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2,003 stories by "Scotty Zacher"

Review: Carlyle (Goodman Theatre) by Scotty Zacher

Thomas Bradshaw's 'Carlyle' is billed as a satire. It's not. The piece delivers some of the most straightforwardly offensive and despicable forms of misogyny and racism that you can imagine,…

SOURCE: Chicago Theater Beat at 11:50pm on April 14, 2016[SHARE]

Review: United Flight 232 (The House Theatre of Chicago) by Scotty Zacher

House Theatre's gut-wrenching world premiere adaptation of Laurence Gonzales' book lovingly portrays the true story of a doomed 1989 flight that resulted in an inspiring tale of human resili…

SOURCE: Chicago Theater Beat at 6:26pm on April 14, 2016[SHARE]

Review: Adding Machine (The Hypocrites) by Scotty Zacher

Entertaining it is " light entertainment it's not. Going into The Hypocrites' 'Adding Machine' with expectations of a piece that will challenge audiences, one will have a rewarding experienc…

SOURCE: Chicago Theater Beat at 8:00pm on April 13, 2016[SHARE]

Review: Lester's Dreadful Sweaters (Lifeline Theatre) by Scotty Zacher

Lester's Dreadful Sweaters is a satisfying treat for families. This parable of open-mindedness and creativity has a great message, and this winning musical adaptation is sure to be a favorit…

SOURCE: Chicago Theater Beat at 3:39pm on April 13, 2016[SHARE]

Review: Blood Wedding (Lookingglass Theatre) by Scotty Zacher

Directed by Daniel Ostling, 'Blood Wedding' is visually arresting and emotionally intense. But the overarching themes that Lorca delves into aren't always clear, despite a fine cast and a st…

SOURCE: Chicago Theater Beat at 10:42pm on April 12, 2016[SHARE]

Review: Mary Page Marlowe (Steppenwolf Theatre) by Scotty Zacher

In Tracy Letts' 85-minute world-premiere Mary Page Marlowe, the six incarnations of the title character create a drama that pierces the heart, engages the intellect and weaves an extraordina…

SOURCE: Chicago Theater Beat at 1:50am on April 12, 2016[SHARE]

Review: The Life of Galileo (Remy Bumppo Theatre) by Scotty Zacher

One of Remy Bumppo's most commendable traits is its willingness to tackle challenging productions. While I commend their initiative here, they ironically lose sight of the central conflict o…

SOURCE: Chicago Theater Beat at 6:19pm on April 11, 2016[SHARE]

Review: Ulysses (The Plagiarists) by Scotty Zacher

Staged in a format that just doesn't work and employing a "collective reading" that just results in a mess, The Plagiarists' 'Ulysses' manages to be both drawn-out and forgettable, with only…

SOURCE: Chicago Theater Beat at 11:49pm on April 10, 2016[SHARE]

Review: Jerusalem (Profiles Theatre) by Scotty Zacher

Apart from the third act, where some real action occurs, Profiles Theatre's 'Jerusalem' by Jez Butterworth consists mainly of hearing drugged-out characters tell stories. At 3 hours, the pla…

SOURCE: Chicago Theater Beat at 2:07pm on April 9, 2016[SHARE]

Review: The Edge of Our Bodies (TUTA Theatre Chicago) by Scotty Zacher

TUTA Theatre has been regaling Chicago audiences with innovative theatre for years. 'The Edge of Our Bodies' is no exception, and Carolyn Molloy's performance is nothing short of exceptional…

SOURCE: Chicago Theater Beat at 10:22am on April 8, 2016[SHARE]

Review: Arcadia (Writers Theatre) by Scotty Zacher

Writers Theatre's 'Arcadia', by Tom Stoppard, is a triumph on multiple levels. It's a celebration of the sumptuous new space and a crackling fine swath of storytelling, offering a magnificen…

SOURCE: Chicago Theater Beat at 4:09pm on April 7, 2016[SHARE]

Review: Butler (Northlight Theatre) by Scotty Zacher

Northlight Theatre's 'Butler' is a hidden nugget of history, Written by Richard Strand, the play is based on true events, and is not only entertaining but educational as well in that we're a…

SOURCE: Chicago Theater Beat at 1:55am on April 6, 2016[SHARE]

Review: Fooling Buddha (First Folio Theatre) by Scotty Zacher

David Kovac's 'Fooling Buddha' is a deft balance of comic prowess and sleight-of-hand. Part autobiographical storytelling, part mind-boggling illusion and part philosophical musing, it's tho…

SOURCE: Chicago Theater Beat at 6:18pm on April 5, 2016[SHARE]

Review: Time Steps (Chicago Tap Theatre) by Scotty Zacher

The Chicago Tap Theatre is a gift to the local dance scene - the group is both staggeringly talented and never afraid to take a chance. With a compelling story, a stunning score and knockout…

SOURCE: Chicago Theater Beat at 11:17pm on April 3, 2016[SHARE]

Review: Matilda the Musical (Broadway in Chicago) by Scotty Zacher

Matilda the Musical is a indeed special show. It's an empowering story about dealing with bullies. It is also a story that celebrates imagination. And that will make you believe, if only a l…

SOURCE: Chicago Theater Beat at 7:16pm on April 2, 2016[SHARE]

Review: The Last Big Mistake (The Factory Theater) by Scotty Zacher

The Factory Theater's 'The Last Big Mistake' combines campy acting with irreverent humor and fun/sexy wrestling moves, but it displays a lot more style than substance. If you've enjoyed othe…

SOURCE: Chicago Theater Beat at 10:54pm on April 1, 2016[SHARE]

Review: The New Sincerity (Theater Wit) by Scotty Zacher

Alena Smith's 'The New Sincerity' teeters between terrific and troubled. Smith does a first-rate job skewering a movement's shortcomings, but her plot is wholly unlikely and characters incon…

SOURCE: Chicago Theater Beat at 1:06am on April 1, 2016[SHARE]

Review: Short Shakespeare! Twelfth Night (Chicago Shakespeare Theater) by Scotty Zacher

Short Shakespeare! Twelfth Night, adapted and directed by Kirsten Kelly, is a fun and clever romp with deft direction, beautiful production values and talented actors. Shakespeare himself wo…

SOURCE: Chicago Theater Beat at 10:44pm on March 31, 2016[SHARE]

Review: The Matchmaker (Goodman Theatre) by Scotty Zacher

Ultimately , Goodman Theatre's 'The Matchmaker' is good "match" between cast and audience. In fact, the one big critique would be that sometimes, after a very funny line, actors proceed too …

SOURCE: Chicago Theater Beat at 2:08pm on March 31, 2016[SHARE]

Review: Othello (Chicago Shakespeare Theatre, 2016) by Scotty Zacher

While not blatantly innovative, Chicago Shakes' 'Othello' subtly increases the play's relevance while staying true to the script. The tremendous cast excels in honoring Shakespeare's languag…

SOURCE: Chicago Theater Beat at 5:28pm on March 29, 2016[SHARE]

Review: 35MM " A Musical Exhibition (Circle Theatre) by Scotty Zacher

Though it wobbles in the beginning, 35MM is well worth watching. A snapshot into our minds and hearts, with the angst, passion and need for connection, the show is distinctive and emotional.…

SOURCE: Chicago Theater Beat at 3:20pm on March 29, 2016[SHARE]

Review: after all the terrible things i do (About Face Theatre) by Scotty Zacher

Director Andrew Volkoff shapes 'all the terrible things i do' into a compelling, provocative evening of theater. The production looks fantastic -b set designer Chelsea Warren's bookstore is …

SOURCE: Chicago Theater Beat at 6:58pm on March 28, 2016[SHARE]

Review: Christina, The Girl King (Cor Theatre) by Scotty Zacher

Queen Christina's story is a compelling one, and overall Cor Theatre's 'Christina, The Girl King' is worth the trip to Edgewater, especially as Toy Turner's performance alone makes the produ…

SOURCE: Chicago Theater Beat at 10:32pm on March 27, 2016[SHARE]

Review: The Bachelors (Cole Theatre) by Scotty Zacher

Cole Theatre's 'The Bachelors', a play penned by Caroline V. McGraw and given its world premiere with Cole Theatre, is billed as a dark comedy on misogyny. This new play paints the three me…

SOURCE: Chicago Theater Beat at 6:27pm on March 26, 2016[SHARE]

Review: Where Did We Sit on the Bus? (Teatro Vista) by Scotty Zacher

With Teatro Vista's 'Where Did We Sit on the Bus?', creator-performer Brian Quijada presents a show that is so timely and focused that it engenders a *must see* command from this reviewer. …

SOURCE: Chicago Theater Beat at 7:02pm on March 25, 2016[SHARE]
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