FULL-ON BONKERS
Geoffrey Rush predictably dazzles, even if the vehicle he rides in on could use a tune-up.
Geoffrey Rush predictably dazzles, even if the vehicle he rides in on could use a tune-up.
Olympia Dukakis gives a grounded yet juicy performance in Michael Wilson's sharp staging of Tennessee Williams' rarely-performed drama.
The Abbey Theatre, abetted by an all-star cast, hauls out an Ibsen chestnut.
Edna O’Brien takes on the eternal triangle with sly, insidious wit.
Edna O’Brien takes on the eternal triangle with sly, insidious wit.
Shaw’s trophy bawd is mis-served by a lackluster, off-kilter production.
Sarah Ruhl's latest, Dead Man's Cell Phone is a doozy. Inspired silliness transcends morbidity in this riff on a modern accoutrement.
There's a general consensus among the theatre community that the Pulitzer which Edward Albee earned in 1967...
Alcoholism, as any alcoholic's family and friends will tell you, is not funny...
Our modern sensibilities shudder to contemplate the horrific possibilities were an eleven-year-old girl...
BAM’s Next Wave Festival offers a rare chance to see a Stew/Rodewald project in process.