320 stories by "Rosemary Waugh"
Bodies for sale: Rosemary Waugh reviews Sasha Waltz & Guests' human-focused dance work
The post Review: Körper at Sadler's Wells appeared first on Exeunt Magazine.
The English language stage adaptation of Ghassan Kanafani's Returning to Haifa had a troubled birth. First commissioned by the Public Theater in
In staging The Cherry Orchard at Bristol Old Vic and Manchester's Royal Exchange, the show's designer, Tom Piper, is aiming to take
Come for the fringe theatre, stay for the free lube: Rosemary Waugh reviews Fran Bushe's show about Female Sexual Dysfunction
The post Review: Ad Libido at Vault Festival 2018 appeared first…
William Shakespeare wrote several so-called 'problem plays', a series of works not easily categorised as comedy or tragedy. Robin Hooper's Foul Pages,
The aches and pains of long-term love: Rosemary Waugh reviews Lost Dog's new show about Shakespeare's lovers all grown up.
The post Review: Juliet and Romeo at the Battersea Arts Centre app…
Feeling blue: Rosemary Waugh reviews the premiere of Dennis Kelly's one-woman play.
The post Review: Girls & Boys at the Royal Court appeared first on Exeunt Magazine.
Love and land: Rosemary Waugh reviews Peter Gill's painfully realistic picture of a relationship
The post Review: The York Realist at the Donmar Warehouse appeared first on Exeunt Magazine.
A discombobulatingly epic bit of stage design: Rosemary Waugh reviews the theatre version of Astro Boy
The post Review: Pluto at the Barbican appeared first on Exeunt Magazine.
Stephanie Jacob's new play, Again, is full of "what ifs". The potential for a sentence spoken or an action taken to be
Sexting with James Joyce: Rosemary Waugh reviews My Kind of Michael and Your Sexts Are Shit, as part of NOW18.
The post Review: NOW18: Week 4 at The Yard appeared first on Exeunt Magazine.
Rosemary Waugh reviews the premiere of Simon Longman's brutal, bloody and foreboding rural play.
The post Review: Gundog at the Royal Court appeared first on Exeunt Magazine.
Conor McPherson is an expert of the uncanny " a fact not lost in Matthew Xia's fantastically dreamlike production of Dublin Carol.
Bursting bubbles: Rosemary Waugh reviews Sarah McDonald-Hughes' play about growing up fast
The post Review: How To Be A Kid at the Orange Tree Theatre appeared first on Exeunt Magazine.
Community, up to a point: Rosemary Waugh reviews Gecko's new work on being 'wedded to society'.
The post Review: The Wedding by Gecko appeared first on Exeunt Magazine.
Lots of knots: Rosemary Waugh reviews the arrival of Andrea Dunbar's play at the Royal Court.
The post Review: Rita, Sue and Bob Too at the Royal Court appeared first on Exeunt Magazine.
A cult hit: Anoushka Warden's debut monologue is bold, brash and baggy.
The post Review: My Mum’s a Twat at the Royal Court appeared first on Exeunt Magazine.
Charles Dickens' The Chimes was published in 1844, one year after A Christmas Carol. Like the better-known festive tale, The Chimes is
Little green men, intergalactic radio broadcasts and a baby in a suitcase do not make for conventional Christmas theatre. However, Lucy and
The cast makes the panto, and Snow White and the Seven Dwarfs at the New Theatre in Cardiff strikes gold with a
Bea Roberts' Little Mermaid for the Egg theatre in Bath is, without exaggeration, a thing of beauty. Hans Christian Andersen's fairytale is
There are two pantomimes happening in Exeter this year and, like gloriously mismatched sisters, there's room enough for the both of them.
Someone at Qdos Entertainment didn't get the memo marked "it's 2017" before staging Aladdin at the Bristol Hippodrome. Or indeed the ones
Many of the best pantomimes add local quirks to the festival staples. Tony Lidington's Dick Whittington for the Exeter Northcott follows this
Shell suits, ET and Walkmans. To a particular age group, this is enough to whisk them back to an early 1980s childhood.
