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428 stories by "Robert Cushman"

Cushman: All aboard Peter Hinton's theatre ark by Robert Cushman

Last weekend I caught the final performance of the Shaw Festival's When the Rain Stops Falling, directed by Peter Hinton, and enjoyed it even more than I had on the first night. This Austral…

SOURCE: National Post (Canada) at 3:44pm on September 21, 2011[SHARE]

Theatre Review: The Tale of a Town by Robert Cushman

It isn't really accurate to say that The Tale of a Town happens at Theatre Passe Muraille. Taking its name literally, and perhaps reverting to its roots, TPM is here the embarkation point fo…

SOURCE: National Post (Canada) at 8:00pm on September 20, 2011[SHARE]

On Theatre: No one should take opinion as gospel, not even our critic's by Robert Cushman

Soulpepper's production of Arthur Miller's The Price received a standing ovation on its first night. These days that isn't such a rarity, anywhere you go. But the cheers and claps on this oc…

SOURCE: National Post (Canada) at 11:00am on September 17, 2011[SHARE]

Theatre Review: Soulpepper revives The Price with humanity by Robert Cushman

Once upon a time there were two brothers and their washed-up father. Or, in the corpus of Arthur Miller's plays, once upon several times. The Price, first staged in New York in 1968 and now …

SOURCE: National Post (Canada) at 5:08pm on September 9, 2011[SHARE]

Theatre Review: When the Rain Stops Falling by Robert Cushman

The year is 2039, and in Alice Springs, Australia, a dead fish falls from the sky. This is even odder than it might seem, because the man at whose feet it falls, whose name is Gabriel York, …

SOURCE: National Post (Canada) at 10:30am on August 30, 2011[SHARE]

Theatre Reviews: Savage whimsy in White Biting Dog and Cirque's Totem by Robert Cushman

Judith Thompson's White Biting Dog begins with a depressed and divorced 31-year-old lawyer, who goes by the name of Cape Race, preparing to kill himself by jumping off the Bloor Street Viadu…

SOURCE: National Post (Canada) at 7:15pm on August 26, 2011[SHARE]

Theatre review: Come Fly Away by Robert Cushman

Frank Sinatra never sang the words “come fly away.” He did of course sing the words “come fly with me,” at the beginning of the song of that name, closely followed by…

SOURCE: National Post (Canada) at 8:00am on August 22, 2011[SHARE]

Theatre Review: 'da Kink in My Hair not curled as tight these days by Robert Cushman

When Trey Anthony's 'da Kink in My Hair was seen at the Princess of Wales Theatre six years ago it had a few musical numbers, and I wished that there might be more. I should have been more c…

SOURCE: National Post (Canada) at 7:00pm on August 19, 2011[SHARE]

Theatre Review: Exit the King by Robert Cushman

Eugène Ionesco's Exit the King is a play that seems, provokingly, to have set out to be a masterpiece. Even more provokingly, it succeeds. Ionesco, the supposed maestro of the Theatre of th…

SOURCE: National Post (Canada) at 8:00am on August 18, 2011[SHARE]

Theatre Review: The Homecoming by Robert Cushman

In 1958 the British theatre critic Irving Wardle, later to become the revered reviewer for The Times, wrote an essay entitled “Comedy of Menace,” in which he identified a group o…

SOURCE: National Post (Canada) at 8:00pm on August 15, 2011[SHARE]

Theatre Reviews: The very best (and worst) of Summerworks by Robert Cushman

Hannah Moscovitch's Little One (Summerworks, Theatre Passe Muraille) is about growing up with a sociopath. There's Claire, who as a sexually damaged four-year-old was rescued by an Ottawa co…

SOURCE: National Post (Canada) at 7:00pm on August 12, 2011[SHARE]

Theatre Reviews: Topdog/Underdog and The President by Robert Cushman

The two characters in Topdog/Underdog, a prizewinning American play by Suzan-Lori Parks, are brothers, black, whose father named them Lincoln and Booth. This, according to Lincoln, was daddy…

SOURCE: National Post (Canada) at 5:30pm on August 11, 2011[SHARE]

Theatre Review: Maria Severa by Robert Cushman

Maria Severa Onofriana sang the blues, in Portuguese. More exactly, she was an early exponent " some say the inventor " of the guitar-based form known as fado. She was born in Lisbon in 1820…

SOURCE: National Post (Canada) at 4:23pm on August 9, 2011[SHARE]

Summerworks: In celebration of homegrown plays by Robert Cushman

Tickets to shows at Toronto's Summerworks Festival, previously $10 apiece, will this year cost $15. That doesn't sound like much, but if you want to take full advantage of a festival contain…

SOURCE: National Post (Canada) at 8:00pm on August 5, 2011[SHARE]

Theatre Review: Lysistrata is a compelling battle of the sexes by Robert Cushman

The Canopy Theatre Company's Lysistrata " The Sex Strike (their subtitle) is the most satisfying production of an Aristophanes play I have ever seen. That isn't quite the sweeping statement …

SOURCE: National Post (Canada) at 7:00pm on July 29, 2011[SHARE]

Theatre Review: Next to Normal by Robert Cushman

The musical Next to Normal goes irretrievably down the tubes at the moment, early in Act One, when one of its characters, already a driving force in the action, is revealed to have been dead…

SOURCE: National Post (Canada) at 3:00pm on July 29, 2011[SHARE]

Theatre Review: The Kreutzer Sonata by Robert Cushman

This is Ted Dykstra's time. He is the director of all three of the plays in Soulpepper's current repertoire: the superb Glass Menagerie, the perennially successful Billy Bishop Goes to War, …

SOURCE: National Post (Canada) at 1:36pm on July 27, 2011[SHARE]

Theatre Review: Des McAnuff's Twelfth Night dazzles at Stratford by Robert Cushman

Back in the 1960s, there was a gently rocking musical based on Twelfth Night entitled Your Own Thing, which is a pretty fair translation of the original play's subtitle What You Will. More r…

SOURCE: National Post (Canada) at 8:00am on July 24, 2011[SHARE]

Theatre Review: Titus Andronicus at Stratford by Robert Cushman

There are 24 named characters in the standard texts of Titus Andronicus, and by the end of the play 14 of them are either dead or under sentence of same. Two of the deceased have, while aliv…

SOURCE: National Post (Canada) at 5:14pm on July 19, 2011[SHARE]

Theatre Review: Carrie Fisher: Wishful Drinking by Robert Cushman

"I like to quote fictional characters," says Carrie Fisher, after citing Sherlock Holmes on the amount of information it's possible for one person to hold in his head "because I'm something …

SOURCE: National Post (Canada) at 2:30pm on July 18, 2011[SHARE]

Theatre Review: Stratford's The Little Years dazzles with a discourse on Time by Robert Cushman

John Mighton's The Little Years may well be the best new play ever presented at the Stratford Shakespeare Festival. If, that is, it truly counts as new, as it's actually a revised version of…

SOURCE: National Post (Canada) at 6:30pm on July 15, 2011[SHARE]

Theatre Review: The Admirable Crichton by Robert Cushman

The two newest productions at the Shaw Festival are both of British plays about failed social experiments. In George Bernard Shaw's On the Rocks, a prime minister tries to ram through what h…

SOURCE: National Post (Canada) at 5:01pm on July 13, 2011[SHARE]

Theatre Review: On the Rocks by Robert Cushman

The central character of George Bernard Shaw's On the Rocks (1933) is Sir Arthur Chavender, the Liberal head of a British coalition government. Outside 10 Downing Street " and, we gather, th…

SOURCE: National Post (Canada) at 3:22pm on July 11, 2011[SHARE]

Theatre Review: The Glass Menagerie is magnificently moving by Robert Cushman

Ontario theatre is throwing Tennessee Williams a great 100th birthday party. On the heels of the Shaw Festival's Cat on a Hot Tin Roof, wonderful for its sustained firepower, Soulpepper give…

SOURCE: National Post (Canada) at 11:00am on July 9, 2011[SHARE]

Theatre Review: Hugh Jackman in Concert by Robert Cushman

The man has warmth, charm and bags of talent. But there's still something very forced and insubstantial about Hugh Jackman in Concert. It starts " well, actually it starts with the audience …

SOURCE: National Post (Canada) at 4:59pm on July 6, 2011[SHARE]
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