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810 stories by "Thomas Garvey"

Okay, you thought Charles Isherwood was a crazy queen? You forgot about Hilton Als! by Thomas Garvey

I've already deconstructed Charles Isherwood's review of Lydia Diamond's Stickfly - do I really have to do the same thing for the New Yorker's equally-erratic theatre queen, Hilton Als? &nbs…

SOURCE: The Hub Review at 10:55pm on January 16, 2012

Vanya on Winnisimmet Street by Thomas Garvey

I wish I could say the current Apollinaire Theatre production of Uncle Vanya was truly great, rather than just pretty good; it's the kind of production that you root for, because it's a chal…

SOURCE: The Hub Review at 9:53am on January 16, 2012

Did program notes bring down Opera Boston? by Thomas Garvey

Well, the Globe story on the Opera Boston mess dropped today, revealing that the company's closing seems to have been not so much a case of malfeasance (as I once speculated), as a case of c…

SOURCE: The Hub Review at 11:58am on January 15, 2012

Hello, God? It's me, Carnage by Thomas Garvey

Christy Pusz gets in touch with God.  Photo: T. Clark Erickson.There's a telling moment in Yasmina Reza's God of Carnage (at the Huntington through Feb. 5) in which Alan, an alpha-male …

SOURCE: The Hub Review at 12:44pm on January 14, 2012

The New York Times is wondering if it should tell the truth by Thomas Garvey

It's not like it's news, but I don't know whether to laugh or cry when I read things like this.The Hub Review, the guide to everything that matters in Boston and elsewhere.

SOURCE: The Hub Review at 12:01pm on January 13, 2012

Superior cast, not-so superior Donuts by Thomas Garvey

Will LeBow and Omar Robinson plot their next move against Starbucks.  Photo by Mark S. Howard.The Lyric Stage definitely has a superior cast to serve up Superior Donuts; they just …

SOURCE: The Hub Review at 11:08pm on January 12, 2012

The littlest Corsaire by Thomas Garvey

Four-year-old Alexei Orohovsky watched Ali's variation from Le Corsaire on Youtube, and then came up with his own version at his summer dance intensive. Enjoy! (And watch out for this kid in…

SOURCE: The Hub Review at 11:21am on January 11, 2012

Thoughts and wild speculations on Opera Boston's demise by Thomas Garvey

A lot of people have been emailing to ask, "Why the hell are you diddling around with the sh*t that Parabasis says, when you're not covering the collapse of Opera Boston?"And I don't really …

SOURCE: The Hub Review at 9:24pm on January 10, 2012

The Great War and the Iraq War by Thomas Garvey

As has oft been noted, pop charts the national mood much the same way an analysand's chatter inevitably betrays his or her buried fears and desires.So I wonder - what should we make of our n…

SOURCE: The Hub Review at 12:19am on January 10, 2012

Okay, we used to think J. Holtham was evil, but now we feel bad because we realize he's just dumb by Thomas Garvey

J. Holtham, just to prove he's not really dedicated to smearing people's reputations and stifling discussion the way everyone thinks he is, has now gone and made himself look stupid as well …

SOURCE: The Hub Review at 8:13pm on January 8, 2012

How do the Boston boys stay so civil? And why are the Parabasis boys so evil? by Thomas Garvey

The recent, nasty brouhaha over at Tom Loughlin's "A Poor Player" reminded me again of one of the ironies of the blogosphere - that it's often riven by immature battle-royales between horrid…

SOURCE: The Hub Review at 1:39pm on January 8, 2012

Boston Baroque rings in the New Year by Thomas Garvey

Photo by Kayan Szymczak for the Boston Globe.I'm terribly late with this review, and I feel especially guilty because the concert in question was delightful, as Boston Baroque's annual doubl…

SOURCE: The Hub Review at 12:58pm on January 8, 2012

Mike Daisey, "When the Clock Strikes" by Thomas Garvey

"A piece of shit, wonderfully executed."You can't help but admire Mike Daisey when you're watching him - even when, as was the case this New Year's Eve in Boston, he has nothing coherent to …

SOURCE: The Hub Review at 11:15am on January 4, 2012

Now I'm not going to say I told you so . . . but Sarah Ruhl has come home to roost . . . by Thomas Garvey

I admit I'm mightily amused by the revulsion so many critics have suddenly evinced at the House that Ruhl Built (of string, no less). Whimsy? Quirk? A structureless narrative free-for-all…

SOURCE: The Hub Review at 4:36pm on January 3, 2012

Words to live by by Thomas Garvey

If you're looking for New Year's resolutions, here are a few suggestions.  Woody Guthrie's, from 1942 (below) are all classics - particularly "Stay glad," "Dance better," and "Love ever…

SOURCE: The Hub Review at 11:34pm on January 2, 2012

In retrospect by Thomas Garvey

It's going to be a slow week, so I thought to myself - what about filling up some space in the blogosphere with a self-retrospective, a "Best of the Hub Review," to go with my other annual "…

SOURCE: The Hub Review at 1:35pm on January 2, 2012

What to do on First Night by Thomas Garvey

Yes, the last night of the year has once more rolled around - only in these parts we call it "First Night" rather than "Last Night" (perhaps for obvious reasons).  And once more hordes …

SOURCE: The Hub Review at 12:17pm on December 31, 2011

The Best Boston Productions of 2011 by Thomas Garvey

Candide at the Huntington2011.  To be perfectly honest - it wasn't all that great a year (and I'm not talking about just the weather).  In 2010, my "best of" list ran to 20 product…

SOURCE: The Hub Review at 12:02pm on December 30, 2011

Tweeting the cultural apocalypse now - right now by Thomas Garvey

I know, I know. As is its wont, the Globe has once again attacked the performing arts in the name of "saving" them. It's hardly news that journalists are closet culture-haters, I suppose -…

SOURCE: The Hub Review at 11:20am on December 29, 2011

One last Hubbies hit for 2011 . . . by Thomas Garvey

I know, I know, it has only been a little more than a month since the last Hubbie Awards. But I have seen some pretty good shows since then!  And I felt it was conceptually cleaner to …

SOURCE: The Hub Review at 10:08am on December 28, 2011

Wife swap by Thomas Garvey

Ruby Rose Fox, Bill Barclay, and Gabriel Kuttner in various disguises.  Photo(s): Stratton McCradyPart of the Actors' Shakespeare Project gestalt is the idea that they're always on the …

SOURCE: The Hub Review at 2:42pm on December 27, 2011

Merry Christmas from the Hub Review by Thomas Garvey

We're up in the snowy woods of Maine, as we usually are at Christmas, with family and friends. So don't expect much blogging over the next day or so, as we'll be too busy eating and drinking…

SOURCE: The Hub Review at 2:25pm on December 24, 2011

More polyphony for Christmas by Thomas Garvey

The young singers of Stile Antico.Last weekend I got a double whammy of medieval and Renaissance polyphony - I caught the chart-topping Stile Antico (above) at the Boston Early Music Festiva…

SOURCE: The Hub Review at 10:21am on December 23, 2011

A very medieval Christmas by Thomas Garvey

Blue Heron in flight.  Photo by Liz Linder.The overflow crowd at Blue Heron Choir's Christmas concert last Friday was more evidence (if you needed any) that medieval polyphony - particu…

SOURCE: The Hub Review at 1:45pm on December 21, 2011

Child's play by Thomas Garvey

Barlow Adamson and Andrew Cekala dream of a Red Ryder bb gun.  Photo(s) by Andrew Brilliant.I'm quite sure A Christmas Story (at the New Rep through December 24) is a nostalgia piece, b…

SOURCE: The Hub Review at 11:00am on December 20, 2011
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