428 stories by "Robert Cushman"
Dilworth's production is beautiful, sensitive to every modulation in the text
To cut to the chase: Hay is the angriest Katharina I have ever seen
Jillian Keiley's production of The Diary of Anne Frank is very much a Production
The show Titanic wipes the film Titanic off the face of the ocean
Climb Ev'ry Mountain," from The Sound of Music, bores me to metaphorical tears; "You'll Never Walk Alone," from Carousel, moves me to real ones
It's a terrific thriller, with its suspense, along with its wit, played to the limit in Miles Potter's scintillating Stratford production
The most striking thing about this play full of conflict is that it has no unsympathetic characters, no evil people: only evil spirits
There is an extraordinary freshness about the new Hamlet at Stratford, the best Shakespeare production on the main Festival stage since the last Hamlet at Stratford
When the Shaw Festival is good, it's very very good: see The Lady from the Sea (and, with a couple of caveats, Sweet Charity). When it's bad, see, or don't, Peter and the Starcatcher
What's extraordinary about the Shaw Festival's production is how well it works without the Fosse staging
The Shaw Festival's opening production of You Never Can Tell begins as a pain and ends as a delight
This, then, is a bedroom farce in which nobody gets any sex and hardly anybody gets any sleep
This Much Ado has been touted as "the Bollywood version" and it does include a lot of singing and dancing, Indian style, though these are hardly the most distinguished parts of the evening
It's home sweet home for two plays opening in Toronto
David Mamet is famous, or notorious, for writing plays with either no roles for women or bad ones. The second part of the charge isn't altogether fair
This Farewell Tour really is Goodbye and that it really is Glorious
Like most of Moscovitch's plays, this one is gripping from moment to moment; unlike her best ones, it doesn't make those moments cohere.
In recent seasons Toronto's independent theatre companies have fashioned a cottage industry of bringing us Shanley plays
Durang's play, a Tony-winner in 2010, arrives in Toronto in a first-rate production, directed by Dean Paul Gibson and presented by David Mirvish by way of the Royal Manitoba Theare Centre, a…
I don't know what Harper Regan is about but that doesn't stop it from being both interesting and entertaining
Once returns to Canadian stages, but did it bear repeating?
It's an evening that starts out terrific but gradually runs out of steam, even while remaining steamy.
All around this is the blithest Blithe Spirit I have seen.
Reviews of Florence Gibson MacDonald's How Do I Love Thee? and atmospheric thriller Abyss.
Robert Cushman reviews Accidental Death of an Anarchist and Twisted that are both running in Toronto this month
