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2,003 stories by "Scotty Zacher"

Review: The Nutcracker (The House Theatre of Chicago, 2015) by Scotty Zacher

The House Theatre of Chicago's adaptation is a classic in its own right; a pitch-perfect blend of drama and whimsy. From script to design to performance, this Nutcracker is a vibrant holida…

SOURCE: Chicago Theater Beat at 7:45pm on December 1, 2015[SHARE]

Review: Robin Hood and Maid Marian (Strawdog Theatre) by Scotty Zacher

With their adaptation of Robin Hodd and Maid Marian, Forks & Hope gracefully mingles tongue-in-cheek Monty Python-esque humor with heartfelt emotion in this world-premiere that will mak…

SOURCE: Chicago Theater Beat at 5:31pm on December 1, 2015[SHARE]

Review: The Santaland Diaries (Theater Wit, 2015) by Scotty Zacher

Don some *gay* apparel"or that ugly sweater"and skate on down to The Santaland Diaries. Michael Fain and company are just as essential as uncensored Christmas Vacation viewings for anyone su…

SOURCE: Chicago Theater Beat at 5:37pm on November 29, 2015[SHARE]

Review: That's Weird Grandma"The Holiday Special (Barrel of Monkeys, 2015) by Scotty Zacher

Barrel of Monkeys loves kids and isn't afraid to show it. The passionate ensemble of actor-educators go into underserved Chicago Public Schools, facilitate creative writing workshops and the…

SOURCE: Chicago Theater Beat at 12:26am on November 28, 2015[SHARE]

Review: Burning Bluebeard (The Hypocrites) by Scotty Zacher

One of the best spectacles on any holiday stage in Chicago, Burning Bluebeard is the kind of nervy production that represents what's best about Chicago theatre and its success is little shy …

SOURCE: Chicago Theater Beat at 8:49pm on November 27, 2015[SHARE]

Review: Incident at Vichy (Redtwist Theatre) by Scotty Zacher

With such a minimalist production, Director Ian Frank relies upon a celebrated playwright, incendiary subject, and extensive cast to carry the show. It isn't enough. Redtwist prides itself o…

SOURCE: Chicago Theater Beat at 10:56pm on November 26, 2015[SHARE]

Review: A Christmas Carol (Goodman Theatre, 2015) by Scotty Zacher

Goodman Theatre's 2015 production of A Christmas Carol is its 38th, and this year's show is a gothic and glittering holiday treat: Henry Wishcamper's direction doesn't skimp on the scary or …

SOURCE: Chicago Theater Beat at 7:16pm on November 26, 2015[SHARE]

Review: Pocatello (Griffin Theatre) by Scotty Zacher

Set entirely in a doomed chain restaurant in the outskirts of Idaho, Griffin Theatre's Midwest premiere is brilliant from beginning to end, an ode to broken dreams and a personification of t…

SOURCE: Chicago Theater Beat at 11:14pm on November 25, 2015[SHARE]

Review: Marjorie Prime (Writers Theatre) by Scotty Zacher

With Marjorie Prime, Director Kimberly Senior helms a story that's accessible and compelling, even as the philosophical conundrums it poses become almost too weighty to wrap your mind around…

SOURCE: Chicago Theater Beat at 9:57pm on November 25, 2015[SHARE]

Review: The Raid (Jackalope Theatre) by Scotty Zacher

The Raid comes across as an uneven production overall, owing mostly to the lack of focus in the narrative structure. Nonetheless, the world premiere by Idris Goodwin contains some strong per…

SOURCE: Chicago Theater Beat at 4:04pm on November 24, 2015[SHARE]

Review: No More Sad Things (Sideshow Theatre) by Scotty Zacher

At its heart, No More Sad Things is a beautiful play. Playwright Hansol Jung's rumination on connections lost and found is not only pretty to look at, but has significant substance. However,…

SOURCE: Chicago Theater Beat at 1:25pm on November 24, 2015[SHARE]

Review: Ain't Misbehavin' (Porchlight Music Theatre, 2015) by Scotty Zacher

Picking a perfect cast as solo dynamos or a harmony-happy ensemble, director Brenda Didier delivers a hard-hoofing, high-strutting, big-belting two-act delight with Porchlight Theatre's Ain'…

SOURCE: Chicago Theater Beat at 8:12pm on November 22, 2015[SHARE]

Review: Agamemnon (Court Theatre) by Scotty Zacher

While many modern audience members will still struggle to remain invested in such an exposition-heavy Greek tragedy, Court Theatre's inventive staging gives the action-craving theatre-goer a…

SOURCE: Chicago Theater Beat at 5:46pm on November 20, 2015[SHARE]

Sanity Break: Newest TV Series "Chicago Sanitation"! by Scotty Zacher

Chicago Sanitation from Funny Or Die I think the next series should be a series about a local theater company called "Chicago Drama"! Anyone have any other suggestions???

SOURCE: Chicago Theater Beat at 12:33pm on November 20, 2015[SHARE]

Review: The Merry Widow (Lyric Opera of Chicago) by Scotty Zacher

Lyric Opera's sumptuous production of The Merry Widow is a wondrous spectacle for the eyes as well as the ears, and a great holiday treat for Chicago. Highly Recommended! (read Jacob Davis' …

SOURCE: Chicago Theater Beat at 8:52pm on November 19, 2015[SHARE]

Review: Wozzeck (Lyric Opera of Chicago) by Scotty Zacher

Alban Berg's opera Wozzeck seems to suggest that cruelty is a slope humanity is inclined to slide down even as our better natures try to prevail. It's an uncompromising and important artisti…

SOURCE: Chicago Theater Beat at 10:20pm on November 18, 2015[SHARE]

Review: Fulfillment (American Theater Company) by Scotty Zacher

With Thomas Bradshaw as the prolific playwright provocateur of the last ten years, Fulfillment runs the gamut from the blatantly absurd to the mildly shocking. That it's frequently a little …

SOURCE: Chicago Theater Beat at 8:16pm on November 17, 2015[SHARE]

Review: Ibsen's Ghosts (Mary-Arrchie Theatre) by Scotty Zacher

Do not hesitate to see Ibsen's Ghosts; with this being Marry-Archie Theatre's final season, memories of their trademark high-risk, high-reward storytelling will soon become ghosts themselves…

SOURCE: Chicago Theater Beat at 5:08pm on November 16, 2015[SHARE]

Review: Never the Sinner (Victory Gardens Theater) by Scotty Zacher

John Logan's gripping stage journalism concentrates on the sheer neediness that shackled the adoring and geeky Leopold to his smooth and sexually manipulative psychopath-lover Loeb. It's a t…

SOURCE: Chicago Theater Beat at 5:45pm on November 15, 2015[SHARE]

Review: The Long Christmas Ride Home (Strawdog Theatre) by Scotty Zacher

Strawdog Theatre's The Long Christmas Ride Home similarly makes us aware of the multiple journeys with one destination, the importance of the landmarks, of moving on, of pulling back from th…

SOURCE: Chicago Theater Beat at 5:55pm on November 14, 2015[SHARE]

Review: The Lisbon Traviata (Eclipse Theatre) by Scotty Zacher

Eclipse Theatre's production is beautifully done; as attuned to detail and performance as the finest big-budget shows. The talented cast and production team almost compensate for Terrence Mc…

SOURCE: Chicago Theater Beat at 9:19pm on November 10, 2015[SHARE]

Review: Treasure Island (Lookingglass Theatre) by Scotty Zacher

For all its shortcomings, Treasure Island does succeed in spectacle. This is a grand staging of a classic tale that countless contemporary stories have borrowed from. But ultimately, this c…

SOURCE: Chicago Theater Beat at 7:20pm on November 8, 2015[SHARE]

Review: Chapter Two (Windy City Playhouse) by Scotty Zacher

Though some moments verge on sitcom-broad, Chapter Two is a lovely, poignant exploration of love and second chances, and the Windy City Playhouse's production deeply understands and apprecia…

SOURCE: Chicago Theater Beat at 8:34pm on November 6, 2015[SHARE]

Review: Design for Living (Pride Films and Plays) by Scotty Zacher

Ultimately Design for Living still lands with force as a defiant flag planted on the mountain of personal freedom is a testimony to Noel Coward's uncanny knack for finding the universal in t…

SOURCE: Chicago Theater Beat at 6:13pm on November 5, 2015[SHARE]

Review: The Miraculous Journey of Edward Tulane (Chicago Children's Theatre) by Scotty Zacher

This is a sophisticated and inventive production that will charm children and adults in equal measure. Much of the innovation comes from the trunk show and musical sensibilities at the core.…

SOURCE: Chicago Theater Beat at 2:01pm on November 5, 2015[SHARE]
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