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765 stories by "Tim Bano"

Birthday Suit review at Old Red Lion, London " 'mercilessly tense' by Tim Bano

This contemporary drawing room comedy by David K Barnes might not break new ground but it is a properly funny. Birthday Suit

SOURCE: The Stage Registration at 6:44am on January 16, 2017

Abigail review at the Bunker, London " 'slight and unconvincing' by Tim Bano

What once was an underground car park has now firmly established itself as a trendy and artistically shrewd fringe theatre, but after

SOURCE: The Stage Registration at 7:56am on January 13, 2017

Ricky Whittington and His Cat review at New Diorama Theatre, London " 'parodied and updated' by Tim Bano

Pantomime is already quite self aware as an art form. There’s barely a fourth wall, and shows can expand and contract, reacting

SOURCE: The Stage Registration at 11:47am on December 16, 2016

Patrick Marber: 'I'm a bit of a traditionalist. To me, theatre is posh showbiz' by Tim Bano

High up in the warren of the National Theatre's offices, Patrick Marber, blue eyes blazing and shoulders characteristically hunched, seems excited. He's

SOURCE: The Stage Registration at 5:00am on December 15, 2016

Cinderella review at Beck Theatre, Hayes " 'mostly soulless' by Tim Bano

With Linda Robson in 2014's panto and Pauline Quirke this year, all the Beck Theatre needs is Lesley Joseph for a Birds

SOURCE: The Stage Registration at 7:26am on December 13, 2016

The Wind in the Willows review at the Rose Theatre, Kingston " 'surprisingly political' by Tim Bano

It may not be the biggest Wind In The Willows to open this year " that honour goes to Stiles and Drewe’s

SOURCE: The Stage Registration at 11:55am on December 11, 2016

Wild Honey review at Hampstead Theatre, London " 'fun but inconsistent' by Tim Bano

To most it’s called Platonov; to Michael Frayn this early untitled Chekhov play, which Frayn adapted in 1984, is Wild Honey. It

SOURCE: The Stage Registration at 4:12am on December 9, 2016

The Little Matchgirl and Other Happier Tales review at the Sam Wanamaker Playhouse " 'knowing and irreverent' by Tim Bano

We don't get a happy ending in the Globe's Christmas show, adapted by Joel Horwood from stories by Hans Christian Andersen. Instead,

SOURCE: The Stage Registration at 6:39pm on December 1, 2016

Fantastic Mr Fox review at Nuffield Theatre, Southampton " 'enjoyable but uneven' by Tim Bano

Roald Dahl’s 100th anniversary year comes to an end with a colourful adaptation of his farmyard yarn, Fantastic Mr Fox, set to

SOURCE: The Stage Registration at 5:36am on December 1, 2016

Sheppey review at the Orange Tree Theatre, London " 'strikes a festive note' by Tim Bano

No man is an island, even if he’s named after one, but in Somerset Maugham's 1932 play Joseph "Sheppey" Miller feels the

SOURCE: The Stage Registration at 5:19am on November 29, 2016

The Archive: How Buried Child dug at roots of US family trees by Tim Bano

Back in 1979, US producer Alexander Cohen observed: "The theater is going in a different direction. Buried Child just won the Pulitzer

SOURCE: The Stage Registration at 9:00am on November 24, 2016

The Sewing Group review at the Royal Court Theatre, London " 'thrilling' by Tim Bano

The expanse EV Crowe's play covers is dazzling. A mother destroys herself as she measures her successes and faces up to her

SOURCE: The Stage Registration at 5:53am on November 17, 2016

I Call My Brothers review at the Gate Theatre, London " 'fractured' by Tim Bano

This rambling, fractured narrative by bestselling Swedish author Jonas Hassen Khemiri, following a young man in the 24 hours after a bomb

SOURCE: The Stage Registration at 5:36am on November 15, 2016

Bits of Me Are Falling Apart review at Soho Theatre, London " 'a bittersweet monologue' by Tim Bano

There's little of the anarchy of The Young Ones and Bottom here, Adrian Edmondson's most famous TV creations. Instead, in this adaptation

SOURCE: The Stage Registration at 7:04am on November 8, 2016

Playwright Zoe Cooper: 'I want to write about the people I know' by Tim Bano

After plays about office politics and dockers, Zoe Cooper has delivered an adolescent drama that finds magic in the mundane. She says Jess and Joe Forever is the most honest thing she's writ…

SOURCE: The Guardian at 7:58am on October 7, 2016

Kenneth Branagh's The Entertainer at the Garrick Theatre " review round-up by Tim Bano

Kenneth Branagh doesn't make life easy for himself. After a 13-month residency of six plays at the Garrick Theatre, whose stars have

SOURCE: The Stage Registration at 12:19pm on September 2, 2016

How can new voices make themselves heard at Edinburgh Festival Fringe? by Tim Bano

It's the ultimate Edinburgh Fringe fairytale: in 1966 a student company called the Oxford Theatre Group mounted a one-act play by a

SOURCE: The Stage Registration at 5:00am on August 11, 2016

Rebel Wilson in Guys and Dolls at the Phoenix Theatre " review round-up by Tim Bano

Chichester Festival Theatre's revival of Frank Loesser's classic musical seems to be in several places at once, splitting into a West End

SOURCE: The Stage Registration at 10:34am on July 18, 2016

A future made of virtual reality? by Tim Bano

Virtual reality is nothing new. The term was, in fact, coined in 1938 by legendary theatre director Antonin Artaud. He used it

SOURCE: The Stage Registration at 5:00am on June 30, 2016

Erica Whyman: 'We don't need more women at the top " just more feminists' by Tim Bano

If Shakespeare were alive today, what sort of playwright would he be? A James Graham, taking the temperature of the nation with

SOURCE: The Stage Registration at 5:00am on April 22, 2016

UK theatre festival guide 2016 by Tim Bano

Buzzcut Festival, Glasgow When: April 6-10 What: A pay-what-you-can melting pot of the finest performance art in the country, now in its

SOURCE: The Stage Registration at 9:01am on April 5, 2016

NSDF at 60: still a vital breeding ground for theatre by Tim Bano

Scarborough in March is an unlikely place to find the Caryl Churchills, the Jamie Lloyds and the Antony Shers of tomorrow. But

SOURCE: The Stage Registration at 11:40am on March 18, 2016

The Archive: Tennessee Williams' 'stoned age' play by Tim Bano

In 1961, when Tennessee Williams turned 50, he had two Pulitzer prizes and four New York Critics' Circle awards under his belt,

SOURCE: The Stage Registration at 10:00am on March 18, 2016

Florian Zeller: 'Theatre is the place for questions, not answers' by Tim Bano

Aside from Broadway invasions, long-dead Greeks and Chekhov, it's rare to see work by non-British playwrights in London. Florian Zeller is an

SOURCE: The Stage Registration at 10:00am on March 17, 2016

The Archive: Lorraine Hansberry " challenging the all-white American dream by Tim Bano

Julius Lester was effusive in his praise: "Her effect on others was like the seepage of rain into the earth, nourishing roots

SOURCE: The Stage Registration at 9:00am on March 11, 2016
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