168 stories by "Susan Miron"
The BSO's captivating performances of King Roger received unanimous rave reviews from the local press, to which I add mine.
The first in what is surely going to be Blue Heron's memorable series of testaments to the neglected brilliance of composer Johannes Ockeghem.
The fooling around was far more compelling than I could have imagined: the Ukulele Orchestra of Great Britain know how to throw a fun, funny, family-friendly show.
Pianist Inon Barnatan's Celebrity Series recital felt like a tremendous occasion. In fact, it communicated a sense of joy, of invigorating discovery, which is rather rare.
BEMF's double bill of two short and comic Pergolesi operas made for an unusual and totally delightful presentation.
The Boston Camerata's imaginative staging of The Play of Daniel generated plenty of "serious fun."
I am starting to love Vespers of 1610 deeply, so I am happy to be given so many opportunities by first-rate groups to re-experience it.
Pianist Richard Goode provided everything that is asked of a Beethoven master: color, infinite shadings, interesting, convincing tempi, and soul.
Simply put, Blue Heron is one of the best perks of concertgoing in 21st century Boston.
Maurizio Pollini's Chopin was breathtakingly beautiful, and often downright thrilling.
Chanticleer has armies of longtime fans; I am now unquestionably going to join the club.
What I'll remember most is how the BCE's various choral pieces seemed custom-made for the Hayden Planetarium's celestial projections, and how, for an hour, the so-called real world faded awa…
Cassandra Speaks is yet another dazzling vehicle for actor Tod Randolph, who excels in etching brilliant stage portraits of famous, complicated women.
Violinist Stefan Jackiw and pianist Anna Polonsky created another Rockport Music evening to remember.
What is perhaps most astonishing is that the Lorelei Ensemble seems, in its current formation, like the most natural of phenomena.
A critic can only wish pianist Sean Chen well in what bodes to be a spectacular career.
The value of these two superb "operas" is learning where harpist Deborah Henson-Conant was musically (and emotionally) in the early '80s.
In both appearances here, courtesy of the Celebrity Series, Deborah Voigt was sensational and very likable to boot. This cannot be said of all divas.
At this point, violinist Xiang Yu sounds like a mature artist ready to commence a major career.
Tenor Nicholas Phan and pianist Myra Huang are a superb duo, easily providing one of the highlights of this year's concert season.
The Emmanuel Music concert was a seriously Big Event, as most Russell Sherman performances are, with many outstanding pianists there to hear it.
Heralded cellist Yo-Yo Ma has played with several distinguished pianists over the years, but none (are) better than Kathryn Stott.
The teamwork and chemistry of soprano Natalie Dessay and pianist Philippe Cassard were terrific, each performer delivering the music with great expressiveness and intelligence.
Stephen Hough's performance of piano works by Brahms and Chopin was enthralling, poetic, and spellbinding.
SHUFFLE Concert has invented their own distinctive rules to performance, and their innovative approach, with its inspired programming, has been a hit.
