320 stories by "Rosemary Waugh"
The city of Bath, famous for its Georgian architecture and sanctification of Jane Austen, is not the natural environment for pantomime. Accordingly,
Jude Law, overpriced supermarkets and Arriva Trains Wales all get a mention in Flossy and Boo The Alternativity, a cabaret-style mixture of
Toad Hall is up for auction in Mike Kenny's adaptation of Kenneth Grahame's The Wind in the Willows. Like Evelyn Waugh's Brideshead
Explorations of the American family have long been used by US playwrights as a way of taking the temperature of the country.
Sunshine and suicide: Rosemary Waugh reviews the English National Ballet's performance of Nureyev's take on Shakespeare.
The post Review: Romeo and Juliet by the English National Ballet appe…
You're being watched: Rosemary Waugh reviews Anders Lustgarten's new play about Elizabethan intrigue.
The post Review: The Secret Theatre at the Sam Wanamaker Playhouse appeared first on Ex…
Put down your iPhones: Rosemary Waugh on Ivo van Hove's multi-channel story of a news anchorman driven to breaking point.
The post Review: Network at the National Theatre appeared first on E…
Violence and justice are the overriding themes of the Other Room's current season. The final production is a deliberately confrontational staging of
This is the second collaboration between German playwright Daniel Kehlmann, translator Christopher Hampton and director Laurence Boswell after The Mentor, which transferred
Overthinking overthinking: Rosemary Waugh reviews the UK touring production of People, Places & Things.
The post Review: People, Places & Things at the Bristol Old Vic appeared fir…
People watching: Rosemary Waugh reviews the UK tour of Clod Ensemble's work placing humans behind glass.
The post Review: Under Glass at Hackney Showroom appeared first on Exeunt Magazine.
Director Mark Rosenblatt's new production of Waiting for Godot deals less in existential speculation and more in the friendship between two men
Yana and the Yeti is set in a world of snow and ice, deep dark forests and mythical creatures nestling between the
I mean, at least you'd have a woman's voice... Adelaide Waldrop and Brendan Macdonald record their post-show discussion about David Ives' play.
The post Review: Venus in Fur at the Theatre R…
Gary Owen's new version of Anton Chekhov's The Cherry Orchard is a gloriously inventive reimagining that wrings the grief from the original,
Just a week after a production of My Name Is Rachel Corrie opened at the Young Vic, a second opens at the
Sound is important in Kate Wasserberg's production of Jim Cartwright's The Rise and Fall of Little Voice. At one end of the
Tamara Harvey is artistic director at Theatr Clwyd, which combines a formidable artistic reputation with a location in rural Wales. She talks Chekhovian humour, working with dead authors, an…
The siege of Leningrad started in 1941 and lasted 872 days. It is estimated that up to 800,000 inhabitants died, many from
The Beast of Bodmin Moor and similar myths are a common part of small-town storytelling. Joel Horwood's new play, Wolves Are Coming
All the colours of the rainbow: Rosemary Waugh reviews Tamara Harvey's visually beautiful production of Uncle Vanya.
The post Review: Uncle Vanya at Theatr Clwyd appeared first on Exeunt Mag…
Please don't send flowers: Rosemary Waugh reviews a revival of Arthur Kopit's play about recovering from a stroke.
The post Review: Wings at the Young Vic appeared first on Exeunt Magazine.
This is how we do business: Rosemary Waugh reviews the London premiere of J. T. Rogers' play about the Oslo Accords.
The post Review: Oslo at the National Theatre appeared first on Exeunt Ma…
Harold Pinter once said that The Caretaker was funny "up to a point". That point is the bull’s-eye at the centre of
It's like eyeliner, only cooler: Rosemary Waugh reviews Tristan Bernays' new play about the woad-wearing warrior queen.
The post Review: Boudica at Shakespeare's Globe appeared first on Exeu…
