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309 stories by "Sarah Crompton"

Woolf Works review " Alessandra Ferri goes deeper in Wayne McGregor's modern masterpiece by Sarah Crompton

Royal Opera House, LondonThe Italian star graces a flawless revival of McGregor's dreamlike 2015 ballet inspired by the writings of Virginia Woolf Woolf Works is a beauty " a ballet of ravis…

SOURCE: The Guardian at 4:00am on March 5, 2023[SHARE]

Alessandra Ferri: 'Dancing with Nureyev​,​ I swear he had an energetic aura around him' by Sarah Crompton

The principal ballerina on portraying Virginia Woolf, why she's so enthusiastic about ageing, and what she learned from the greats Born in Milan in 1963, Alessandra Ferri was a principal wit…

SOURCE: The Guardian at 4:30am on February 26, 2023[SHARE]

Dada Masilo's The Sacrifice review " deeply moving and astonishingly fresh by Sarah Crompton

Brighton Dome and touringThe South African choreographer transforms The Rite of Spring using the music, rhythms and rituals of her Tswana background The South African choreographer Dada Masi…

SOURCE: The Guardian at 4:00am on February 26, 2023[SHARE]

Tracy-Ann Oberman: 'Shakespeare could not avoid the attitude of hatred towards Jews at the time he was writing' by Sarah Crompton

The actor talks to Sarah Crompton about setting 'The Merchant of Venice' at the time of Oswald Mosley's fascists, and her thoughts on trigger warnings

SOURCE: The Independent at 1:30am on February 26, 2023[SHARE]

'It's a grief and a healing': why dance-makers love The Rite of Spring by Sarah Crompton

Stravinsky's ballet sensation of 1913 shocked its first Paris audience. More than 150 versions later, the far-reaching pull of this modernist masterpiece remains irresistible… For a work t…

SOURCE: The Guardian at 8:00am on February 12, 2023[SHARE]

Secret Things/ Everyone Keeps Me; Dance Me review " the glory of Pam Tanowitz by Sarah Crompton

Linbury theatre, Royal Opera House; Sadler's Wells, LondonThe American choreographer delights with a programme of rare wit, beauty and unshowy complexity. Elsewhere, a Vegas-style tribute to…

SOURCE: The Guardian at 12:30am on February 12, 2023[SHARE]

Acosta Danza: Spectrum; Julie Cunningham: How Did We Get Here? " review by Sarah Crompton

Royal Opera House; Sadler's Wells, LondonBig personalities shine out in the Cuban company's celebratory show. And Mel C holds her own in Cunningham's opaque new work In ballet, the dancers a…

SOURCE: The Guardian at 7:00am on January 28, 2023[SHARE]

The Sleeping Beauty review " a vintage production rises and shines by Sarah Crompton

Royal Opera House, LondonIt's unapologetically retro, and there's no story, but the Royal Ballet's latest revival of Petipa's intricate masterpiece casts its spell When choreographers want t…

SOURCE: The Guardian at 4:00am on January 22, 2023[SHARE]

Matthew Bourne's Sleeping Beauty review " delights the heart and mind by Sarah Crompton

Sadler's Wells, LondonDanced with vigour and detail, Bourne's ingenious fairytale fix is brought bang up to date in this 10th anniversary revival Amid all the pink, sparkly tinsel of numerou…

SOURCE: The Guardian at 6:24am on December 18, 2022[SHARE]

Dance: Sarah Crompton's five best shows of 2022 by Sarah Crompton

Past and present entwined in a sparkling postmodern revival, plus a sensational take on Stravinsky and Crystal Pite's sublime dance of life Read the Observer critics' review of 2022 in full …

SOURCE: The Guardian at 1:18pm on December 17, 2022[SHARE]

Ruination review " fabulous festive myth and murder from Lost Dog by Sarah Crompton

Linbury theatre, Royal Opera House, LondonBen Duke's retelling of the Medea myth may not have the trappings of Christmas cheer, but its inventive wit brings real delight Well, hats off to Be…

SOURCE: The Guardian at 5:48am on December 11, 2022[SHARE]

Israel Galván: La Consagración de la Primavera review " Stravinsky's Rite reborn by Sarah Crompton

Sadler's Wells, LondonThe flamenco star reinvents Stravinsky's 1913 ballet in a stunning solo show that seems to take over his entire body Israel Galván slinks on to the stage from the op…

SOURCE: The Guardian at 4:48am on December 4, 2022[SHARE]

The Royal Ballet: A Diamond Celebration review " looking forward with friends by Sarah Crompton

Royal Opera House, LondonWorld premieres, old favourites and a ballet legend in the house make for a memorable gala evening Ballet loves an event, an opportunity to pull out the posh frocks …

SOURCE: The Guardian at 5:24am on November 20, 2022[SHARE]

Matthew Modine:​ ​'I didn't want to do Stranger Things but ​t​he Duffer Brothers kept ringing me up' by Sarah Crompton

The actor and environmentalist on playing Atticus Finch, the character's importance today, and why he dyed his hair white for Stranger Things Actor Matthew Modine, born in California in 1959…

SOURCE: The Guardian at 6:54am on November 14, 2022[SHARE]

'I want people to walk away with a sense we can triumph together': the making of Mandela the musical by Sarah Crompton

Two South African brothers have spent seven years developing a musical about Nelson Mandela's younger, radical years. His family are supportive, but political musicals are high risk… We ta…

SOURCE: The Guardian at 11:18am on November 13, 2022[SHARE]

English National Ballet: Ek/ Forsythe/ Quagebeur review " a fantastic farewell from Tamara Rojo by Sarah Crompton

Sadler's Wells, LondonMats Ek's riveting new Rite of Spring for the #MeToo era is the centrepiece of the company's last triple bill under its transformative artistic director This was Tamara…

SOURCE: The Guardian at 9:03am on November 12, 2022[SHARE]

Birmingham Royal Ballet: Into the Music; Made in Leeds: Three Short Ballets " review by Sarah Crompton

Sadler's Wells; Linbury Studio theatre, Royal Opera House Inspired by Munch paintings and infused with hip-hop, two invigorating triple bills by Royal Ballet alumni are a riot of styles and …

SOURCE: The Guardian at 5:03am on November 6, 2022[SHARE]

Navy Blue review " Oona Doherty's dark night of the soul by Sarah Crompton

Sadler's Wells, LondonImbuing the balletic grace of her dancer's movements with tension and anxiety, Doherty asks a refreshing yet unsettling question: what's the point of dance? An awful l…

SOURCE: The Guardian at 5:37am on October 30, 2022[SHARE]

Light of Passage review " Crystal Pite's magnificent dance of life by Sarah Crompton

Royal Opera House, LondonThe Canadian choreographer has turned 2017's acclaimed Flight Pattern into a full-length work that brims with massed energy and profound humanity Crystal Pite is an …

SOURCE: The Guardian at 6:03am on October 23, 2022[SHARE]

Dance Umbrella digital festival review " riches from punk to samba to the supermarket by Sarah Crompton

The online programme of the forward-facing London festival boasts thoughtful and varied work by Calixto Neto, Abby Zbikowski and more Dance Umbrella, London's celebration of cutting-edge dan…

SOURCE: The Guardian at 4:43am on October 16, 2022[SHARE]

Mayerling review " astounding from beginning to end by Sarah Crompton

Royal Opera House, LondonKenneth MacMillan's bleak psychological period piece is a gift for the Royal Ballet's dancers, who take turns in performances of gripping, in-the-moment power When K…

SOURCE: The Guardian at 4:33am on October 9, 2022[SHARE]

Peaky Blinders: The Redemption of Thomas Shelby review " firing blanks by Sarah Crompton

Birmingham Hippodrome, and touringRambert's dancers bring style, but can't provide substance, to this somewhat inert adaptation of the hit TV crime series I watched every second of all six s…

SOURCE: The Guardian at 10:19am on October 2, 2022[SHARE]

Choreographer Kate Prince: 'Hip-hop is like a massive jar of honey' by Sarah Crompton

The founder of ZooNation on how the company " about to celebrate its 20th anniversary " helped to bring hip-hop dance into the mainstream The choreographer, director and writer Kate Prince, …

SOURCE: The Guardian at 5:07am on September 25, 2022[SHARE]

United Ukrainian Ballet: Giselle review " a moving act of defiance by Sarah Crompton

Coliseum, LondonIn borrowed costumes, this company exiled by war inhabit Alexei Ratmansky's take on the 19th-century classic High emotion inevitably surrounded this production of Giselle by…

SOURCE: The Guardian at 5:33am on September 18, 2022[SHARE]

The Goldberg Variations, BWV 988; Nureyev: Legend and Legacy review " making sound visible by Sarah Crompton

Sadler's Wells; Theatre Royal Drury Lane, LondonAnne Teresa de Keersmaeker creates a revelatory response to Bach, while a gala celebrating the dance legend is full of bravura dancing A week …

SOURCE: The Guardian at 4:33am on September 11, 2022[SHARE]
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