Kimberly Akimbo: Malibu Stage Company
Kimberly Akimbo: Review for LA Weekly After music directing a production of Xanadu for Act III Theatre Ensemble this winter, I am back to writing and reviewing! I am thrilled to be the…
Kimberly Akimbo: Review for LA Weekly After music directing a production of Xanadu for Act III Theatre Ensemble this winter, I am back to writing and reviewing! I am thrilled to be the…
According to a woman sitting behind me at the Broad Stage on Sunday afternoon, Thornton Wilder’s Our Town is performed at least once a day somewhere in the United States. The middle ag…
casebolt and smith’s O(h): Review for Stage and Cinema
NOT YOUR ORDINARY EVENING OF DANCE Liz Casebolt and Joel Smith's long-term friendship shapes their every move as a duo dance company. Such a partnership between a straight woman and gay man …
Two years ago today, I launched my new blog Compositions on Theatre with a Prologue: My roommate Roxanne has urged me for months now to start a blog about all my theatrical adventures " s…
Apologies (and other grey areas): Review for Stage and Cinema
Kissing Sid James: Review for Stage and Cinema
THE SOUND OF TWO BRITS KISSING Stationary sales executive Eddie and sexy casino worker Crystal fumble through their first weekend trip together in Robert Farquhar's Kissing Sid James. This p…
OUR APOLOGIES FOR TELLING YOU TOO LATE Something is happening in New York theater. With their latest "ugly opera" Apologies (And Other Grey Areas), The Paper Industry explores the uncertaint…
2011 has been a whirlwind theatrical year. Last winter, I music directed two incredibly rewarding ensemble shows: Brecht and Weill’s Happy End (with director Hunter Bird) and The Ci…
The Myths We Need – Or – How to Begin: Review for Stage & Cinema
ONE OF MANY GENESIS STORIES TO COME Creating a fresh twist on the Biblical tale of Adam and Eve is no small feat. Unfortunately, Larry Kunofsky's The Myths We Need – or – How to …
On my recent visit to NYC, I stayed with a designer in Williamsburg, Brooklyn – a hotbed of hipster culture. And on several occasions, friends told me that I would make a good hipster.…
Bring It On The Musical: Review for Stage & Cinema
PREPPY IS THE NEW SUBVERSIVE When the development of Bring It On: The Musical was announced, I rolled my eyes. The commercial viability of yet another mediocre movie-to-musical had lured Ton…
Segerstrom Center for the Arts sent an e-mail around 4pm and the LA Times published an article at 5:50, but Jen and I didn’t know the news until we reached the box office last night: W…
The Lord of the Rings in Concert: The Fellowship of the Ring: Review for Stage & Cinema
The Dinosaur Within: Review for Stage & Cinema
ACCESS YOUR INNER DINOSAUR The Dinosaur Within digs up some curious storylines, but these fragments fail to cohere into a compelling narrative. In its West Coast premiere at Boston Court, Jo…
I’ve Never Been So Happy: Review for Stage & Cinema
A WILD WEST PARTY IN CULVER CITY The Rude Mechs' I've Never Been So Happy works overtime to please. This Western extravaganza spills into the Kirk Douglas Theater's lobby for an interactive …
Cymbeline: Review for Stage & Cinema
DOING A DIFFICULT PLAY RIGHT Tackling William Shakespeare's late play Cymbeline is no small feat, but Fiasco Theater makes the challenge deceptively simple and positively enchanting. With a …
Septimus & Clarissa: Review for Stage & Cinema
Dublin by Lamplight: Review for Stage & Cinema