We Will Not Be Silent (review)
At the end of Arthur Miller's The Crucible, the Judge offers the heroic John Proctor a deal. Confess to witchcraft, he says, and we will spare your life. More than that: you will go free. Pr…
At the end of Arthur Miller's The Crucible, the Judge offers the heroic John Proctor a deal. Confess to witchcraft, he says, and we will spare your life. More than that: you will go free. Pr…
Eleanor Burgess’ play could, with justice, be called Oleanna — The Next Generation. Like the Mamet play, this is the story of a student and her professor. Like Oleanna‘s Ca…
So tell me what's better: living in the love, support, and strength of a community at the cost of your independence, or living a life that's free and lonely? "Living with other people and le…
Screens shaped like shards of broken glass splay the Theater J stage. Upon them the company, in collaboration with the Holocaust Museum, has projected photographs and home movies taken in Ge…
“I can call spirits from the vasty deep,” brags the Welsh mystic Owen Glendower, in Henry IV, Part 1. “Why, so can I, or so can any man,” retorts Hotspur. “But …
GALA Hispanic Theatre’s 42nd season will feature four mainstage plays, including two world premieres, as well as films, dance, and a weekend of solo shows. GALA will open its season wi…
Folger Theatres’ 2017-18 season, announced yesterday morning, will be full of plays by the usual gang: Shakespeare, Congreve, Shaw. But not everything will seem familiar. The theater t…
The Source Festival’s tenth birthday party is a subdued one, and this year’s lineup is but a shadow of Sources gone by. While we usually see three debuting full length plays, the…
Some plays are compelling because their dilemmas are so universal they provoke the shock of recognition in all of us. Disgraced is like that. Other plays are compelling because, though the c…
Among all the fraught issues which torment the tortured search for peace in the Middle East, none spark a greater intransigence on the part of the State of Israel than the Right of Return …
Is it possible to learn something new from a 400-year-old play? Yes, if the play is rich in insight and wisdom; if the production is attentive to detail and willing to take risks; and if the…
There are thirty-five characters in Scena Theatre’s production of Fear Eats the Soul, and thirteen actors to play them, but as it is a love story it is really only about two people. On…
Behold the King. He is standing in front of a boiling, roiling thunderstorm (“Blow, wind! And crack your cheeks!”), beard laced with iron, wild hair crowned with an even wilder l…
It was a brave man who first et an oyster, Jonathan Swift once wrote. Maybe so, but not nearly as brave as someone who seeks to stage Timon of Athens, which could otherwise be known as ̶…
“People like us, who believe in physics,” Albert Einstein once said, “know that the distinction between past, present and future is only a stubbornly persistent illusion." …
It’s a wonder that we Irish haven’t gone extinct from all our slow courting. Beyond President Kennedy, there are no Irish Casanovas, and there are certainly none in John Patrick …
Compass Rose Theater, from their intimate Annapolis, MD space, will be offering a 2017-2018 season which will examine large issues, historical turning points, and the yearning of people for …
Imagination Stage will fill the minds of its young audiences in 2017-2018 with the classics — some of them with a twist — but will start its season with a fresh play about a youn…
So what’s going on at the Kennedy Center for the next Theatre*Â season? Everything. The freshest Broadway plays. One-day musical tributes. Theater in Dutch. And Norwegian. Hot direct…
Hub Theatre’s 2017-2018 season will offer a new production of a play familiar to Hub audiences, a brand spanking new play written by an area playwright, and another brand new play writ…
Having remodeled its physical plant, created a small black box playing space, and renamed itself, Baltimore Center Stage has picked a 2017-2018 season designed to shake up its audience’…
Chesapeake Shakespeare Theatre’s six-play 2017-2018 season will feature a production of Red Velvet, the story of an extraordinary production of Othello, within a schedule of three well…
Is it sacrilegious to suggest that Easter was a good day to see The Magic Play, since the story of Easter, if true, is the greatest magic act in human history? I here use magic in its broade…
You would expect a company which derives its name from a speech in Henry V to do a good job with the play itself, and by and large We Happy Few acquits itself well. But there are shortcoming…
Lynn Nottage’s Sweat, a mystery play set in an economically deteriorating small town, has won the 2017 Pulitzer Prize for Drama, the Pulitzer Committee announced yesterday. Sweat, whic…