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2,003 stories by "Scotty Zacher"

Review: The Drawer Boy (Redtwist Theatre) by Scotty Zacher

Michael Healey's writing in the late 90s was inspired by his experiences with The Farm Show. The Drawer Boy is an alternately humorous and poignant memorial to the lives of these people. Don…

SOURCE: Chicago Theater Beat at 8:30pm on February 12, 2016[SHARE]

Review: Estrella Cruz"the junkyard queen (Halcyon Theatre) by Scotty Zacher

Charise Castro Smith's Estrella Cruz balances parody admirably and, in doing so, presents a fun and unusual story about the underworld. Halcyon's production has a lot to offer, and its refre…

SOURCE: Chicago Theater Beat at 6:07pm on February 12, 2016[SHARE]

Review: The Man Who Murdered Sherlock Holmes (Mercury Theater Chicago) by Scotty Zacher

                      The Man Who Murdered    Sherlock Holmes By Julie Shannon, Micha…

SOURCE: Chicago Theater Beat at 1:56pm on February 3, 2016[SHARE]

Review: God Bless Baseball (Public Theatre at MCA Stage) by Scotty Zacher

This abstract theatre work from Japanese playwright Toshiki Okada intermittently features stylized movements, particularly with regards to appendages moving independently from the characters…

SOURCE: Chicago Theater Beat at 11:11am on February 1, 2016[SHARE]

Review: Measure for Measure (Cheek by Jowl & Pushkin Theatre) by Scotty Zacher

This collaboration from British and Russian sister companies interprets Shakespeare's story of sexual liberty and political corruption in the context of present-day Russia. Using expressive …

SOURCE: Chicago Theater Beat at 12:39pm on January 30, 2016[SHARE]

Review: Nabucco (Lyric Opera of Chicago) by Scotty Zacher

Given that Verdi's Nabucco has only come to Lyric three times now, this show is worth recommending for the cast alone, which is all encapsulated beautifully in Carlo Rizzi's perfectly energe…

SOURCE: Chicago Theater Beat at 10:21pm on January 28, 2016[SHARE]

Review: Le Switch (About Face Theatre) by Scotty Zacher

In Philip Dawkins' new romantic comedy, the familiar gay tropes must react to the switch in their own unique way. Though it treads on familiar ground and some on-the-nose metaphors, About Fa…

SOURCE: Chicago Theater Beat at 9:42pm on January 27, 2016[SHARE]

Review: The Consultant (Signal Ensemble Theatre) by Scotty Zacher

After 13 years of innovative theater, Signal Ensemble Theatre will close for good in February, The Consultant being their final production. Heidi Schreck's play doesn't seem to have much of …

SOURCE: Chicago Theater Beat at 5:04pm on January 27, 2016[SHARE]

Review: Vices and Virtues (Profiles Theatre) by Scotty Zacher

For Vices & Virtues, Profiles Theatre performs 11 short plays from resident playwright Neil LaBute in repertory, and each work's degree of success is heavily influenced by how well it o…

SOURCE: Chicago Theater Beat at 11:25pm on January 26, 2016[SHARE]

Review: Another Word for Beauty (Goodman Theatre) by Scotty Zacher

In this New York-based world premiere from director Steve Cosson and his troupe, The Civilians, Goodman Theatre creates a sympathetic showcase for José Rivera's depiction of a Colombian wom…

SOURCE: Chicago Theater Beat at 9:21pm on January 26, 2016[SHARE]

Review: Bye Bye Birdie (Drury Lane Theatre) by Scotty Zacher

Drury Lane Theatre's Bye Bye Birdie is executed impeccably and, through projections designed by Christopher Ash, recreates the period nicely. Director-Choreographer Tammy Mader's take is fun…

SOURCE: Chicago Theater Beat at 12:09pm on January 24, 2016[SHARE]

Review: Posh (Steep Theatre) by Scotty Zacher

With Posh, acclaimed Chicago director Jonathan Berry brings Playwright Laura Ward's words to roaring, disturbing life. Ward's writing is both beautiful and brutal, always showing and never t…

SOURCE: Chicago Theater Beat at 3:53pm on January 23, 2016[SHARE]

Review: Sunset Baby (TimeLine Theatre) by Scotty Zacher

TimeLine Theatre's Sunset Baby, directed by Ron OJ Parsons, provides insight into how a life of hustling can be difficult to escape, how familial strife can be difficult to reconcile, and ho…

SOURCE: Chicago Theater Beat at 3:04pm on January 22, 2016[SHARE]

Review: No Wake (Route 66 Theatre) by Scotty Zacher

Although Route 66 Theatre's No Wake is a mere 80 minutes long, Playwright William Donnelly reveals the themes and crises of the play in such a excruciatingly slow, meticulous manner that the…

SOURCE: Chicago Theater Beat at 11:59pm on January 20, 2016[SHARE]

Review: A Widow of No Importance (Rasaka Theatre) by Scotty Zacher

Rasaka Theatre Company's Midwest premiere of Shane Sakhrani's romance, A Widow of No Importance, is a baffling mash up of Oedipal tension with a comedic style reminiscent of an average Big B…

SOURCE: Chicago Theater Beat at 2:28pm on January 20, 2016[SHARE]

Review: Animals Out of Paper (Shattered Globe Theatre) by Scotty Zacher

Shattered Globe's Animals Out of Paper is an unconventional story of romance, friendship and loss centered on an art that's unfamiliar to many - origami. Pulitzer Prize nominee Rajiv Joseph'…

SOURCE: Chicago Theater Beat at 8:57pm on January 19, 2016[SHARE]

Review: Spring Awakening (Marriott Theatre) by Scotty Zacher

As directed by Marriott Theatre Artistic Director Aaron Thielen, Spring Awakening is an explosion of youthful passion that should provide a rush for all demographics, reveling in the furious…

SOURCE: Chicago Theater Beat at 4:43pm on January 19, 2016[SHARE]

Review: London Wall (Griffin Theatre) by Scotty Zacher

Aside from minimal quibbles, I recommend attending London Wall. The story and characters may not come off as truly unique, but they manage to grip the audience with relatability. Recommended…

SOURCE: Chicago Theater Beat at 11:03pm on January 18, 2016[SHARE]

Review: Satchmo at the Waldorf (Court Theatre) by Scotty Zacher

Dynamically distilled by Louis Armstrong biographer Terry Teachout, "Satchmo at the Waldorf" is a one-man, 90-minute portrait of the artist as a performer playing with pain. Masterfully helm…

SOURCE: Chicago Theater Beat at 7:08pm on January 18, 2016[SHARE]

Review: Mutt (Stage Left Theatre and Red Tape Theatre) by Scotty Zacher

Being election season, Mutt is especially timely. And the Midwest premiere by Red Tape Theatre and Stage Left Theatre is a winner, thanks to smart direction, phenomenal production values and…

SOURCE: Chicago Theater Beat at 7:32pm on January 15, 2016[SHARE]

Review: Bruise Easy (American Theater Company) by Scotty Zacher

Joanie Schultz and her young acting duo do more than could ever be needed to bring Dan LeFranc's still life to stage life. But the resentments never resonate, and the character conflict is i…

SOURCE: Chicago Theater Beat at 3:31pm on January 15, 2016[SHARE]

Review: Brontë (Promethean Theatre Ensemble) by Scotty Zacher

Brontë is a fitting tribute to Charlotte, Emily and Anne in their brilliant, complex glory, and Promethean's production is nothing short of excellent and memorable. The sisters would be p…

SOURCE: Chicago Theater Beat at 9:14pm on January 14, 2016[SHARE]

Review: Ten Dollar House (Pride Films and Plays) by Scotty Zacher

                     Ten Dollar House Written by Rick Kinnebrew and Martha Meyer  at Piccolo Th…

SOURCE: Chicago Theater Beat at 6:51pm on January 14, 2016[SHARE]

Review: Byhalia, Mississippi (The New Colony & Definition Theatre) by Scotty Zacher

This world premiere collaboration is a beautifully acted and brutally realistic exploration of betrayal and the price of truth. Byhalia, Mississippi is a must see. Highly Recommended! (read…

SOURCE: Chicago Theater Beat at 4:20pm on January 13, 2016[SHARE]

Review: Year of the Rooster (Red Theater Chicago) by Scotty Zacher

A bad script can overwhelm even the best of productions, which is the case for Year of the Rooster. It's lazy and completely unnecessary: a far departure from the overwhelming brilliance of …

SOURCE: Chicago Theater Beat at 12:24pm on January 12, 2016[SHARE]
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