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15 stories by "Sarah Sharp"

Review: Crave and 4.48 Psychosis, Crucible Theatre by Sarah Sharp

After the blistering run of Blasted last month, the Crucible Theatre continues (and sadly concludes) its Sarah Kane season this week with alternate nights of Crave and 4.48 Psychosis. Bot…

SOURCE: A Younger Theatre at 3:48pm on March 18, 2015

Latitude Festival Review: Hag by Sarah Sharp

Based on the Slavic folklore of the child-eater Baba Yaga, Wrong Crowd’s Hag is a chilling, all-consuming watch. At the heart of the play is the behemoth figure of Babe Yaga herself, h…

SOURCE: A Younger Theatre at 6:53am on July 30, 2013

Latitude Festival Review: Marvellous Imaginary Menagerie by Sarah Sharp

Roll up, roll up! The circus is in town and it’s here for your delectation and delight. The flamboyant Dr Longitude " fittingly styled for the occasion " has roamed the globe in search…

SOURCE: A Younger Theatre at 10:24am on July 23, 2013

Latitude Festival Review: Ben Moor's Each of Us by Sarah Sharp

“Ben Moor has been producing extraordinary works of theatre since 1993″. Thus we are introduced in the festival programme. It’s a bold statement at best. When weighing up a…

SOURCE: A Younger Theatre at 10:17am on July 23, 2013

Feature: Pop-Up Opera " bringing opera back to the people by Sarah Sharp

As Pop Up Opera takes its work into schools for the first time, founder Clem Lovell talks to Sarah Sharp Ah, opera " the everyman theatre. Of all the performative arts, opera, surely is the …

SOURCE: A Younger Theatre at 7:05am on July 22, 2013

Edinburgh Fringe Review: The Miller's Tale: Wahala Dey Oh! by Sarah Sharp

Ebullient, exuberant and bursting with energy, the cast of The Miller's Tale fills its stage from the start and transports you to a world of colour, noise and nefarious goings on. Transplant…

SOURCE: A Younger Theatre at 2:37pm on August 12, 2012

Edinburgh Fringe Review: B.O.X by Sarah Sharp

B.O.X. is a peculiar piece from NineSidedBox, a new theatre company from Harvard University. This is their first production and shows a group still very much in development, still finding th…

SOURCE: A Younger Theatre at 2:50pm on August 9, 2012

Edinburgh Fringe Review: Maria, 1968 by Sarah Sharp

Although it gets off to a shaky start, Maria 1968 is a whimsical silly meta-theatrical delight. The laughs are loud, frequent and absurd. If the opening feels a little too much like an episo…

SOURCE: A Younger Theatre at 2:30pm on August 9, 2012

Presidential Suite: A Modern Fairytale by Sarah Sharp

Sarah Sharp chats to John Binkley, who, inspired by real events in France, wrote this banking crisis fairytale.

SOURCE: A Younger Theatre at 7:06am on August 6, 2012

Edinburgh Fringe Review: Cabaret Nova by Sarah Sharp

All dolled up for its adoring public, Cabaret Nova brings us a smorgasbord showcase of the wonderful delicacies it has to offer in its new abode. It was a bit of a hotchpotch for opening nig…

SOURCE: A Younger Theatre at 2:17pm on August 5, 2012

Edinburgh Fringe Review: This Is Soap by Sarah Sharp

Members of the buoyant and ebullient C Theatre are on call every lunchtime to bring you the next installment in their completely improvised soap opera made daily by you, the audience. Silly …

SOURCE: A Younger Theatre at 10:56am on August 5, 2012

Edinburgh Fringe Review: Sh*t-faced Shakespeare by Sarah Sharp

All male, all female; all singing, all dancing; modern, vintage, Marxist, minimalist " Shakespeare’s been done every which way there is. Every way but drunk. Until now. Members of the …

SOURCE: A Younger Theatre at 2:30pm on August 3, 2012

Edinburgh Fringe Review: Anon(ymous) by Sarah Sharp

Anon(ymous) is the tale of a refugee teenager, on the run from a war-torn country and searching for a home he can no longer define, whose sense he lost long ago. Shipwrecked on the illegal c…

SOURCE: A Younger Theatre at 2:23pm on August 3, 2012

Edinburgh Fringe Review: Dead Man's Cellphone by Sarah Sharp

A man dies in a café. His cellphone continues to ring. His only companion is a solitary diner who never spoke a word to him before his death. She talks to the corpse, takes his calls, and s…

SOURCE: A Younger Theatre at 12:59pm on August 3, 2012

The Economist: An interview with Van Badham by Sarah Sharp

Sarah Sharp interviews the director of the first play written in response to the massacre on Utøya Island by Anders Breivik.

SOURCE: A Younger Theatre at 5:12pm on July 31, 2012
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