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35 stories by "Thomas Antoinne"

Los Angeles Theater Review: FREUD'S LAST SESSION (Broad Stage) by Thomas Antoinne

TALKING HEADS Mark St. Germain's commercially successful two-hander Freud's Last Session, suggested by The Question of God by Dr. Armand M. Nicoli, Jr., is about a speculative meeting betwee…

SOURCE: Stage and Cinema at 2:57am on January 19, 2013[SHARE]

Los Angeles Theater Review: 'TIS PITY SHE'S A WHORE (UCLA's Freud Playhouse) by Thomas Antoinne

'TIS PITY IT'S A SHORT RUN Cheek by Jowl's touring production of John Ford's revenge tragedy, 'Tis Pity She's a Whore, landed at UCLA's Freud Playhouse for a brief run. The true pity would b…

SOURCE: Stage and Cinema at 11:42pm on January 10, 2013[SHARE]

Los Angeles Theater Review: CYMBELINE (The Broad Stage in Santa Monica) by Thomas Antoinne

THE OLD COLLEGE TRY Brown University/Trinity Rep's MFA program has a solid reputation as theatre arts training for bright, enthusiastic, well-rounded theatre artists.  The challenge for e…

SOURCE: Stage and Cinema at 2:58am on December 16, 2012[SHARE]

Los Angeles Theater Review: CONEY ISLAND CHRISTMAS (Geffen Playhouse) by Thomas Antoinne

PALE-Y BY COMPARISON On paper, it must have seemed like such a great idea: create a new holiday show as an alternative to the onslaught of Christmas Carols and Nutcrackers, have Pulitzer-win…

SOURCE: Stage and Cinema at 2:58am on December 2, 2012[SHARE]

Los Angeles Theater Review: HAMLET (The Broad Stage in Santa Monica) by Thomas Antoinne

LEAN HAMLET ON THE BROAD STAGE Shakespeare's Globe's touring production of Shakespeare' Hamlet is currently on the boards at the elegant Broad Stage in Santa Monica, CA.  Written in a tim…

SOURCE: Stage and Cinema at 10:42pm on November 17, 2012[SHARE]

Los Angeles Theater Review: YOU CAN'T TAKE IT WITH YOU (Antaeus) by Thomas Antoinne

A DELECTABLE CHESTNUT Kaufman & Hart's You Can't Take it With You has earned its place in the American canon as a great American chestnut, one of those charming, heartfelt comedies from …

SOURCE: Stage and Cinema at 6:32pm on October 23, 2012[SHARE]

Los Angeles Theater Review: THE CIRCLE (Theatre 40 in Beverly Hills) by Thomas Antoinne

SEMI-CIRCLE The drawing room comedy has fallen out of fashion over the years. These extremely well-made, light, sophisticated plays center around members of polite society whose lives unrave…

SOURCE: Stage and Cinema at 1:01pm on October 8, 2012[SHARE]

Los Angeles Theater Review: Silence! The Musical (Hayworth Theatre in Los Angeles) by Thomas Antoinne

SILENCE! THE FRANCHISE Silence! The Musical was one of the big hits of the 2005 New York International Fringe Festival. The parody of Jonathan Demme's 1991 Oscar-winning horror thriller Sile…

SOURCE: Stage and Cinema at 7:01pm on September 10, 2012[SHARE]

Los Angeles Theater Review: THE CITY (Son of Semele) by Thomas Antoinne

SUBLIME CITY Son of Semele has consistently produced spectacular productions with scant resources in their awkward garage-like space nestled between lower Silver Lake and Historic Filipino T…

SOURCE: Stage and Cinema at 5:04pm on August 20, 2012[SHARE]

Off-Broadway Theater Review: TRIBES (Barrow Street Theatre) by Thomas Antoinne

FINDING YOUR TRIBE Theatre of Identity is a fascinating phenomenon: this genre promotes a particular people’s cultural identity and invites members of that culture and other cultures t…

SOURCE: Stage and Cinema at 4:39pm on July 25, 2012[SHARE]

Off-Broadway Theater Review: DOGFIGHT (Second Stage Theatre in New York City) by Thomas Antoinne

DOG OF A MUSICAL The musical theatre canon is filled with bad ideas that made very good musicals.  Stories of vengeful barbers, decadence in Nazi Germany, and even wife beaters have all g…

SOURCE: Stage and Cinema at 5:51pm on July 17, 2012[SHARE]

Off-Broadway Theater Review: COLE PORTER'S NYMPH ERRANT (The Clurman Theatre) by Thomas Antoinne

MUSICAL ERRANT Expectations should always be lowered a bit when seeing revivals of musicals written before Oklahoma!.  In pre-war musicals, songs weren't intended to move plots forward or…

SOURCE: Stage and Cinema at 10:00pm on July 13, 2012[SHARE]

Off-Broadway Theater Review: TRIASSIC PARQ (SoHo Playhouse) by Thomas Antoinne

DOWNTOWN DINOSAURS The Off-Broadway Musical is an endangered species.  The perfect storm of escalating real estate rents, union expectations, and production costs render producing commerc…

SOURCE: Stage and Cinema at 1:14pm on July 2, 2012[SHARE]

Off-Broadway Theater Review: DAMASCUS (4th Street Theater) by Thomas Antoinne

MAGNIFICENT CHARACTER ACTOR ON THE BUMPY ROAD TO DAMASCUS When Andrew Weems enters the stage to perform Damascus, a solo play he also wrote, the 4th Street Theater immediately fills with his…

SOURCE: Stage and Cinema at 3:47pm on June 12, 2012[SHARE]

Off-Off-Broadway Theater Review: THESE SEVEN SICKNESSES (The Flea Theater) by Thomas Antoinne

A HAPPENING OF THE HIGHEST THEATRICAL ORDER The Flea Theatre's young resident acting ensemble, The Bats, is re-mounting their production of These Seven Sicknesses.  If you're looking for …

SOURCE: Stage and Cinema at 1:54pm on June 12, 2012[SHARE]

Broadway Theater Review: The Gershwins' Porgy and Bess (Richard Rogers Theatre in New York City) by Thomas Antoinne

PLENTY OF NOTHING Even before The Gershwins' Porgy and Bess opened on Broadway, it was fraught with controversy.  A New York Times puff piece on the Boston American Repertory Theater p…

SOURCE: Stage and Cinema at 6:55pm on May 11, 2012[SHARE]

Broadway Theater Review: DON'T DRESS FOR DINNER (American Airlines Theatre) by Thomas Antoinne

DON’T EVEN BOTHER Broadway producers often hope lightning will strike twice as they mount shows very similar to past successes.  We have recently seen the creative team of Hairspray…

SOURCE: Stage and Cinema at 11:18pm on April 27, 2012[SHARE]

Broadway Theater Review: GHOST THE MUSICAL (Lunt-Fontanne Theatre in New York City) by Thomas Antoinne

THEATRE GHOST In uncertain times such as these, audiences crave familiarity and nostalgia.  Broadway, which once turned plays into movies, is now glutted with adaptations of popular films…

SOURCE: Stage and Cinema at 2:04am on April 24, 2012[SHARE]

New York Theater Review: EVITA (Marquis Theatre in New York City) by Thomas Antoinne

LIVING EVITA LOCA Sir Andrew Lloyd Webber " together with lyricist Tim Rice " released the Evita "rock opera concept album" in 1976, a few years before the first theatrical production came t…

SOURCE: Stage and Cinema at 3:13am on April 20, 2012[SHARE]

Broadway Theater Review: CLYBOURNE PARK (Walter Kerr Theatre) by Thomas Antoinne

THERE GOES THE NEIGHBORHOOD Ever since Crimes of the Heart won the Pulitzer Prize for drama in 1981, a cloud of skepticism has followed the award.  The announcement that last year's winne…

SOURCE: Stage and Cinema at 3:04am on April 20, 2012[SHARE]

Broadway Theater Review: ONE MAN, TWO GUVNORS (The Music Box in New York City) by Thomas Antoinne

ONE HIT, TWO GUVNORS Once upon a time, you could attend theatre by Americans and watch actors who had worked together for decades.  Long rehearsal periods to explore classical texts were …

SOURCE: Stage and Cinema at 1:06pm on April 19, 2012[SHARE]

Off Broadway Theater Review: 4000 MILES (Mitzi E. Newhouse Theater) by Thomas Antoinne

MILES OF TALENT AT LINCOLN CENTER As a reviewer, I don't like to pander in hyperbole, but since this year has been such a second-rate season in New York, I think it's safe to say that 4000 M…

SOURCE: Stage and Cinema at 5:26pm on April 6, 2012[SHARE]

Off Broadway Theater Review: CARRIE (Lucille Lortel Theatre) by Thomas Antoinne

MCC GETS CARRIE-D AWAY The myth that youth market musicals are a low-risk venture has gained strength over the last few years in New York City.  Short-sighted producers will overlook disa…

SOURCE: Stage and Cinema at 3:25am on April 1, 2012[SHARE]

Broadway Theater Review: NEWSIES (Nederlander Theatre, NYC) by Thomas Antoinne

GOOD NEWSIES, BAD NEWSIES A few months ago, the New York theatre community was all abuzz with the announcement that the Paper Mill Playhouse production of Newsies was transferring to Broadwa…

SOURCE: Stage and Cinema at 3:26am on March 30, 2012[SHARE]

New York Theater Review: MY TAWNY VALENTINE (The Laurie Beechman Theater in New York) by Thomas Antoinne

A TAWNY STAR IS BORN Tawny Heatherton is the fictional drag persona created by David Drake, the star of My Tawny Valentine at The Laurie Beecham Theatre. As the niece of Joey Heatherton, Taw…

SOURCE: Stage and Cinema at 3:28am on March 23, 2012[SHARE]
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