320 stories by "Rosemary Waugh"
Order, order: Rosemary Waugh reviews Lucy Kirkwood's new play at the National Theatre
The post Review: Mosquitoes at the National Theatre appeared first on Exeunt Magazine.
With fire juggling, knife throwing, trampolining and tightrope walking, director Poppy Burton Morgan must have had a lot of fun putting this
Beach combing: Rosemary Waugh reviews the 2017 Made in Bristol production.
The post Review: Lego Beach at 1532 Performing Arts Centre, Bristol appeared first on Exeunt Magazine.
Homecoming: Rosemary Waugh reviews a night of four work-in-progress plays by Welsh playwrights.
The post Review: Chippy and Scratch Does The Diff at Chapter Arts, Cardiff appeared first on E…
Bad sex, jiggly bits, and twenty-something omnishambles: Rosemary Waugh and Gillian Greer conduct an email chat about Touch and young women's sexuality on stage.
The post Touch at the Soho T…
Going round the houses: Rosemary Waugh reviews Helen Edmundson's play about the British monarch.
The post Review: Queen Anne at the Theatre Royal Haymarket appeared first on Exeunt Magazine.
Humans and history books: Rosemary Waugh reviews Taha at the Young Vic as part of the Shubbak Festival.
The post Review: Taha at the Young Vic appeared first on Exeunt Magazine.
A holey picture of holiness: Rosemary Waugh reviews Jonathan Church's revival of David Hare's Church of England play.
The post Review: Racing Demon at the Theatre Royal Bath appeared first o…
Birmingham Royal Ballet's performance of Peter Wright's 1995 production highlights Coppelia's many quirky, warm-hearted qualities. Principal dancer Celine Gittens is incredibly well-suited
Serie A in the senate house: Rosemary Waugh reviews a production of Julius Caesar featuring final year students from the Bristol Old Vic Theatre School.
The post Review: Julius Caesar at th…
Of pebbles which the waves draw back: Rosemary Waugh reviews Nic McQuillan's new one-man show about love and loss.
The post Review: Ebb at the Alma Tavern, Bristol appeared first on Exeunt …
The light changes. Just a little: Rosemary Waugh reviews the world premiere of Alice Birch's Anatomy of a Suicide.
The post Review: Anatomy of a Suicide at the Royal Court appeared first on…
It's a wrap: Rosemary Waugh reviews one of the last ever performances of Ontroerend Goed's superb Sirens.
The post Review: Sirens at the Tobacco Factory, Bristol appeared first on Exeunt Ma…
Wall to wall pressure: Rosemary Waugh reviews Jack Thorne's new version of Woyzeck.
The post Review: Woyzeck at the Old Vic appeared first on Exeunt Magazine.
"It would take a cynic with a heart of granite to read this as a 'fuck you' to anyone" - Rosemary Waugh on Emma Rice's huge-hearted final Globe show.
The post Review: Twelfth Night at Shakes…
Being wooed: Rosemary Waugh reviews Ravi Jain's show about arranged marriage and families.
The post Review: A Brimful of Asha at the Tobacco Factory, Bristol appeared first on Exeunt Magazi…
Theatre Theresa May should be watching: Rosemary Waugh reviews Firebird Theatre's new work about their company and how it got its name.
The post Review: A Spark and a Beating Heart at Trini…
Drinking alone with Google Translate: Rosemary Waugh reviews part of the Sovremennik Theatre's short season in London.
The post Review: Three Sisters at the Piccadilly Theatre appeared firs…
Mythologised as the ultimate in vengeful women, Euripides' Medea is an extra-large character. Chino Odimba's new modernised version humanises this ancient tale.
Disrobing the myth: Rosemary Waugh reviews Yaël Farber's retelling of the story of Salomé.
The post Review: Salomé at the National Theatre appeared first on Exeunt Magazine.
A portrait of an artist: Rosemary Waugh reviews Concert Theatre's take on Anne Brontë's novel.
The post Review: The Tenant at Kings Weston House, Bristol appeared first on Exeunt Magazine.
Friends until the end of time: Rosemary Waugh reviews Alice Nicholas's new play about transgender teenagers.
The post Review: Eclipse at The Station, Bristol appeared first on Exeunt Magazi…
BANG! and Whaam! Rosemary Waugh reviews the opening production in the Globe's Summer of Love.
The post Review: Romeo and Juliet at The Globe appeared first on Exeunt Magazine.
"There's no such thing as paranoia." Rosemary Waugh reviews Titus Halder's unsettling vision of what awaits after graduation.
The post Review: Escape The Scaffold at The Other Room, Cardiff…
Daniel Kehlmann's The Mentor is that difficult thing: a play about writing a play. Laurence Boswell's production, the second in the Ustinov
