Malthouse Theatre: The company that confronts Australia's past and present
Melbourne's Malthouse Theatre is an imposing feature on the city's landscape in more ways than one. Here is challenging, provocative theatre, made
Melbourne's Malthouse Theatre is an imposing feature on the city's landscape in more ways than one. Here is challenging, provocative theatre, made
Radio Forth DJ and King's panto villain, Grant Stott, is planning to bring a new two-man show to this summer's Edinburgh fringe with fellow panto pal Andy Gray.
As a hard man on screen and hard drinker off, Freddie Boardley, who died of cancer at his Glasgow home just before
Picnic at Hanging Rock, presented at the Lyceum by the Australian companies Malthouse and Black Swan, is a well-crafted production that is never quite as frightening as it wants to be.
Emotion, violence and meaning bubble up like magma in Malthouse Theatre’s scrupulously presented take on Joan Lindsay’s 1966 novel, Picnic at Hanging
Irvine Welsh is heading a public appeal to support the restoration of Leith Theatre, which has been dark for more than 20
Edinburgh fringe venue the Counting House will return to being run by the Laughing Horse Free Fringe from 2017, after a year spent under the
Edinburgh’s key festivals are to receive an extra £300,000 government funding to enhance their appeal to an international audience. The announcement comes as the
When Jess Peet steps out onto the Lyceum stage as the title character of Alice's Adventures in Wonderland, which runs at Edinburgh's Royal Lyceum Theatre until 31 December, she takes on the …
Dirty Protest's production of Last Christmas at the Traverse is an emotional and beautifully acted tale, but is not as much of an alternative to traditional Christmas theatre as it may first…
Safely playing for every member of the family, Iain Lauchlan and Will Brenton’s Cinderella for Imagine Theatre, the new panto producers for
Clever, intriguing and thoroughly engaging for its target audience of pre-school toddlers, Too Many Penguins? returns in a form that is even better than before.
Creative Scotland faces a cut of up to £500,000 in the draft Scottish Budget for 2017/18 announced in Holyrood yesterday. However the
Misogynistic words used by US president-elect Donald Trump and caught on a mic will be used in a new piece of verbatim
Bright, clever and thoroughly engaging, Ed Robson’s updating of Snow White at Cumbernauld for a five-strong cast is a triumph of storytelling
Inventively staged and performed with a lightness of touch from actor-puppeteer Amy McGregor, Moon Dog and the Christmas Star weaves a fascinating
Jonathan Stone doesn’t make it easy on himself with Mother McGoose, his first panto for the Alhambra after moving down the road
Tuneful, funny and an utterly traditional pantomime, EPT's Goldilocks and the Three Bears comes out with all guns blazing and satisfies completely.
Old-fashioned trickery and a well-known story combine with humour in A (sort of) Christmas Carol Magic Show at the Spiegeltent in Edinburgh " a seasonal offering that does not always gel but…
Crackling with colour and wit, but preying on the darkest parental fears, Scottish Ballet’s revival of Christopher Hampson’s Hansel and Gretel is tighter than it ever
The Google map indicates the scale of the growing trend in relaxed performances " which seek to create non-judgmental environments for people with autism, dementia, Tourette's and learning d…
The celebrated trio of Allan Stewart, Grant Stott and Andy Gray are front and centre in this year's King's Theatre pantomime Jack and the Beanstalk " a production that is low on storyline bu…
The sartorially elegant magic double act of Morgan and West deploy their amiably bumbling, Victorian schtick on Dickens. A (sort of) Christmas
Magic, mayhem and plenty of belief run right to the core of the Theatre Royal’s spectacular Cinderella. At first glance this show
Glasgow-based Scottish Youth Theatre is creating a national ensemble as part of its 40th-anniversary celebrations. Entry to the ensemble will be by