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810 stories by "Thomas Garvey"

The Four Seasons as you've never heard it before by Thomas Garvey

The Presto from Vivaldi's Summer concerto.The Hub Review, the guide to everything that matters in Boston and elsewhere.

SOURCE: The Hub Review at 1:24pm on February 16, 2012

Biber's Mystery Sonatas by Thomas Garvey

The talented Christina Day Martinson.We're so accustomed these days to what is essentially an academic approach to sacred music that we almost seem to have forgotten a central question about…

SOURCE: The Hub Review at 11:55pm on February 15, 2012

Richard Egarr at Boston Early Music Festival by Thomas Garvey

Local early music aficionados know that Richard Egarr is one of the most exciting conductors alive - his recent interpretations of Haydn's "Clock" Symphony and Beethoven's Eighth (at Handel …

SOURCE: The Hub Review at 11:46pm on February 14, 2012

Boston Lyric Opera lights up The Lighthouse by Thomas Garvey

Alone in The Lighthouse - photos: Erik JacobsOpera is meant to be a synthesis of every art form, but most opera lovers care about one thing and one thing only: the star voices at the center …

SOURCE: The Hub Review at 12:35pm on February 12, 2012

So it's Jim Petosa at the New Rep . . . by Thomas Garvey

The announcement came in yesterday, but I didn't open it till this morning.  Jim Petosa of BU, who helmed the New Rep's recent success Three Viewings, and also directed Opus there, has …

SOURCE: The Hub Review at 10:22am on February 11, 2012

Whither "wandas" the gay play? by Thomas Garvey

I suppose David Valdes Greenwood's Wandaleria (through this weekend at the Boston Playwrights' Theatre, presented by Argos Productions) technically isn't a "gay play" - everybody in it …

SOURCE: The Hub Review at 4:23pm on February 10, 2012

Visit The Lighthouse this weekend by Thomas Garvey

It's a busy weekend for arts fans, but the do-not-miss event is Boston Lyric Opera's production of Peter Maxwell Davies' The Lighthouse (above), at the JFK Library, through this weekend only…

SOURCE: The Hub Review at 10:03am on February 10, 2012

Europa Galante at Boston Early Music Festival by Thomas Garvey

By now it's obvious that period performance has begun to fracture into different national schools. And if last Sunday's concert by Europa Galante at the Boston Early Music Festival was any …

SOURCE: The Hub Review at 10:55pm on February 9, 2012

Pieter Wispelwey at Celebrity Series by Thomas Garvey

The house for Pieter Wispelwey was only about two-thirds full last Friday night at Celebrity Series - I suppose because Yo-Yo Ma is the only cellist people have heard of in these parts.Ah, b…

SOURCE: The Hub Review at 12:12am on February 9, 2012

Wow, you think I'm tough? by Thomas Garvey

How about an Australian theatre blog called "Shit on Your Play"?The Hub Review, the guide to everything that matters in Boston and elsewhere.

SOURCE: The Hub Review at 10:45am on February 6, 2012

Roman Polanski's Carnage by Thomas Garvey

Polanski in close quarters with his stars.Now that the Huntington's production of God of Carnage has closed, I think it's safe to let you in on the secret that there has been a better v…

SOURCE: The Hub Review at 10:19am on February 6, 2012

More classical controversy: sorry, Geoff, but I'm afraid NEC was right to fire Ben Zander by Thomas Garvey

The Boston Globe's critics are generally useless (okay,  Sebastian Smee finally said something worthwhile about the MFA's Egyptian and Old Master galleries; finally), but the paper has …

SOURCE: The Hub Review at 12:42pm on February 5, 2012

We could use a play about prison rape, for instance by Thomas Garvey

I've gotten a few outraged emails, as I knew I would, about yesterday's rant regarding "gay plays."  But to the question one irritated reader posited, "What should we be writing plays a…

SOURCE: The Hub Review at 10:53am on February 5, 2012

The gay play time warp by Thomas Garvey

I just sat through another "gay play" this week, which was a little dispiriting.  Actually it was a closeted gay play, in which women subbed for the gay men, just as they did fifty year…

SOURCE: The Hub Review at 12:42pm on February 4, 2012

For Whistler's second number, A Number by Thomas Garvey

Danny Bryck - but which one? - with Mark Cohen in A Number.Whistler in the Dark has taken to a kind of "expanded," "Season 2.0" approach to their programming these days - works come in pairs…

SOURCE: The Hub Review at 1:07pm on February 3, 2012

I heard the news today, oh boy . . . by Thomas Garvey

Don Cornelius 1936-2012. Ah, Soul Train.  Was there ever another show this innocently wonderful on television? I hope wherever Mr. Cornelius is now, there's a line dance goin' on.T…

SOURCE: The Hub Review at 11:15pm on February 1, 2012

Whistler finds its way through Fen by Thomas Garvey

The subtle cast of Fen.I suppose we'll never be rid of the minor female playwrights who insist we only think they're minor because of our sexism.  (I just read another of these screeds …

SOURCE: The Hub Review at 12:03pm on February 1, 2012

Change of Seasons by Thomas Garvey

Violinist Aisslinn NoskyLast weekend's Handel and Haydn concerts may have been devoted to The Four Seasons, but there was only one major change of musical season during the program - the shi…

SOURCE: The Hub Review at 6:30pm on January 27, 2012

Memories of underdevelopment by Thomas Garvey

This season ArtsEmerson has explicitly stated that some of its presentations have been in a state of development.  I'm not sure that's the official line on Robbie McCauley's one-woman s…

SOURCE: The Hub Review at 3:29pm on January 26, 2012

The "I" of the beholder by Thomas Garvey

We're having our Yasmina Reza moment in Boston right now: this week you can catch the Huntington's production of God of Carnage, or the Polanski film version (just Carnage),  OR an…

SOURCE: The Hub Review at 11:00am on January 25, 2012

Call of the mild by Thomas Garvey

Photo(s): Megan MoorePeriod music is all the rage in classical circles; indeed, these days it's often in the engagement with the past that (ironically enough) we feel serious music's most th…

SOURCE: The Hub Review at 10:53am on January 24, 2012

IRNE deadlines! by Thomas Garvey

This is just a note to apologize for some tardiness in reviewing - I know, the shows are backed up behind me like Boeings at Logan.  But I also have to get out my IRNE nomination form (…

SOURCE: The Hub Review at 9:59am on January 23, 2012

Have you been to Symphony LATEly? by Thomas Garvey

Last night at Symphony Hall (I was there for Handel and Haydn's excitingly quirky take on The Four Seasons, you should go on Sunday) the audience once more sat through the usual Symphony dri…

SOURCE: The Hub Review at 12:16pm on January 21, 2012

A rhyme for all reasons by Thomas Garvey

The Imaginary Beasts bring the British panto to American shores.Local impresario Matthew Woods has been producing his "pantos" (that's short for "pantomime," although "pantos" are far from s…

SOURCE: The Hub Review at 10:33pm on January 19, 2012

Painting, but not priming, the town Red by Thomas Garvey

See this?  Mark Rothko rarely did this.Local reviewers have called John Logan's Red (at SpeakEasy Stage through Feb. 4) "a great work of art," "a masterpiece," and "a play of ideas…

SOURCE: The Hub Review at 2:00pm on January 18, 2012
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