320 stories by "Rosemary Waugh"
Though the nine one-act plays that make up Tonight at 8.30 are all written by Noel Coward, in many ways that's where
Right-sized reactions to the world: Rosemary Waugh reviews Ella Hickson's The Writer
The post Review: The Writer at the Almeida appeared first on Exeunt Magazine.
"A lot can happen in a day" is the low-bubbling refrain of Joe White's debut play Mayfly. Set in rural Shropshire, it's
The Ibsen-ness of Ibsen: Rosemary Waugh reviews the National Theatre of Norway's production of Little Eyolf
The post Review: Little Eyolf at the Print Room appeared first on Exeunt Magazine.
Persuasion was the last novel finished by Jane Austen, and it contains all the well-worn components the author is famous for. There's
Despicable acts: Rosemary Waugh reviews Shostakovich's opera, based on the same short story that inspired William Oldroyd and Alice Birch's recent film.
The post Review: Lady Macbeth of Mts…
If Amazon Prime delivered families: Rosemary Waugh reviews Thomas Eccleshare's new play about humanoids and parenting.
The post Review: Instructions for Correct Assembly at the Royal Court a…
There's nothing misty-eyed about Kenneth Emson's portrait of secondary school. Set in Essex, where the playwright grew up, his new play Plastic pinpoints
From 1753 up until 1924, William Wycherly's The Country Wife was deemed too scandalous to be performed, though by today's standards, this
Martin Murphy's one-woman monologue is titled Victim, but the three characters represented in it are far from meek or mute. Tracey, a
The central characters in Michelle Barnette's debut play Love Me Now first appear to be a millennial everycouple. This is sex in
Don't panic: Rosemary Waugh reviews Free Falling, a double bill of dance works by Hagit Yakira
The post Review: Free Falling by Hagit Yakira appeared first on Exeunt Magazine.
Tim Crouch's new play for children and adults is set on the classic British summer holiday. The weather's damp and awful and
It's a very particular kind of a teenage emotion that powers Stephanie Silver's new play Our Big Love Story. The type of
Richard Brinsley Sheridan's 1775 play The Rivals is an overblown comedy of errant identities. Director Jonathan Humphreys' production, however, strips it off
Paradise Fields is the fictional corporate care facility created by Access All Areas for Madhouse Re:exit, an immersive promenade show about care
Female Parts: Shorts is a collection of three monologues subverting female roles both onstage and off. All three " A Woman Alone
Mirrors and warriors: Rosemary Waugh reviews Imogen Butler-Cole's work about sexual violence and healing
The post Review: Foreign Body at Vault Festival 2018 appeared first on Exeunt Magazin…
Foxgloves, wisteria, cornflowers, violets, roses. Paul Miller's production of Humble Boy is set in an immaculate English garden. When Felix Humble (Jonathan
Written in 1935, The Dog Beneath the Skin is the first play that WH Auden and Christopher collaborated on. While both writers
"Who is more admirable?" ask Pavlos Christodoulou, "David Attenborough or the Dalai Lama?" It's the first in a series of absurd questions
For millennials, Britney Spears' head shaving in 2007 is a seminal celeb-culture moment. For Jo Hauge, however, it has a more personal
Shopping bags and parcel tape: Rosemary Waugh reviews Rufus Norris's after-the-war Shakespeare.
The post Review: Macbeth at the National Theatre appeared first on Exeunt Magazine.
Farewell, puritanism: Rosemary Waugh reviews the stage adaptation of Ingmar Bergman's famous film.
The post Review: Fanny & Alexander at the Old Vic Theatre appeared first on Exeunt Mag…
Female rage comes in many forms. For the protagonist, GG, in Naomi Sheldon's one-woman monologue Good Girl, it first manifests as a
