'Les Liaisons Dangereuses' With Liev Schrieber Is Too Tame to Titillate
I've seen excellent productions of Les Liaisons Dangereuses, including five movies. This is not one of them.
I've seen excellent productions of Les Liaisons Dangereuses, including five movies. This is not one of them.
Broadway's 'The Front Page', with John Goodman and Nathan Lane, is directed with forced energy that makes it feel phony as a wooden nickel.
'A Life' makes not one lick of sense. It's only 85 minutes long with no intermission but seems like a week at hard labor.
'Holiday Inn' is a nice, entertaining, totally derivative but heartfelt musical eggnog without much originality but plenty of energy.
It's always thrilling to watch veteran actress Judith Light wear one of the many masks of comedy and tragedy in the trunk of theatrical disguises she uses to enchant, mesmerize and grip her …
A pair of superb central performances by Dianne Wiest and David Oyelowo bookmark 'Five Nights in Maine', a slight but poignant drama.
Drake Doremus' new film Equals is a futuristic Romeo and Juliet knockoff set in a cold, dystopian society called The Collective.
Rex Reed reviews the theater.
Rex Reed reviews the theater.
Rex Reed reviews the theater.
Michael Grandage's directorial debut focuses on the personal and professional relationship between legendary editor Maxwell Perkins and Thomas Wolfe.
'Himself and Nora' is an exercise in atonal somnambulism.
Rex Reed reviews the theater.
A glorious new production of 'The Judas Kiss' runs through mid-June at the Brooklyn Academy of Music.
Rex Reed reviews the theater.
Rex Reed reviews the latest theater.
Rex Reed reviews the latest theater offerings.
Rex Reed reviews the theater.
Rex Reed reviews the theater.
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