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146 stories by "Sara Holdren"

Theater Review: Of Tusks and Treachery, in Mlima’s Tale by Sara Holdren

If you climb the stairs to the Public's Martinson Theater instead of taking the elevator, you'll learn a few upsetting facts along the way. Posted on the stairwell's walls in big red decals …

SOURCE: Vulture at 10:00pm on April 15, 2018

Theater Review: Anthony Sher as a Slow-Burning, Intense King Lear by Sara Holdren

In a notable instance of one behemoth assessing another, the director Peter Brook once called King Lear "a mountain whose summit has never been reached, the way up strewn with the shattered …

SOURCE: Vulture at 8:00am on April 15, 2018

Theater Review: Can Carousel Be Brought Around? by Sara Holdren

In 1999 Time magazine proclaimed Rodgers and Hammerstein's Carousel the best musical of the 20th century. Critics, notably the heavy-hitters at the Times, have raved about the sweeping adapt…

SOURCE: Vulture at 10:00pm on April 12, 2018

Theater Review: On the Road With Miss You Like Hell by Sara Holdren

I really wanted to like Miss You Like Hell. Maybe that's a risky thing to admit, since it acknowledges that we"critics, humans"don't show up to plays in pristine states of impartiality. Then…

SOURCE: Vulture at 10:00pm on April 10, 2018

Theater Review: The Familiar Spin of This Flat Earth by Sara Holdren

It's a lonely experience to sit in a theater feeling out of sync with the responses around you. Contrary to the popular mythology about critics, it's not fun to dislike things. It can leave …

SOURCE: Vulture at 7:15pm on April 9, 2018

On Wednesdays, We Do Two Shows: Mean Girls Self-Awarely Stages Itself by Sara Holdren

Less than two minutes into the smart, splashy new musical of Tina Fey's 2004 teen comedy Mean Girls, my friend leaned over and whispered delightedly, "This is the most postmodern thing I've …

SOURCE: Vulture at 10:00pm on April 8, 2018

Theater Review: Angels in America Punches Through the Roof Again by Sara Holdren

In 1935 Gertrude Stein spoke about narrative and the passing of time in a series of talks at the University of Chicago. "Twenty-five years roll around very quickly," she wrote, but "it is th…

SOURCE: Vulture at 9:30pm on March 25, 2018

Theater Review: When Margaritaville Comes to Times Square by Sara Holdren

Are you tired of winter in New York? Does the idea of getting day-drunk at a Sandals resort appeal to you? Does your ideal theatergoing experience occur in a Marriott hotel and feature a lob…

SOURCE: Vulture at 10:00pm on March 15, 2018

Theater Review: Why I Can’t Accept Admissions by Sara Holdren

The world's most fashionable astrophysicist, Neil deGrasse Tyson, recently tweeted, "Creativity that satisfies & affirms your world view is Entertainment. Creativity that challenges &…

SOURCE: Vulture at 10:08pm on March 12, 2018

Theater Review: In The Low Road, Adam Smith Envisions Pizza Hut by Sara Holdren

Bruce Norris is like a skilled painter who can't stand paint. Or a sculptor who's morally repulsed by clay. He's a playwright, so his medium is people, and for Norris, people rank somewhere …

SOURCE: Vulture at 1:25pm on March 9, 2018

Theater Review: The Amateurs Reveals Its Inner Playwright by Sara Holdren

"Confronted with a crisis, what is the artistic impulse?" Jordan Harrison asks us two-thirds of the way through his new play, The Amateurs, now at the Vineyard Theatre under the direction of…

SOURCE: Vulture at 11:26am on March 1, 2018

Theater Review: Dramas Family and Global, in An Ordinary Muslim by Sara Holdren

"I don't want to be tolerated. I want to be respected."So says Azeem Bhatti, the angry, suffering man at the center of Hammaad Chaudry's potent An Ordinary Muslim, under the assured directio…

SOURCE: Vulture at 9:15pm on February 26, 2018

Theater Review: The Relevance of Relevance by Sara Holdren

I wrote recently of the blight of mediocre, self-congratulatory, hungry-for-relevance plays on the current theatrical landscape, so it was with some apprehension that I approached JC Lee's n…

SOURCE: Vulture at 9:00pm on February 26, 2018

Theater Review: Edward Albee’s At Home at the Zoo, Again by Sara Holdren

There's a small play playing on Signature Theatre's largest stage.Well, in some ways it's small. In reputation, it's big. Edward Albee's At Home at the Zoo (that's the legally mandated title…

SOURCE: Vulture at 10:00pm on February 21, 2018

Theater Review: Kings Falls Into the Relevance Trap by Sara Holdren

What makes us think that a play like Sarah Burgess's Kings " now at the Public under the direction of Thomas "I directed Hamilton, maybe you've heard of it" Kail " is necessary? Is it the ag…

SOURCE: Vulture at 10:00pm on February 20, 2018

Theater Review: Is God Is Seeks the Divine by Sara Holdren

Is God Is. The title of Aleshea Harris's play is cyclical: a question, followed by an answer, followed by a question. Doubt, certainty, doubt again. The play has cycles built into its DNA: i…

SOURCE: Vulture at 9:59pm on February 18, 2018

Theater Reviews: Returning to Reims and In the Body of the World by Sara Holdren

"Don't worry," a director says to an actress at the beginning of Returning to Reims: "It's not theater." It's a knowing wink " Katy, the actress, is recording the voiceover for a documentary…

SOURCE: Vulture at 11:27pm on February 11, 2018

Theater Review: [PORTO] Gets the Urban Millennial Woman Exactly by Sara Holdren

I am a Brooklyn-dwelling, 30-something white woman sitting in a hip Brooklyn coffee shop to write about a play about a Brooklyn-dwelling, 30-something white woman that takes place in a hip B…

SOURCE: Vulture at 9:00pm on February 6, 2018

Theater Review: Martin McDonagh on a Dying Profession, in Hangmen by Sara Holdren

Martin McDonagh's newest play was a long time in coming. In 2015, when Hangmen premiered at the Royal Court in London, McDonagh told the Guardian that he'd been mulling over the central prem…

SOURCE: Vulture at 10:00pm on February 5, 2018

Theater Review: Diaghilev Gets the Stage-Biopic Treatment in Fire and Air by Sara Holdren

Historical geniuses are tricky beasts to dramatize. Last year, Scott Carter's attempt to revive the corpses of Dickens, Tolstoy, and Thomas Jefferson fell flat at Primary Stages. Now, in the…

SOURCE: Vulture at 11:01pm on February 1, 2018

Theater Reviews: Cardinal and He Brought Her Heart Back in a Box by Sara Holdren

Greg Pierce's new play Cardinal, now at Second Stage Theatre under the direction of Kate Whoriskey, is a bit like its own central character, Lydia Lensky. Both are cute at the outset, both p…

SOURCE: Vulture at 10:00pm on January 30, 2018

Theater Reviews: Miles for Mary and The Homecoming Queen by Sara Holdren

Is there a German compound noun for that movie or play or show or thing you're fascinated by and even glad to have experienced but have no desire ever to see again? It's not an insult: for m…

SOURCE: Vulture at 10:00pm on January 22, 2018

Theater Review: Dark Flights of Fancy in Ballyturk’s Small Town by Sara Holdren

It's scarier when Godot does show up.Enda Walsh, the Irish playwright and director whose claustrophobic, purgatorial worlds and fascination with the disintegration of language have long mark…

SOURCE: Vulture at 10:09pm on January 15, 2018

Theater Review: John Lithgow Talks, Reads, Charms Everyone Silly by Sara Holdren

As much as I dislike the automatic applause given to celebrities when they make their first Broadway entrances, the cheers that greet John Lithgow"all six feet four of him"as he lopes onto t…

SOURCE: Vulture at 8:00pm on January 11, 2018

Theater Review: Mankind, Where Wokeness Conquers Most by Sara Holdren

"Is it possible to write a feminist play with no women in it? And that a woman did not write?" asks Tim Sanford, artistic director of Playwrights Horizons, in the program for Robert O'Hara's…

SOURCE: Vulture at 8:28pm on January 8, 2018
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