Review: The Winter's Tale at Shakespeare's Globe
Shake a leg: Rosemary Waugh reviews Blanche McIntyre's The Winter's Tale at Shakespeare's Globe. The post Review: The Winter's Tale at Shakespeare's Globe appeared first on Exeunt Magazine.
Shake a leg: Rosemary Waugh reviews Blanche McIntyre's The Winter's Tale at Shakespeare's Globe. The post Review: The Winter's Tale at Shakespeare's Globe appeared first on Exeunt Magazine.
Outdoor Shakespeare in the summer months is a warm and fuzzy British tradition like Wimbledon, Pimm’s and complaining about the weather. Shakespeare
Outdoorsy types: Rosemary Waugh reviews the ENO's performance of Britten's opera. The post Review: The Turn of the Screw at Regent's Park Open Air Theatre appeared first on Exeunt Magazine.
Back in April Southwark Playhouse staged a flamboyant and fun flapper era production of William Wycherley's Restoration comedy, The Country Wife. Jonathan
Messy, flawed, slippery: Rosemary Waugh on an intriguing revival of Sophie Treadwell's 1928 play. The post Review: Machinal at Almeida Theatre appeared first on Exeunt Magazine.
St Giles-in-the-Fields holds the honour of being one of very few things that have stayed the same in Soho over the past
The notorious Marquis de Sade wrote Nouvelle Justine in 1791 and Juliette a decade later. The title characters represent 'virtue' and 'vice',
Kristina's play: Rosemary Waugh reviews Polly Stenham's adaptation of August Strindberg The post Review: Julie at the National Theatre appeared first on Exeunt Magazine.
Emily Schwend’s Utility is about the real desperate housewives of America. The ones who aren’t actually housewives, but are juggling working the
Reminder: you're going to die. Rosemary Waugh reviews Dead Centre's work about Shakespeare's son The post Review: Dead Centre's Hamnet at the Southbank Centre appeared first on Exeunt Magazi…
Enid Bagnold's 1955 play The Chalk Garden is rooted in the playwright's time spent living in Rottingdean, on England's chalky soiled south
May Day, May Day! Barrie Rutter's production of The Two Noble Kinsmen opens at Shakespeare's Globe just after the second bank holiday
DH Lawrence's 1913 play might be titled The Daughter-in-Law, but really it's all about mothers. Set during the 1912 Miners Strike, the
Judy Upton's 1998 play Confidence is set on the seaside. Not the seaside of nostalgic dreams (raspberry ripple ice cream and donkey
Katy Brand's debut play, 3 Women, is set on the eve of a wedding. Three generations of the same family (grandmother, mother
Shakespeare's stories: Rosemary Waugh reviews the first productions by the new Globe Ensemble. The post Review: As You Like It and Hamlet at Shakespeare's Globe appeared first on Exeunt Maga…
Rosemary Waugh reviews the British Paraorchestra's new work inspired by the theoretical physicist Richard Feynman, as part of Bristol's Mayfest The post Review: The Nature of Why at Mayfest …
Phil Ormrod's Bruntwood-longlisted Isaac Came Home from the Mountain takes its title from the biblical story of Abraham offering his only son
Dream on: Rosemary Waugh reviews a new work-in-progess from The Plasticine Men about selling cars to the Indian market The post Review: Engine Break at the New Diorama appeared first on Exeu…
Storybook kings and queens: Rosemary Waugh reviews George Benjamin and Martin Crimp's new opera, directed by Katie Mitchell The post Review: Lessons in Love and Violence at the Royal Opera H…
War and peace: Rosemary Waugh reviews the Maly Theatre of St Petersburg performing Vasily Grossman's epic work The post Review: Life and Fate at the Theatre Royal Haymarket appeared first on…
Rigby, the young protagonist of Izzy Tennyson's Grotty, has two girlfriends. One is Toad (Rebekah Hinds), a well-off woman who likes going
Hideki Noda's One Green Bottle is a satirical play for the 'selfie' generation or, as the writer and director clearly sees it,
In light of #MeToo and its relevance to the theatre industry, it's understandable why the Finborough Theatre would see now as a
Noel Coward's 1942 play Present Laughter is often thought of as the playwright's most autobiographical creation. Yet 'faith to reality' is not