aftermath of the Presidential election, as it became necessary to process an appalling new reality"What does this mean for the undocumented? What does this mean for women? W…

SOURCE: The New Yorker Subscription at 5:54pm on November 21, 2016

Elizabethan Trump? by Rebecca Mead

When Gregory Doran, the artistic director of the Royal Shakespeare Company, first decided to direct Shakespeare's cycle of English-history plays, he met with Sir Ian McKellen and asked him i…

SOURCE: The New Yorker Subscription at 6:37am on April 25, 2016

The Thrilling Uncertainty of the Understudy by Rebecca Mead

For close observers of the cultural phenomenon that is "Hamilton," a new milestone in the musical's unfolding journey was reached last week: the appearance of the understudy in the title rol…

SOURCE: The New Yorker Subscription at 2:00pm on December 23, 2015

Theatre Laid Bare by Rebecca Mead

When Tony Kushner's "Angels in America: Millennium Approaches" opened on Broadway, in 1993, in a production directed by George C. Wolfe, the play ended with a winged angel crashing into a dy…

SOURCE: The New Yorker Subscription at 6:34am on October 19, 2015

Why Donald Trump and Jeb Bush should see "Hamilton" by Rebecca Mead

Hillary Clinton is, so far, the only declared Presidential candidate known to have seen "Hamilton": she attended a performance of the show at the Public Theatre, in March, to which she respo…

SOURCE: The New Yorker Subscription at 1:35pm on September 25, 2015

All About the Hamiltons by Rebecca Mead

In April, 2009, Lin-Manuel Miranda, a writer, composer, and performer, received a call from the White House. The new President and the First Lady were planning to host an evening of live per…

SOURCE: The New Yorker Subscription at 12:00am on February 2, 2015

Rebecca Mead: Michael Pennington and Ian McKellen on “King Lear.” by Rebecca Mead

If you’re a British person of a certain age, you know Michael Pennington as a distinguished classical actor, belonging to the same generation as Sir Ian McKellen but lacking his blockb…

SOURCE: The New Yorker Subscription at 12:00am on April 7, 2014
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