1,523 stories by "Thom Dibdin"
The Edinburgh Festival Fringe has posted record sales across the three-week festival with a year-on-year rise of 5.25% to an estimated 2.8
There’s lashings of fun and heaps of inventive adventure to be had in Gobbledigook Theatre’s hands-on adaptation of Enid Blyton’s Famous Five.
Scathing wit and the most unflattering self-pity vie for prominence in Simon Callow’s performed recitation of Oscar Wilde’s letter to his former
In Peter Brook and long-term collaborator Marie-Helene Estienne’s The Prisoner, the interrogative eye on the exotic reveals much more about the beholder
Gleeful physical comedy features in Lucille & Cecilia, a patchy but intriguingly promising piece from new company Bang Average Theatre at C Aquila. (Picture: © Bang Average)
Scene Change Productions, Greenwich Theatre and Nutshell Theatre's co-production A Good Enough Girl? is enjoyable, involving and deceptively important production.
Ganymede, TypeCast Productions' reworking of Shakespeare at Paradise in Augustines, is an intriguing production that uses the spirit of the Bard to cast light on contemporary concerns.
American Absurdum returns with all its trademark incision and quick-fire, hyper-stylised delivery in The House, a fable of modern middle-class America. Empty-nesters
"Brexit, Trump " that’s change!" someone shouts early in First Snow/Premiere Neige, the National Theatre of Scotland’s Quebecois co-production. Following the NTS’
Bursting with energy and bold theatrical strokes, David William Bryan tells the true story of his great uncle Arthur " known as
Male relationships " specifically inter-generational familial relationships " come under intense, if friendly examination in Glas(s) Productions’ Old Boy. The company has
Nicely turned as comedy, Sarah MacGillivray and Phil Bartlett’s story of a Scottish actress straight out of drama school who goes down
There is a complexity to Matthew Roberts’ one-man show, Canoe, which goes much deeper than the issue of grieving that lies at its
Libby McArthur draws on a true story from her own past, when she was arrested and sentenced to prison for non-payment of
Tightly wound and shot through with an utterly surprising melancholy, Keir McAllister’s tale of two men feuding over their right to relax
Twa, the collaboration between writer Annie George and visual artist Flore Gardner at the Scottish Storytelling Centre, is a lucid and involving production.
Hymns For Robots, Noctium Theatre's portrait of electronic music innovator Delia Derbyshire, is an appealingly winsome piece of theatre.
When there’s nothing but a bible and megaphone by way of set or stage dressing in a performance about the DUP, you
A quiet examination of the nature of exclusion and fear of the other is framed as deeply ironic comedy in Jean Ann
The WWI Wardrobe Project has emotional force as well as a certain charm as Immersive Response's production seeks to make 1917 more immediate.
At a fringe where the issues surrounding mental health form a major theme, Where It Hurts, from Edinburgh’s Grassmarket Projects, not only
The threat of antibiotic resistance may be an unlikely subject for a musical, but The Mould That Changed The World makes this educational topic fun in a highly entertaining new show.
Breathing Corpses, by Split Brick and New Celts at The Space on the Mile, leaves a nasty taste in the mouth at times. This is entirely intentional, as it is a decidedly nihilistic study of d…
Amid rave reviews for her show What Girls Are Made Of at this year's Edinburgh Fringe, the award-winning director and actor talks
Visceral, passionate and thrashing about in any key it can find a snarl, Marcel Dorney’s pseudo-history of Brisbane punk in the late
