Julie Kent, sweeping the Washington Ballet forward
As the former ABT dancer readies the first program at her new gig, she eyes the details.
As the former ABT dancer readies the first program at her new gig, she eyes the details.
Farrell, the former New York City Ballet star, plans to teach at expanded Kennedy Center.
The fall dance by the San Francisco Ballet features great minds and grand ambition.
In the pursuit of points for difficulty, gymnasts fail to balance athleticism with artistry.
There's no wider window onto a dancer's life than Instagram. And in summer, they get personal.
American Ballet Theatre's "Romeo and Juliet," reminding us of tenderness in dark times.
Three ballerinas reflect on what makes Juliet the role of a lifetime.
Another husband-and-wife team from American Ballet Theatre is moving to Washington.
The ABT will return to Wolf Trap again this summer with 'Romeo and Juliet.'
Mats Ek's version honors its Renaissance source while tying it directly to our current world.
As Royal Swedish Ballet prepares his "Juliet and Romeo," Ek talks about what moves him.
Works from 1970s and '80s feature delight and mystery.
On the agenda are works by Ashton, Ratmansky and Peck, as well as an Opera House debut.
The final program with Septime Webre as artistic director was bittersweet
An artistic sports video gone viral turns an athlete's slip into a soaring message of resilience.
The outgoing artistic director helped create a program to bring long-term training to children where they live.
Lust and love animate 'Carmina Burana,' but 'Theme and Variations' takes the high road.
The former Dance Theatre of Harlem soloist devoted his life to teaching ballet to at-risk youth.
Former Dance Theatre of Harlem soloist devoted his life to teaching ballet to at-risk youth
Carla Perlo, who founded center in 1980, and co-director Deborah Riley to retire in 2017.
As Julie Kent plans overhaul of Washington Ballet, she bids farewell to ABT and looks forward to passing on what she's learned there.
Ballet by Stephen Mills skims the surface of the play.