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765 stories by "Tim Bano"

The Lehman Trilogy review at National Theatre, London " 'magnificently performed' by Tim Bano

It's imaginary. That's the genius of Sam Mendes' staging of this epic play, charting the history of the Lehman brothers, the three

SOURCE: The Stage Registration at 3:59am on July 13, 2018

The Rise and Fall of Little Voice review at Barn Theatre, Cirencester " 'a spectacular debut' by Tim Bano

Cirencester's newly opened Barn Theatre is really getting into its stride.  A powerfully performed revival Jim Cartwright's classic marks the end of

SOURCE: The Stage Registration at 4:11am on July 12, 2018

It Happened in Key West review at Charing Cross Theatre, London " 'strange, sardonic, discomfiting' by Tim Bano

Musicals theatre is no strangers to strange subjects " but this is something else. Back in the 1930s a German eccentric living

SOURCE: The Stage Registration at 3:01am on July 11, 2018

Knights of the Rose review at Arts Theatre, London " 'a wince-inducing medieval musical' by Tim Bano

A medieval romance set to rock songs sounds a bit silly on paper. But instead of leaning into that silliness, and embracing

SOURCE: The Stage Registration at 4:31am on July 6, 2018

Dusty starring Katherine Kingsley " review at Theatre Royal, Bath " 'wonderfully performed' by Tim Bano

Dusty, Forever Dusty, Son of a Preacher Man and now Dusty again. The allure of Dusty Springfield jukeboxers is seemingly limitless. This

SOURCE: The Stage Registration at 5:30am on July 5, 2018

The King and I review at London Palladium " 'an opulent and intelligent revival' by Tim Bano

It's taken a long time to exorcise the ghost of Yul Brynner from The King and I. He played the King of

SOURCE: The Stage Registration at 6:00pm on July 3, 2018

RSC head of voice Kate Godfrey: 'I want actors to use their own accents " it just needs to be clear' by Tim Bano

With a remit covering vocal techniques, teaching dialects and interpreting text, Kate Godfrey coaches the Royal Shakespeare Company's actors to make the

SOURCE: The Stage Registration at 12:00pm on July 2, 2018

A 24-Decade History of Popular Music: The First Act review at Barbican Theatre " 'extraordinary' by Tim Bano

In this musical queering of American history Taylor Mac goes to some strange places. In essence the 24-hour show " which earned

SOURCE: The Stage Registration at 4:49am on June 29, 2018

Fun Home review at Young Vic, London " 'A staggering work of art' by Tim Bano

Two arpeggios start Fun Home, like a tune a child would play after their first piano lesson. Suddenly they attach themselves to

SOURCE: The Stage Registration at 6:16pm on June 27, 2018

Jerusalem review at Watermill Theatre, Newbury " 'intense and intimate' by Tim Bano

It was always going to be hard to separate Jerusalem from memories of Mark Rylance. In Jez Butterworth's contemporary classic the part

SOURCE: The Stage Registration at 4:34am on June 26, 2018

The Town Hall Affair review at Barbican Theatre, London " 'a gripping theatrical experiment' by Tim Bano

In her book Lesbian Nation, Jill Johnston explained her conflict at taking part in a now infamous debate about feminism in 1971.

SOURCE: The Stage Registration at 4:55am on June 22, 2018

Kiss Me Kate review at London Coliseum " 'a magnificent and lavish staging' by Tim Bano

Cole Porter's 1948 musical is one of those shows with backstory and baggage. Supposedly based on wife and husband acting duo Lynn

SOURCE: The Stage Registration at 4:45am on June 21, 2018

Acis and Galatea review at Lilian Baylis House " 'Handel enters the social media age' by Tim Bano

Acis has one of the less glamorous transformations in Ovid's Metamorphoses. Other characters become birds or lions, but he is squashed by

SOURCE: The Stage Registration at 11:44am on June 12, 2018

Julie review at National Theatre " 'provocative and profound' by Tim Bano

August Strindberg's classic, in the hands of Polly Stenham and Carrie Cracknell, updated and enriched, is a piece that pulls in polar

SOURCE: The Stage Registration at 7:04pm on June 7, 2018

My Name Is Lucy Barton review at Bridge Theatre, London " 'utterly riveting' by Tim Bano

Rather than a monologue, Rona Munro's adaptation of Elizabeth Strout's novel feels like 90 minutes of epilogue. The wistful tone, the crushing

SOURCE: The Stage Registration at 6:19pm on June 6, 2018

Killer Joe starring Orlando Bloom review at Trafalgar Studios, London " 'unpleasant revival of a nasty play' by Tim Bano

Fourteen years before he won the Pulitzer Prize for August: Osage County, Tracy Letts made his playwriting debut with Killer Joe, a

SOURCE: The Stage Registration at 5:00pm on June 4, 2018

National Theatre of Korea's Trojan Women at Queen Elizabeth Hall, London " 'moving spectacle' by Tim Bano

Euripides' tragedy, a long wail by the women left behind after the sacking of Troy, has seen innumerable adaptations but none, perhaps,

SOURCE: The Stage Registration at 10:30am on June 4, 2018

Translations review at National Theatre, London " 'a magnificent revival' by Tim Bano

No one really knows what "glaukopis Athena" means in Homer's Iliad, a text quoted frequently in Brian Friel's masterpiece. Friel translates it

SOURCE: The Stage Registration at 6:28pm on May 30, 2018

The Rink review at Southwark Playhouse, London " 'a stunning performance' by Tim Bano

Spectacle and subtlety meet in this rare revival of Kander and Ebb's 1984 musical, set across one day in a dilapidated roller

SOURCE: The Stage Registration at 4:36am on May 30, 2018

Hairspray review at the Swan, High Wycombe " 'a fantastic young cast' by Tim Bano

This production's done the rounds. After starting life at Leicester Curve in 2014 and flying around the UK several times with several

SOURCE: The Stage Registration at 7:04am on May 29, 2018

A Little Princess review at Royal Festival Hall, London " 'a stellar cast in a flawed adaptation' by Tim Bano

Andrew Lippa and Brian Crawley's adaptation of the beloved Frances Hodgson Burnett novel consists almost entirely of slushy ballads. The result is

SOURCE: The Stage Registration at 5:54am on May 29, 2018

Royal Opera House head of costume Fay Fullerton: 'My first visit to Covent Garden was for the interview' by Tim Bano

Having started out as a junior costumier at Covent Garden four decades ago, Fay Fullerton has risen to lead the department. She

SOURCE: The Stage Registration at 12:00pm on May 28, 2018

Mozart Double Bill review at Bethnal Green Working Men's Club " 'wonderfully-sung' by Tim Bano

There's always something ingenious in productions by fringe opera company Pop-Up Opera. In this double bill of jaunty Mozart singspiele the company

SOURCE: The Stage Registration at 11:22am on May 25, 2018

Peter Pan review at Open Air Theatre, London " 'a superb and moving production' by Tim Bano

JM Barrie's character has become a watchword for eternal youth. But that youth is often selfish, a desire to defy death, a

SOURCE: The Stage Registration at 5:38am on May 25, 2018

National Theatre production manager Tariq Rifaat: 'It's about not just what you know, but who you are' by Tim Bano

The National Theatre's production manager Tariq Rifaat has been getting his hands dirty, literally, while working on the set for Brian Friel's

SOURCE: The Stage Registration at 12:00pm on May 14, 2018
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