Review: Pleasure, Lyric Hammersmith
Mark Simpson's new opera Pleasure is as a co-commission and co-production between Aldeburgh Music, Opera North and The Royal Opera House (and presented in London in association with the Lyri…
Mark Simpson's new opera Pleasure is as a co-commission and co-production between Aldeburgh Music, Opera North and The Royal Opera House (and presented in London in association with the Lyri…
The Wrong Crowd beautifully choreograph one little girl’s journey of grief, narrated with an excellent score by Isobel Waller-Bridge and some really heart-felt performances. This is a …
Celebrating its fourtieth year of breaking boundaries, the London International Mime Festival 2016 offers us a host of contemporary visual theatre in some of the best venues, showcasing new …
Whatever has attracted you to this show, whether you’re in Edinburgh, London or elsewhere, it doesn’t really matter what answers you have come looking for because Real Life will …
As part of Tete a Tete’s Opera Festival this double bill entitled Life Stories: Rest in Peace and Silent Jack complimented each other very well, with through-line themes of memory, los…
On the empty stage at Sadler’s Wells, Anne Teresa De Keersmaeker, Boris Charmatz and Amandine Beyer present Partita 2, a feat of choreography and the act of layering that ultimat…
Sat in the understated Waterloo East Theatre, when the concealed keyboard began to play, I felt a pinch of dread at the prospect of a musical. But I am happy to say that I was pleasant…
Alys Metcalf’s first full-length production, Unearthed, has been staged and presented by the newly formed Folio Theatre Company; and with such a strong debut show I imagine it will sta…
I sat in the intimate Old Red Lion Theatre waiting excitedly to be transported to the Irish Midlands. There is artificial grass under my feet, the scenography already a spectacle, and all I …