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2,003 stories by "Scotty Zacher"

Review: Newsies (Broadway in Chicago, 2016) by Scotty Zacher

With Broadway in Chicago's and Disney Theatricals' *Newsies*, prepare to be entertained! The energy of the 28-member cast, of which nearly 20 are young men under 25, is boundless; as directo…

SOURCE: Chicago Theater Beat at 10:24pm on August 4, 2016[SHARE]

Review: War Paint (Goodman Theatre) by Scotty Zacher

With Goodman Theatre's world premiere *War Paint*, there's much to like and enjoy. The two starring divas, Patti LuPone and Kristine Ebersole, don't disappoint. The two actresses have 14 son…

SOURCE: Chicago Theater Beat at 12:21am on August 3, 2016[SHARE]

Review: Douglass (the american vicarious) by Scotty Zacher

Review by Mark Davidson: The american vicarious's world premiere "Douglass" is a worthy account of the crusade of the most revered abolitionist in this country's history. With an intriguing …

SOURCE: Chicago Theater Beat at 7:32pm on July 26, 2016[SHARE]

Review: Now. Here. This. (Brown Paper Box Co.) by Scotty Zacher

Brown Paper Box Co's plunge into another Jeff Bowen musical, "Now. Here. This." struggles to shape characters that are relatable to the audience, and is a perfect example of self-reflection …

SOURCE: Chicago Theater Beat at 12:57pm on July 26, 2016[SHARE]

Review: The Portrait (Solo Celebration, Greenhouse Theater) by Scotty Zacher

The Portrait by Susan Padveen succeeds because of its lovely production values and Cameron Pfiffner's stirring performance, making it a show worth seeing. Greenhouse Theater has recently hir…

SOURCE: Chicago Theater Beat at 10:46pm on July 21, 2016[SHARE]

Review: Our Lady of 121st Street (Eclipse Theatre) by Scotty Zacher

Stephen Adly Guirgis' Our Lady of 121st Street is a tribute to innocence lost and the lasting effects of childhood religion. Lovingly written, directed and designed, this funeral dramedy is …

SOURCE: Chicago Theater Beat at 6:54pm on July 20, 2016[SHARE]

Review: Kin Folk (The New Colony) by Scotty Zacher

The New Colony's Kin Folk, by William Glick, is a modern-day fantasy. Visually, the show is dazzling, thanks to the evocative projections designed by Paul Deziel. Innovative, well-handled, a…

SOURCE: Chicago Theater Beat at 3:43pm on July 20, 2016[SHARE]

Review: Company by Scotty Zacher

While many directors seem to approach Company's scenes as necessary evils to get through on their way to Sondheim's tuneful and witty songs, William Brown takes the scenes seriously - and mo…

SOURCE: Chicago Theater Beat at 11:13pm on July 18, 2016[SHARE]

Review: Chops (Dashnight Productions) by Scotty Zacher

Chops has a lot of potential - potential that is never completely realized. Fortunately, the three male actors are so accomplished that they can direct themselves, resulting in intense, char…

SOURCE: Chicago Theater Beat at 7:12pm on July 16, 2016[SHARE]

Review: This (Windy City Playhouse) by Scotty Zacher

Windy City Playhouse's *This*, by Melissa James Gibson, is a well-casted 2 hour play about privileged people with problems. Though many plays have this foundation, *This* lacks any type of …

SOURCE: Chicago Theater Beat at 2:48pm on July 15, 2016[SHARE]

Review: Tomorrow Morning (Kokandy Productions) by Scotty Zacher

Though Kokandy Productions' Tomorrow Morning doesn't break any ground in musical theater, it's still a sweet, 90-minute pleasing look at love and marriage, beautifully sung by 4 talented per…

SOURCE: Chicago Theater Beat at 7:48pm on July 13, 2016[SHARE]

Review: Between Riverside and Crazy (Steppenwolf Theatre) by Scotty Zacher

Steppenwolf's Between Riverside and Crazy, which won Stephen Adly Guirgis the 2015 Purlitzer Prize, isn't for everyone. It's gritty and, at times, over the top. However, the strength of its …

SOURCE: Chicago Theater Beat at 3:26pm on July 13, 2016[SHARE]

Review: Schoolhouse Rock Live! (Broadway Playhouse) by Scotty Zacher

In the span of just under an hour, Schoolhouse Rock Live! energetically covers everything from pronouns to women's suffrage. Emerald City Theatre and Broadway in Chicago have a summer hit on…

SOURCE: Chicago Theater Beat at 5:39pm on July 12, 2016[SHARE]

Review: Death and Harry Houdini (The House Theatre, 2016) by Scotty Zacher

House Theatre's Death and Harry Houdini is a guaranteed visual feast, but at its core, the play is a journey into the mind of a genius. For every moment of vulnerability, there's an illusion…

SOURCE: Chicago Theater Beat at 9:10pm on July 8, 2016[SHARE]

Review: The SpongeBob Musical (Broadway in Chicago) by Scotty Zacher

The talented team behind SpongeBob Musical set out to create an entertaining Broadway show specifically for children, parents in tow, and they nailed it. So, get your tickets because a volca…

SOURCE: Chicago Theater Beat at 11:37pm on June 28, 2016[SHARE]

Review: The Art of Falling (Hubbard Street Dance Chicago & Second City) by Scotty Zacher

A Hubbard Street Dance and Second City collaboration, The Art of Falling is back by popular demand. these two Chicago institutions deliver their sublimely charming reflection on the foibles…

SOURCE: Chicago Theater Beat at 6:04pm on June 12, 2016[SHARE]

Review: Xanadu (American Theater Company) by Scotty Zacher

America Theater Co's *Xanadu* is 100 minutes of pure sparkling fun " a love letter to a time that's since taken on a soft focus in American pop culture. No one will forget how terribly recei…

SOURCE: Chicago Theater Beat at 2:22am on June 10, 2016[SHARE]

Review: Caught (Sideshow Theatre) by Scotty Zacher

Sideshow Theatre's *Caught* has ambition to spare, but where the production falters is in its execution. Christopher Chen's script winks at the audience to the point of annoyance, so concern…

SOURCE: Chicago Theater Beat at 12:31am on June 8, 2016[SHARE]

Review: Spinning (Irish Theatre of Chicago) by Scotty Zacher

Without a doubt, Irish Theatre's *Spinning* is a compelling, emotional parable. The show's acting is hypnotic, but unfortunately the script comes across flat and predictable at times. If Pla…

SOURCE: Chicago Theater Beat at 8:13pm on June 4, 2016[SHARE]

Review: The North Pool (Interrobang Theatre Project) by Scotty Zacher

While playwright Rajiv Joseph has penned a strong, dynamic script with Interrobang's *The North Pool", and the two actors carry it off well, director James Yost has almost shied away from th…

SOURCE: Chicago Theater Beat at 9:24pm on June 3, 2016[SHARE]

Review: The Distance (Haven Theatre) by Scotty Zacher

Haven Theatre's The Distance is a potential sleeper hit, a dramedy about ordinary people, the decisions they make and the lives they affect. Bruce's characters are the most human I've seen i…

SOURCE: Chicago Theater Beat at 5:19pm on June 2, 2016[SHARE]

Review: Prowess (Jackalope Theatre) by Scotty Zacher

Bitingly funny, but touching and frightening at the same time, Ike Holter's world premiere *Prowess" at Jackalope Theatre reminds us that, as Chicagoans, we're not so far removed from the vi…

SOURCE: Chicago Theater Beat at 7:26pm on May 30, 2016[SHARE]

Review: Haymarket " The Anarchist's Songbook (Underscore Theatre) by Scotty Zacher

The story told in Underscore Theatre's world premiere is not only of historical significance but one with a sweep and grandeur worthy of musical theater. Writers Alex Higgin-Houser and compo…

SOURCE: Chicago Theater Beat at 6:50pm on May 29, 2016[SHARE]

Review: One Man, Two Guvnors (Court Theatre) by Scotty Zacher

Director Charles Newell and company are determined to provide a good time, and they definitely succeedIt's worth the trip to Hyde Park and you'll still come away with a better knowledge of s…

SOURCE: Chicago Theater Beat at 8:02pm on May 28, 2016[SHARE]

Review: The Producers (Mercury Theater Chicago) by Scotty Zacher

The Producers may well be the out-and-out funniest musical ever written. And if this production doesn't entirely match the original in mirth, it beats it hands down in musical performance! R…

SOURCE: Chicago Theater Beat at 12:51am on May 28, 2016[SHARE]
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