Stormy Budwig on Meg Stuart's UNTIL OUR HEARTS STOP
These moments of transparency and revealed infrastructure are strictly intended.
These moments of transparency and revealed infrastructure are strictly intended.
Performance as reparation, as reconfiguration, as a way to bounce back and forge ahead.
I want to get up close to these masked figures and ask them to tell me about the future.
Culturebot contributor Stormy Budwig chats with Sam Kim about the premier of "Sister to a Fiend" at Gibney Dance March 4-7.
Stormy talks to Cynthia Oliver and David Thomson about Tere O'Connor's "Sister" (American Realness, Jan. 9 and 11, 2015)
"What I do in my life, what I have done and why, is fundamental-seeming, too."
Stormy catches up: MR Festival, Greg Zuccolo, Keely Garfield, Tere O'Connor.
Stormy responds Meredith Monk's "On Behalf of Nature" at BAM
Stormy Budwig considers honesty, youth, fear, Marina, Ann Liv, and Sherry.
Stormy considers Ivy Baldwin's "Oxbow" at BAM's 2014 Next Wave Festival.
Last week Cynthia Oliver and I spoke about her latest duet dance work, BOOM!, which premiered at New York Live Arts in October. I was compelled by the way one aesthetic or singular movement …
Stormy responds to Samita Sinha's "Cipher" at The Kitchen.
Stormy reflects on Roseann Spradlin's "g-h-o-s-t-c-r-o-w-n (working title)" at NYLA.
Stormy Budwig considers Ivana Müller's "We Are Still Watching" at NYLA
Stormy Budwig shares eleven notes on dance performance: perceptual research gesture struggle somatization aestheticized bodily terrains respect new language method ritual proprioceptive being
Stormy Budwig talking with Molissa Fenley on her upcoming show this week at NYLA.
Stormy Budwig responds to Emily Wexler at Emergency Glitter.
Stormy Budwig responds to Niall Jones at Emergency Glitter.
Stormy Budwig responds to Rebecca Patek at Emergency Glitter.
Stormy Budwig talks to Yanira Castro about her current project, "The People to Come" at The Invisible Dog next week.