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106 stories by "Robert Crew"

Intelligent Homosexual's Guide at the Shaw Festival: review by Robert Crew

With clear-sighted direction from Eda Holmes and wonderful acting, Tony Kushner play has masterpiece stamped all over it.

SOURCE: Toronto Star at 11:03am on July 31, 2015[SHARE]

Actors, director make most of challenging Comedy of Errors: review by Robert Crew

Shakespeare play is based on one extended joke that can confound modern audiences.

SOURCE: Toronto Star at 10:39am on July 19, 2015[SHARE]

A thought-provoking approach to Julius Caesar: review by Robert Crew

Shakespeare in High Park production, directed by Estelle Shook, relates ancient Rome to present-day Canada.

SOURCE: Toronto Star at 11:53am on July 17, 2015[SHARE]

Driving Miss Daisy is enjoyable but bland: review by Robert Crew

This 30-year-old play about a friendship that transcends all barriers, directed by Philip Akin, could have been more satisfying than it is.

SOURCE: Toronto Star at 5:02pm on June 7, 2015[SHARE]

Bedroom Farce farcical for wrong reasons by Robert Crew

One of the major problems with the performance is that almost everyone overplays every aspect of their characters and it is shout, shout, shout.

SOURCE: Toronto Star at 8:26pm on May 9, 2015[SHARE]

Tarragon's Much Ado About Nothing not just Bollywood Shakespeare: review by Robert Crew

Richard Rose convincingly and compellingly examines how a different culture reacts to the familiar tale.

SOURCE: Toronto Star at 4:00pm on May 1, 2015[SHARE]

George F. Walker brings his biting satire to education system: Review by Robert Crew

There is humour and deep sadness in Parents Night and The Bigger Issue, at Theatre Passe Muraille until May 17.

SOURCE: Toronto Star at 2:34pm on April 24, 2015[SHARE]

Women of Hooked not an inspiring bunch: review by Robert Crew

Nicky Guadagni pours her heart into play, but do we need to hear from people like murderess Myra Hindley and crazed aristocrat Unity Mitford?

SOURCE: Toronto Star at 2:49pm on April 22, 2015[SHARE]

Little Death sounds more interesting than it is: review by Robert Crew

Talented women can't do much with roles in Daniel Karasik play about a man who philanders while facing a terminal illness.

SOURCE: Toronto Star at 3:53pm on April 20, 2015[SHARE]

The Sound of Cracking Bones: review by Robert Crew

The obscenity of child soldiers provides the angry spark for Suzanne Lebeau's The Sound of Cracking Bones at Theatre Passe Muraille.

SOURCE: Toronto Star at 12:02am on February 19, 2015[SHARE]

Cannibal! The Musical gory excess and all farce all the time: Review by Robert Crew

Elicia MacKenzie is a strong-voiced Polly and Liam Tobin packs charisma as Alferd Packer, but a couple of scenes are in extremely questionable taste.

SOURCE: Toronto Star at 3:05pm on February 18, 2015[SHARE]

Soulpepper play balances nostalgia with honesty by Robert Crew

Actors gracefully navigate their way through more than 50 roles, past and present, in A.R. Gurney's The Dining Room.

SOURCE: Toronto Star at 12:01am on February 14, 2015[SHARE]

Abyss a convoluted love triangle: review by Robert Crew

One character's main dramatic purpose seems to be telling, in grim, lurid detail, how to kill, skin and cook a rabbit.

SOURCE: Toronto Star at 5:31pm on February 12, 2015[SHARE]

The Dog and the Angel eager to please but not that bright: review by Robert Crew

Theatre for young audiences doesn't have to turn its back on notions of subtlety and intelligence in the name of broad entertainment.

SOURCE: Toronto Star at 5:00pm on December 16, 2014[SHARE]

Moral ground is forever shifting in Blackbird: review by Robert Crew

A passionate affair between a 40-year-old man and 12-year-old girl resurfaces 15 years later.

SOURCE: Toronto Star at 11:00am on December 4, 2014[SHARE]

James the Giant Peach gives kids something tasty to chew on: review by Robert Crew

Alessandro Costantini leads a terrific ensemble in musical adaptation of Roald Dahl story, at Young People's Theatre until Jan. 4.

SOURCE: Toronto Star at 3:05pm on December 2, 2014[SHARE]

Not safe for work is not safe for sexists, and is worth watching by Robert Crew

The play is an edgy little satire about the continuing exploitation of women by and in the media, and the hypocrisy of those involved.

SOURCE: Toronto Star at 11:23am on November 14, 2014[SHARE]

Keep your hats on; depressing show entirely avoidable by Robert Crew

Despite the efforts of an outstanding cast, there is a sameness about the four main characters and precious little light at the end of the American tunnel

SOURCE: Toronto Star at 8:23am on November 12, 2014[SHARE]

Arcadia a mind-stretching tour de force: Review by Robert Crew

In Tom Stoppard's dazzling play, the scholarly hunt for "the truth" is only the tip of the iceberg.

SOURCE: Toronto Star at 10:34pm on November 9, 2014[SHARE]

The Bakelite Masterpiece a convincing portrait: review by Robert Crew

A masterpiece it is not, but The Bakelite Masterpiece is a good and thoughtful piece of writing, acted with considerable skill.

SOURCE: Toronto Star at 3:07pm on October 30, 2014[SHARE]

Review: the story of Marc Chagall and his muse, from her point of view by Robert Crew

Bella provides an unusual glimpse into the heart of a brilliant, selfless woman

SOURCE: Toronto Star at 8:18am on October 22, 2014[SHARE]

Art of building a bunker fails to go deeper: review by Robert Crew

SummerWorks hit delivers impish wit, refreshing incorrectness, but plagued by logical inconsistencies.

SOURCE: Toronto Star at 4:28pm on October 18, 2014[SHARE]

To Kill a Mockingbird in stage form still inspires by Robert Crew

Young People's Theatre production on until Nov. 2.

SOURCE: Toronto Star at 6:00am on October 10, 2014[SHARE]

Shakespeare in the Ruff turns 'Cymbeline' into broad comedy by Robert Crew

Cymbeline is usually considered one of the late Romances or so-called problem plays. The production playing in Withrow Park, though, is a comedy, pure and simple.

SOURCE: Toronto Star at 1:07pm on August 15, 2014[SHARE]

'Juno and the Paycock' at Shaw: heartbreaking times two by Robert Crew

Set against the backdrop of the Irish Troubles, Sean O'Casey's masterpiece belongs to Mary Haney, who brings Juno's agony to life.

SOURCE: Toronto Star at 7:56am on July 31, 2014[SHARE]
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