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319 stories by "Robert Michael Oliver"

How 20th-century DC theater helped African Americans take center stage by Robert Michael Oliver

'Proclaiming Presence from the Washington Stage,' a new book by Blair A. Ruble, tells a history with repercussions today.

SOURCE: DC Metro Theater Arts at 8:33pm on February 5, 2022[SHARE]

Review: 'The Book of Will' at Round House Theatre by Robert Michael Oliver

For the love of Shakespeare! There's no doubt that Americans love their Shakespeare. In fact, many consider him America's best playwright"? Then again, many Americans also love their fake ne…

SOURCE: DC Metro Theater Arts at 7:55pm on December 6, 2017[SHARE]

Review: 'Curve of Departure' at Studio Theatre by Robert Michael Oliver

Rachel Bonds' new play, Curve of Departure, now playing at Studio Theatre, is that rarity among modern plays: it’s traditional storytelling at its most engaging. Enter Rudy, played …

SOURCE: DC Metro Theater Arts at 6:47pm on December 5, 2017[SHARE]

Review: 'A Child's Christmas in Wales and Other Stories' at Washington Stage Guild by Robert Michael Oliver

Dylan Thomas–known in the theatre world for his radio play, Under Milkwood, and in the prose world for Portrait of the Artist as a Young Dog, and in the poetry world for “Do Not …

SOURCE: DC Metro Theater Arts at 7:30pm on November 26, 2017[SHARE]

Review: Christian Sands in Discovery Artist at the KC Jazz Club by Robert Michael Oliver

Jazz pianist Christian Sands appeared at the KC Jazz Club last Friday evening with drummer Jerome Jennings and bassist Eric Wheeler: together, the pulse and rifts and energy lifted both hear…

SOURCE: DC Metro Theater Arts at 11:24am on November 22, 2017[SHARE]

Review: 'Nina Simone: Four Women' at Arena Stage by Robert Michael Oliver

After the Birmingham 16th Street Baptist Church bombing of 1963, Nina Simone turned her singing career toward the Civil Rights’ struggle. After a decade of singing mostly popular…

SOURCE: DC Metro Theater Arts at 12:32pm on November 18, 2017[SHARE]

Review: 'Nothing to Lose (But our Chains)' at Woolly Mammoth Theatre Company by Robert Michael Oliver

When the Born Again have the opportunity to witness, they do it before their congregation, and everyone shouts “Hallelujah!” When the Stand Up Comics have that same opportunit…

SOURCE: DC Metro Theater Arts at 6:07pm on November 16, 2017[SHARE]

Review: 'The Dog in the Manger' at We Happy Few Productions by Robert Michael Oliver

Lope de Vega, the author of We Happy Few Productions’ current offering at The Capitol Hill Arts Workshop, was one of the most prolific writers in world history. Hundreds of plays and t…

SOURCE: DC Metro Theater Arts at 12:39pm on November 12, 2017[SHARE]

Review: 'Top Girls' at Keegan Theatre by Robert Michael Oliver

Only the indubitable Caryl Churchill could, in a play about a contemporary dysfunctional British family, give us an opening restaurant scene that includes the likes of: Dull Gret (a warrior …

SOURCE: DC Metro Theater Arts at 10:11pm on November 9, 2017[SHARE]

Review: Isley Brothers at The Kennedy Center by Robert Michael Oliver

The Isley Brothers rocked into The Kennedy Center's Concert Hall this last Sunday night. Though the Hall is still standing, it may never be the same. Since their founding in 1955, theÅ

SOURCE: DC Metro Theater Arts at 3:08pm on November 9, 2017[SHARE]

Review: NEA Jazz Master Ron Carter Trio at The Kennedy Center by Robert Michael Oliver

The Ron Carter Trio visited The Kennedy Center this Friday night. Consisting of bassist Carter, pianist Donald Vega, and guitarist Russell Malone, the harmonics couldn’t have been swee…

SOURCE: DC Metro Theater Arts at 5:36am on October 29, 2017[SHARE]

Review: Dizzy Gillespie Centennial Celebration at The Kennedy Center by Robert Michael Oliver

Dizzy Gillespie’s 100th birthday celebration at The Kennedy Center jazzed the Eisenhower Theatre last night. I’m sure the rooftop is still aglow this morning. Dizzy Gillespie (19…

SOURCE: DC Metro Theater Arts at 11:57am on October 22, 2017[SHARE]

Review: NEA Jazz Master Lee Konitz's Birthday Celebration at The Kennedy Center by Robert Michael Oliver

Nonagenarian jazz–what is it? It’s Lee Konitz leading a quartet that includes George Schuller on drums, Jeremy Stratton on bass, and Dan Tepper on piano. And it couldn’t be…

SOURCE: DC Metro Theater Arts at 11:28am on October 17, 2017[SHARE]

Review: 'The Price' at Arena Stage by Robert Michael Oliver

Arthur Miller is best known for his two American classics: Death of a Salesman and All My Sons. American high schoolers still know him for his third significant work, The Crucible. Although …

SOURCE: DC Metro Theater Arts at 8:38pm on October 13, 2017[SHARE]

Spine: Love in the Time of Big Pharma, 'The Effect' at Studio Theatre by Robert Michael Oliver

Big Pharma is not only big, it's growing bigger by the panic attack, by the back spasm, by the botched terrorist attack. We want that pill that makes us happy because that happy is our lates…

SOURCE: DC Metro Theater Arts at 5:09pm on October 10, 2017[SHARE]

Spine: Love and Menace in 'The Lover' and 'The Collection' at Shakespeare Theatre Company by Robert Michael Oliver

Early Pinter is marked by menace. The Room, The Birthday Party, and The Homecoming leave a chill in the air, and in the audience’s agitated brain. We are disturbed as much …

SOURCE: DC Metro Theater Arts at 9:35am on October 7, 2017[SHARE]

Review: 'Lela & Co.' by Factory 449 at The Anacostia Arts Center by Robert Michael Oliver

The story of Cordelia Lynn’s Lela & Co. is a universal story, told across many borders and many nationalities, ethnicities, and races; during wartime and peacetime, at Super Bowls,…

SOURCE: DC Metro Theater Arts at 8:03pm on September 17, 2017[SHARE]

Review: 'The Arsonists' at Woolly Mammoth Theatre Company by Robert Michael Oliver

Woolly Mammoth’s The Arsonists is not so much an entertainment, even though I laughed frequently, psychotically–and loud, as it is a paratheatrical event during which an absurd p…

SOURCE: DC Metro Theater Arts at 10:54am on September 14, 2017[SHARE]

Spine: What's Left of America's Makers, 'Skeleton Crew' at Studio Theatre by Robert Michael Oliver

Lord, in a bourgeois town It’s a bourgeois town I got the bourgeois blues Gonna spread the news all around Any Washington theatregoer who craves a working class show, where the charact…

SOURCE: DC Metro Theater Arts at 12:37pm on September 12, 2017[SHARE]

Review: 'In Cabaret We Trust' by TBD Immersive at Blind Whino by Robert Michael Oliver

Tradition Be Damned Immersive has taken over a desanctified church at 700 Delaware Street, SW, Washington, DC. Known as the Blind Whino, or better by the fanciful colors that electrify the c…

SOURCE: DC Metro Theater Arts at 10:24am on September 12, 2017[SHARE]

Review: 'M. Butterfly' at Everyman Theatre by Robert Michael Oliver

Though written 30 years ago, few contemporary plays speak so profoundly to America’s current situation in the world as does David Henry Hwang’s M. Butterfly, now playing at…

SOURCE: DC Metro Theater Arts at 5:06pm on September 9, 2017[SHARE]

Spine: Bessie Smith and 'The Devil's Music' at Mosaic Theater Company of DC by Robert Michael Oliver

Fresh from World War I and a devastated Europe, The Roaring Twenties indeed roared across America. In the midst of a raging economic boom fueled in no small part by the advent of film and ra…

SOURCE: DC Metro Theater Arts at 6:25pm on August 31, 2017[SHARE]

Review: 'Big Fish' at The Keegan Theatre by Robert Michael Oliver

Family-friendly musicals are relatively rare these days. Family-friendly musicals that have adult themes are even rarer. Big Fish, with book by John August and music and lyrics by Andrew Lip…

SOURCE: DC Metro Theater Arts at 5:22pm on August 9, 2017[SHARE]

Review: Contemporary American Theater Festival (CATF): 'Welcome to Fear City' by Robert Michael Oliver

Fear City is the South Bronx in July 1977. There is nothing particularly unique about that July in that year in that place. Fear, it seems, is a way of life in the South Bronx. Kara Lee Cort…

SOURCE: DC Metro Theater Arts at 1:10pm on July 21, 2017[SHARE]

Review: Contemporary American Theater Festival (CATF): 'Everything Is Wonderful' by Robert Michael Oliver

The Amish with their horse and buggy, 19th century culture; their simple, old world uniforms and habits; their infamous Rumspringa where the teenage Amish is given the opportunity to choose …

SOURCE: DC Metro Theater Arts at 11:44am on July 21, 2017[SHARE]
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