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36 stories by "Steph Power"

The Marriage of Figaro review at Aberystwyth Arts Centre " 'witty, whip-smart and big-hearted' by Steph Power

Mozart and Da Ponte's The Marriage of Figaro is an exuberant, near-flawless marriage of music and words, and of matters complex and

SOURCE: The Stage Registration at 12:48pm on March 11, 2020☆⚑

Denis and Katya at the Riverfront, Newport " 'vital new opera about voyeurism in the social media age' by Steph Power

In Denis and Katya, receiving its UK premiere with Music Theatre Wales, composer Philip Venables and librettist/director Ted Huffman address one of

SOURCE: The Stage Registration at 8:54am on February 28, 2020☆⚑

The Marriage of Figaro review at Wales Millennium Centre, Cardiff " 'sparkling revival' by Steph Power

The Marriage of Figaro was premiered in febrile times, in 1786, on the eve of the French Revolution. Emperor Joseph II had

SOURCE: The Stage Registration at 11:56am on February 24, 2020☆⚑

The Cunning Little Vixen review at Wales Millennium Centre, Cardiff " 'witty, poignant and timely' by Steph Power

Janacek was approaching 70 when he composed The Cunning Little Vixen, yet the opera brims with youthful vigour, optimism and music-dramatic innovation.

SOURCE: The Stage Registration at 1:00pm on October 14, 2019☆⚑

Rigoletto review at Wales Millennium Centre " 'wonderfully sung and politically astute' by Steph Power

Welsh National Opera first unveiled James Macdonald's Rigoletto in 2002. At the time, set in a Kennedy-era White House, its portrayal of

SOURCE: The Stage Registration at 11:55am on October 9, 2019☆⚑

Dead Man Walking review at Wales Millennium Centre, Cardiff " 'a performance of harrowing intensity' by Steph Power

When Jake Heggie's opera Dead Man Walking premiered in the US in 2000, it intensified the national debate about capital punishment. Based

SOURCE: The Stage Registration at 8:35am on June 10, 2019☆⚑

Don Pasquale review at Riverfront, Newport " 'a gleefully anarchic production' by Steph Power

"What's occurrin'?" Director-librettist Daisy Evans brings a Barry Island vernacular style to her gleefully anarchic production for Welsh National Opera. She and

SOURCE: The Stage Registration at 10:16am on May 30, 2019☆⚑

Tosca review at Theatr Brycheiniog, Brecon " 'a handsome chamber staging' by Steph Power

It's 30 years since Mid Wales Opera first set out to bring fully staged chamber productions to small, rural communities " and

SOURCE: The Stage Registration at 11:47am on March 13, 2019☆⚑

Roberto Devereux review at Wales Millennium Centre, Cardiff " 'heart-stopping performance' by Steph Power

At his best, Donizetti is a wonderful exponent of the romanticism that emerged in early-1800s Italy, a particularly febrile period in operatic

SOURCE: The Stage Registration at 6:08am on March 4, 2019☆⚑

Un Ballo in Maschera review at Wales Millennium Centre, Cardiff " 'spectacular, ghoulish flair' by Steph Power

When censors forbade the onstage depiction of regicide, Verdi was forced to relocate his 1859 Un Ballo in Maschera (A Masked Ball)

SOURCE: The Stage Registration at 12:37pm on February 18, 2019☆⚑

The Magic Flute review at Wales Millennium Centre, Cardiff " 'moralising and mirth' by Steph Power

Only Mozart could so deftly have celebrated the Age of Enlightenment through an opera spanning moral philosophy, high drama, fairytale romance "

SOURCE: The Stage Registration at 11:26am on February 18, 2019☆⚑

A Spanish Hour review at Black Mountains Barns, Herefordshire " 'comic fervour' by Steph Power

There are many layers of wit and sophistication to Ravel's 1911 first opera, L’heure Espagnole. Short but brilliantly inventive, on the one

SOURCE: The Stage Registration at 11:53am on November 13, 2018☆⚑

La Cenerentola review at Wales Millennium Centre " 'wit, warmth and vocal agility' by Steph Power

When Stendhal heard La Cenerentola a few years after its 1817 premiere he branded it trivial and vulgar. Post-French Revolution, Rossini's noisy

SOURCE: The Stage Registration at 9:20am on October 9, 2018☆⚑

Now the Hero/Nawr yr Arwr review at Brangwyn Hall, Swansea " 'ambitious and incredibly powerful' by Steph Power

A hundred years since the end of World War One " the war supposedly to end all wars " armed conflicts around

SOURCE: The Stage Registration at 5:56pm on September 30, 2018☆⚑

La Traviata review at Wales Millennium Centre, Cardiff " 'solidly performed' by Steph Power

It's hard to overstate the social radicalism for its time of Verdi's La Traviata. Even today, over 160 years since its 1853

SOURCE: The Stage Registration at 11:39am on September 24, 2018☆⚑

Tide Whisperer review on Tenby beach " 'thought-provoking stories' by Steph Power

Under director Kully Thiarai, National Theatre Wales is sharpening its resolve to be a people's theatre. Tide Whisperer, a new site-specific work

SOURCE: The Stage Registration at 10:42am on September 17, 2018☆⚑

War and Peace review at Wales Millennium Centre, Cardiff " 'rendered with timely brilliance' by Steph Power

Thanks to its gargantuan forces " with more than 60 named roles and a vast chorus reflecting its epic novel forbear "

SOURCE: The Stage Registration at 9:18am on September 17, 2018☆⚑

Rhondda Rips It Up! review at Riverfront, Newport " 'a rip-roaring salute' by Steph Power

It's an understatement that Viscountess Rhondda, Margaret Haig Mackworth (née Thomas), has suffered historical neglect. A pioneering Welsh suffragette and businesswoman; a

SOURCE: The Stage Registration at 8:44am on June 11, 2018☆⚑

Five operas 'bashing about' the classic art form this summer by Steph Power

Opera may have a reputation in the UK for being 'toffee-nosed and corporate' but the genre is blossoming across the country. Steph

SOURCE: The Stage Registration at 7:30am on May 29, 2018☆⚑

The Barber of Seville review at Borough Theatre, Abergavenny " 'zany and entertaining' by Steph Power

With its mile-a-minute patter, and more visual gags than you can shake a tickling stick at " Imogen Garner's Berta wields a

SOURCE: The Stage Registration at 1:38pm on March 19, 2018☆⚑

Eugene Onegin review at Riverfront, Newport " 'lacks depth and focus' by Steph Power

When Eugene Onegin premiered in 1879, it was at the Moscow Conservatory rather than a prestigious opera house, and with a student

SOURCE: The Stage Registration at 10:04am on March 19, 2018☆⚑

Don Giovanni review at Wales Millennium Centre, Cardiff " 'deft ensemble interplay' by Steph Power

It's ironic that Welsh National Opera have revived director John Caird's Don Giovanni at this juncture in their history: in 2011, the

SOURCE: The Stage Registration at 8:04am on February 26, 2018☆⚑

Torch Theatre's artistic director Peter Doran: 'We're looking outwards. Our work resonates beyond Wales' by Steph Power

The Torch Theatre has been servicing west Wales and further afield with classic and new theatre for 40 years. Artistic director Peter

SOURCE: The Stage Registration at 12:12pm on November 24, 2017☆⚑

The Bear review at Abermule Community Centre " 'piquantly satirical' by Steph Power

It should be no surprise that Thomas Ades, arch modern-day composer of parody and social satire, has expressed deep admiration for the

SOURCE: The Stage Registration at 11:37am on November 7, 2017☆⚑

The World's Wife review at Taliesin Arts Centre, Swansea " 'sensitively wrought' by Steph Power

Ten years before she was finally appointed the first ever woman poet laureate, Carol Ann Duffy turned myth and history on their

SOURCE: The Stage Registration at 6:31am on October 23, 2017☆⚑
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