The Off-Broadway Theatre Review: MCC's Caroline By Ross Suitcases, Tylenol, and pancakes in a corner booth of a diner outside of Cleveland " that's how MCC's Caroline begins. New clothes and…
Frontmezzjunkies is positively vibrating with excitement over the news about Peter Shaffer's Amadeus " that decadent, delicious battle of genius versus mediocrity. The new limited series ada…
The Broadway Theatre Review: Waiting for Godot by Ross I've seen the pictures. Of the curtain calls and the production stills. But nothing prepared me for the awesome spectacle of that massi…
Frontmezzjunkies reports: Schmigadoon! The Musical is Coming to Broadway With something a little meta and marvelous over that foggy bridge, Schmigadoon! The Musical, based on the clever and …
Frontmezzjunkies reports: The Roald Dahl Play Giant Will Bow on Broadway Starring John Lithgow by Ross There's a certain theatrical thrill in seeing John Lithgow step back onto a Broadway st…
Frontmezzjunkies reports: The Streaming Series "Amadeus" Arrives This Year Frontmezzjunkies is positively vibrating with excitement over the news about Peter Shaffer's Amadeus " that decaden…
The TIFF Film Review: A Private Life By Ross Jodie Foster delivers a captivating performance of rare precision, vulnerability, and grace in "A Private Life", a French-language drama that exa…
The Broadway Theatre Review: James Graham's Punch By Ross "It's a hot one today, boiling," he states, wired and itching for drama, "and I'm not even high yet." It's a sharp, solid catch that…
The Tiff Film Review: Nicole Bazuin's "Modern Whore" By Ross As naked and honest as one could be, "Modern Whore", premiering at this year's Toronto International Film Festival, immediate…
"Did you know about this shift?" That in 1848, to be precise, Blacks who were free in Mexico's Texas suddenly found themselves slaves in America's Texas after its annexation? And did you als…
Frontmezzjunkies reports: Native Earth Performing Arts Announces 43rd Season of Indigenous Theatre, Dance and Performance Native Earth Performing Arts is proud to announce its 43rd sea…
The Toronto Theatre Review: Slave Play at Canadian Stage By Ross Jeremy O. Harris's Slave Play doesn't ask for your comfort, but it does demand your participation and your attention. His con…
In one of its most radiant "preach to us" moments, Saturday Church rises up in a blast of light and love, urging us to feel the power of acceptance with open hearts. Designer Adam Honoré (O…
The Off-Broadway Theatre Review: Audible Theater's Mexodus By Ross "Did you know about this shift?" That in 1848, to be precise, Blacks who were free in Mexico's Texas suddenly found themsel…
There's something ever so familiar to this Public Theater premiere of The Other Americans. But once the spin starts, the detergent used is something very specific to this wash (I swear I won…
The Off-Broadway Theatre Review: NYTW's Saturday Church By Ross In one of its most radiant "preach to us" moments, Saturday Church rises up in a blast of light and love, urging us to feel th…
Frontmezzjunkies reports: Jonathan Church to be Stratford Festival's Next Artistic Director By Ross I'm excited to share that Jonathan Church has been appointed the next Artistic Director of…
The Off-Broadway Theatre Review: House of McQueen By Ross Searching and searching, online for a deadly idea. That's what is projected with clarity across the back white wall as House of McQu…
The Off-Broadway Theatre Review: The Other Americans By Ross There's something ever so familiar to this Public Theater premiere of The Other Americans. But once the spin starts, the detergen…
The TIFF Film Review: Guillermo del Toro's "Frankenstein" By Ross NORTH AMERICAN PREMIERE " United States of America | 2025 | 149m | English In deep, dark red, black, and white canvase…
The Acton Off-Broadway Theatre Review: The Cherry Orchard at Rutgers Presbyterian Church By Acton Time goes by so slowly for those who wait. Madonna's time-bending 2005 hit Hung UpÅ
The Toronto Theatre Review: The Green Line By Ross This is 1978 Beirut, we are told. And that there is a line, The Green Line, that separates West Beirut and the East. It's a line of demarca…
The Acton Off-Broadway Theatre Review: Abigail Duclos's Blood Orange by Acton The new horror play Blood Orange (writer Abigail Duclos, director Vernice Miller) rolls out like a sleepov…
The Toronto Theatre Review: Emily Paterson's Butch/Femme by Ross The static of an old-time record player fills the air of the Mainstage at Theatre Passe Muraille, as a neatly dressed woman, …
The TIFF Film Review: Ally Pankiw's Lilith Fair: Building a Mystery By Ross WORLD PREMIERE " Canada | 2025 | 99m | English Diving into the phenomenally crafted documentary, "Lilith Fai…