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2,003 stories by "Scotty Zacher"

Review: Lotto Fever in the Sucker State (Saint Sebastian Players) by Scotty Zacher

Lotto Fever's main issue is its source material. Not the setting or time period, not the characters, but a script that can't effectively straddle the line between pathos and belly laughs. Dr…

SOURCE: Chicago Theater Beat at 6:49pm on November 16, 2014

Review: Frederick (Chicago Children's Theatre) by Scotty Zacher

The world premier of Leo Lionni's classic children's picture book Frederick is an example of good theater for children that isn't JUST for children. So many little touches throughout this mu…

SOURCE: Chicago Theater Beat at 5:58pm on November 15, 2014

Review: A Bright Room Called Day (Spartan Theatre) by Scotty Zacher

A Bright Room is timely viewing for liberals after the recent mid-term elections. Kushner's morality fable on the dangers of complacency is a clarion call to rally against its dangers - we m…

SOURCE: Chicago Theater Beat at 8:38pm on November 13, 2014

Review: Great Expectations (Strawdog Theatre, 2014) by Scotty Zacher

Since this is a Charles Dickens adaption, it feels perfectly right for the holidays, so thoroughly have his novels stamped the season. But, seasonal relevance aside, the play, like the book,…

SOURCE: Chicago Theater Beat at 6:20pm on November 12, 2014

Review: Watch on the Rhine (The Artistic Home) by Scotty Zacher

Lillian Hellman's story is a solid American classic that remains as timely now as it was more than 60 years ago. But at the Artistic Home, that story hits the ear with such inauthenticity he…

SOURCE: Chicago Theater Beat at 11:58pm on November 9, 2014

Review: Welcome to America (Prologue Theatre) by Scotty Zacher

As our understanding of the human condition increases, our ability to lay blame becomes more nuance. Getting passed that difficult, visceral desire to hate without contemplation is not at al…

SOURCE: Chicago Theater Beat at 10:04pm on November 7, 2014

Review: Animal Farm (Steppenwolf Theatre) by Scotty Zacher

Thanks to tight direction of a solid adaptation, starkly effective production values and spot-on character development, this Animal Farm is a brutal, thought-provoking journey for students a…

SOURCE: Chicago Theater Beat at 8:58pm on November 3, 2014

Review: King Lear (Chicago Shakespeare Theater) by Scotty Zacher

With Barbara Gaines at the directing helm, the powerful, entertaining performances of this cast roll over the few missteps mentioned. The production is a great chance to catch up on one of S…

SOURCE: Chicago Theater Beat at 2:12pm on November 2, 2014

Review: The Frozen on the Square, 1982 (Akvavit Theatre) by Scotty Zacher

Akvavit Theatre once again mounts a challenging Nordic play and cultivates interesting moments that might not be obvious from a simple reading of the text. But this time they don't do quite …

SOURCE: Chicago Theater Beat at 12:39am on November 2, 2014

Review: Whatever We Want (Vivarium Theatre) by Scotty Zacher

At its best, Megan Johns' new work Whatever We Want is a contemplative reflection on how early experiences shape who we become. But one needs to clear away the cliches and stock characters t…

SOURCE: Chicago Theater Beat at 7:15pm on November 1, 2014

Review: Both Your Houses (Remy Bumppo Theatre) by Scotty Zacher

The prescient Both Your Houses attempts to skewer the sausage-making process of churning out legislation. But despite its inherent timeliness, the production has all drama of an 8th grade pr…

SOURCE: Chicago Theater Beat at 4:52pm on November 1, 2014

Review: Bethany (The Gift Theatre) by Scotty Zacher

There's no doubt that Laura Marks' Bethany will strike a chord with a wide range of audiences. Answering the question of what seemingly good people are capable of doing when they are despera…

SOURCE: Chicago Theater Beat at 9:01pm on October 31, 2014

Review: Amazing Grace (Broadway in Chicago) by Scotty Zacher

The producers have hired some of the best in the business and these actors and designers give us their "A" game. Nonetheless, a musical's gotta have music you want to hear again and again, a…

SOURCE: Chicago Theater Beat at 9:39pm on October 29, 2014

Review: Bingo's Birthday (Emerald City Theatre) by Scotty Zacher

while aimed at small children, Bingo's Birthday never talks down to them. By approaching children with respect, this show is not only bearable for adults, but actually fun to witness. If you…

SOURCE: Chicago Theater Beat at 1:45pm on October 27, 2014

Review: Hack/Slash (Strangeloop Theatre and Chemically Imbalanced Comedy) by Scotty Zacher

As a theatrical production, Hack/Slash needs both more and less. More elements that tie the story together, more violence, more action, and less drawn-out moments, transitions and dragging s…

SOURCE: Chicago Theater Beat at 7:02pm on October 26, 2014

Review: Don Giovanni (Lyric Opera of Chicago) by Scotty Zacher

Technically flawless and, of course, brilliantly composed, Don Giovanni ranks near the top of any opera lover's must-see list. This production is a luscious interpretation from vocals to vis…

SOURCE: Chicago Theater Beat at 9:44pm on October 24, 2014

Review: Swan Lake (Joffrey Ballet Chicago) by Scotty Zacher

Sumptuous, unexpected and breathtaking, Joffrey Ballet's Swan Lake is a sublimely executed and unexpected interpretation of the classic ballet. In Christopher Wheeldon's telling of the tragi…

SOURCE: Chicago Theater Beat at 9:14am on October 23, 2014

Review: The Wild Party (Bailiwick Chicago) by Scotty Zacher

Bailiwick's revival of Michael John LaChiusa's The Wild Party succeeds in doing what a great party should do - you leave exhilarated, excited, and more than a little exhausted. Director-chor…

SOURCE: Chicago Theater Beat at 9:37pm on October 20, 2014

Review: John Doe (Trap Door Theatre) by Scotty Zacher

Trap Door Theatre's John Doe is a remarkable effort, one an uninitiated audience in avant-garde can enjoy. Though the production is decidedly imperfect, it's oddly compelling and represents …

SOURCE: Chicago Theater Beat at 6:55pm on October 18, 2014

Review: The Clean House (Bluebird Arts) by Scotty Zacher

The Clean House is the kind of quirky show that can turn from theatre to sitcom on the strength of its execution in the finer points. New-to-the-scene Bluebird Arts has taken this crowd plea…

SOURCE: Chicago Theater Beat at 3:05pm on October 18, 2014

Review: The Art of Falling (Hubbard Street Dance Chicago + The Second City) by Scotty Zacher

This is the first time these venerable Chicago cultural treasures have co-created an entire show, and they blend together beautifully. The six Second City actors bring the comedy through ske…

SOURCE: Chicago Theater Beat at 12:14am on October 18, 2014

Review: Jane Eyre (Lifeline Theatre) by Scotty Zacher

With dramatic lighting, an ominous sound design and a disquieting set, Lifeline's Jane Eyre captures the wondrously Gothic atmosphere of Charlotte Brontë's 1847 thriller-romance. Directed…

SOURCE: Chicago Theater Beat at 4:45pm on October 17, 2014

Review: At Home at the Zoo (City Lit Theater) by Scotty Zacher

At Home at the Zoo offers, all in less than two hours, a chance to view both the earliest and a much later sample of Edward Albee's writing - and the two plays blend together perfectly. By p…

SOURCE: Chicago Theater Beat at 1:09pm on October 17, 2014

Review: Sweeney Todd (Porchlight Music Theatre) by Scotty Zacher

It was a big and bold Porchlight Music Theatre triumph nine years ago, and it's just as painfully powerful in the fall of 2014 (just in time for Halloween). Seldom has a more unstoppable sto…

SOURCE: Chicago Theater Beat at 9:42am on October 15, 2014

Review: Smokefall (Goodman Theatre, 2014) by Scotty Zacher

With flawless direction and performances, Goodman Theatre's Smokefall is a haunting play that will remain with you for days after seeing it. Highly Recommended. (read John Olson's review, an…

SOURCE: Chicago Theater Beat at 8:14pm on October 13, 2014
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