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85 stories by "Tom Birchenough"

Fairview, Young Vic review - questioning the assumptions of race by Tom Birchenough

New American drama directs a rapier wit at black stereotypes Jackie Sibblies Drury's Fairview comes to the Young Vic with the 2019 Pulitzer Prize for Drama under its belt, and a reputation …

SOURCE: The Arts Desk at 3:18pm on December 9, 2019[SHARE]

Solaris, Lyric Hammersmith review - moving and finely cerebral by Tom Birchenough

David Greig's dream-drama of cosmic loneliness is sci-fi at its most philosophical David Greig's reimagining of StanisÅ‚aw Lem's 1961 novel has brought a masterpiece of intellectual scien…

SOURCE: The Arts Desk at 9:36am on October 15, 2019[SHARE]

Mephisto [A Rhapsody], Gate Theatre review - the callowness of history by Tom Birchenough

More manner than message in adaptation of Klaus Mann's 1930s novel You wonder about the title of French dramatist Sam Gallet's Mephisto [A Rhapsody], an adaptation for our days of Klaus Mann…

SOURCE: The Arts Desk at 11:24am on October 10, 2019[SHARE]

Our Lady of Kibeho, Theatre Royal Stratford East review - heaven and hell in Rwandan visions by Tom Birchenough

Questions of faith in Katori Hall's luminous meditation on belief, doubt and miracles The American dramatist Katori Hall has created a work of rare accomplishment in Our Lady of Kibeho, a pl…

SOURCE: The Arts Desk at 2:03pm on October 4, 2019[SHARE]

Macbeth, Chichester Festival Theatre review - cosmic yet closely crafted by Tom Birchenough

John Simm is a strikingly intelligent Thane in a broadly theatrical production There's a fine balance between the cosmic and the closely crafted in director Paul Miller's Macbeth, his first …

SOURCE: The Arts Desk at 1:48pm on September 30, 2019[SHARE]

Youth Without God, Coronet Theatre review - the chill control of nascent Nazism by Tom Birchenough

Christopher Hampton adapts von Horváth's novel about the mindset of totalitarianism The only novel by the Hungarian dramatist Ödön von Horváth, Youth Without God was written in ex…

SOURCE: The Arts Desk at 12:48pm on September 24, 2019[SHARE]

Old Stock: A Refugee Love Story, Wilton's Music Hall review - klezmer revue is moving and inventive by Tom Birchenough

An original piece of theatre-making finds joyous exuberance, as well as sorrow, in the immigrant experience Canadian playwright Hannah Moscovitch's "refugee musical" " now there's a phrase y…

SOURCE: The Arts Desk at 11:42am on September 20, 2019[SHARE]

Faith, Hope & Charity, National Theatre review - a grim compassion by Tom Birchenough

Rich in empathy, dramatically raw, Alexander Zeldin's bleak study of society on the edge Alexander Zeldin continues his devastating analysis of modern Britain in this culminating play of…

SOURCE: The Arts Desk at 10:03am on September 18, 2019[SHARE]

Torch Song, Turbine Theatre review - impressive return for Harvey Fierstein's seminal gay drama by Tom Birchenough

Matthew Needham in lithe drag queen form opens new London venue London's latest theatre opening brings a stirring revival of Harvey Fierstein's vital gay drama, which premiered as Torch Song…

SOURCE: The Arts Desk at 4:42pm on September 9, 2019[SHARE]

The Son, Duke of York's Theatre review - a piercing drama of depression by Tom Birchenough

Florian Zeller's play of family anguish receives a much-deserved West End transfer A tale of teenage depression and its family resonances, Florian Zeller's The Son has a devastating simplici…

SOURCE: The Arts Desk at 11:33am on September 3, 2019[SHARE]

Appropriate, Donmar Warehouse review - fraught family reunion blisteringly told by Tom Birchenough

Branden Jacobs-Jenkins's 2013 play is tensely dark, as well as very funny You can't fail to feel the ghosts in Appropriate: they are there in the very timbers of the ancient Southern planta…

SOURCE: The Arts Desk at 8:42pm on August 23, 2019[SHARE]

Peter Pan, Troubadour White City review - off to a flying start by Tom Birchenough

New West London venue opens with a zestful spectacular to suit all ages London's Troubadour White City theatre has got off to a, literally, flying start.

SOURCE: The Arts Desk at 9:06am on July 29, 2019[SHARE]

Equus, Trafalgar Studios review - passionate intensity by Tom Birchenough

Lean and hungry brilliance in Ned Bennett's production of Peter Shaffer When he gave Martin Dysart, the troubled psychiatrist protagonist of Equus, a line in which he speaks about "moments o…

SOURCE: The Arts Desk at 5:54pm on July 16, 2019[SHARE]

Three Sisters, Maly Drama Theatre, Vaudeville Theatre review - a Chekhov of luminous clarity by Tom Birchenough

Stagecraft skill and company playing meld seamlessly in Petersburg production Lev Dodin has been artistic director of the famed Maly Drama Theatre for some three and a half decades now, ove…

SOURCE: The Arts Desk at 11:48am on June 20, 2019[SHARE]

Sweat, Gielgud Theatre review - searing drama of working life by Tom Birchenough

The indelible power of Lynn Nottage's new play confirmed in Donmar transfer There's a joke early on in Sweat, Lynn Nottage's superlative drama about American working lives, in which a lively…

SOURCE: The Arts Desk at 10:18am on June 13, 2019[SHARE]

Bronx Gothic, Young Vic review - fervid intensity by Tom Birchenough

Okwui Okpokwasili's solo performance piece is an astounding piece of theatre It's hard, and finally fruitless to attempt to describe Okwui Okpokwasili's Bronx Gothic in conventional terms of…

SOURCE: The Arts Desk at 8:03am on June 10, 2019[SHARE]

The Knight of the Burning Pestle, Cheek by Jowl/Pushkin Theatre, Barbican review - theatre satire updated by Tom Birchenough

Declan Donnellan riffs on Beaumont's meta-comedy in flavoursome Russian Declan Donnellan has a rich record of working with Russian actors: his previous walk on the Slavic side, the darkly po…

SOURCE: The Arts Desk at 8:48am on June 6, 2019[SHARE]

King Hedley II, Theatre Royal Stratford East review - concentrated, enveloping drama by Tom Birchenough

Lenny Henry leads a strong cast in August Wilson's 1999 play of African American identity The huge achievement of the last two decades or so of August Wilson's life, right up to his death in…

SOURCE: The Arts Desk at 6:06am on June 3, 2019[SHARE]

The Crucible, The Yard Theatre review - wilfully over-stirred by Tom Birchenough

Arthur Miller's possession drama staged for spectacle The Crucible is a play that speaks with unrelenting power at times of discord, most of all when the public consciousness looks ripe for …

SOURCE: The Arts Desk at 7:00pm on April 2, 2019[SHARE]

The Price, Wyndham's Theatre review - David Suchet stands supreme by Tom Birchenough

Powerful production of Arthur Miller's play of fraternal discord, past painThere's a sublime equilibrium to Arthur Miller's 1968 play between the overwhelmingly heavy weight of history …

SOURCE: The Arts Desk at 3:42pm on February 12, 2019[SHARE]

Pinter Seven, Harold Pinter Theatre review - elaborations of anxiety by Tom Birchenough

The season's closing pairing presents Danny Dyer and a radio revelationIt was back to the very beginning for this final instalment of "Pinter at the Pinter", with its pairing of A Sligh…

SOURCE: The Arts Desk at 10:32am on February 7, 2019[SHARE]

Cost of Living, Hampstead Theatre review - tough but tender by Tom Birchenough

Adrian Lester compels in new American drama about care and connectionThe Off Broadway production of Cost of Living two years ago brought Martyna Majok the 2018 Pulitzer Prize for Drama, the …

SOURCE: The Arts Desk at 3:04pm on February 1, 2019[SHARE]

The Daughter-in-Law, Arcola Theatre review - searing simplicity by Tom Birchenough

DH Lawrence's tragically inflected 1913 tale of family relationships powerfully toldThere's a stark power to Jack Gamble's production of DH Lawrence's The Daughter-in-Law, which has tra…

SOURCE: The Arts Desk at 10:48am on January 17, 2019[SHARE]

The Merry Wives of Windsor, RSC, Barbican review - panto Shakespeare by Tom Birchenough

Love it or leave it production sends the RSC on a laboured way to EssexFor those of us who have never thought much before about links between pantomime and Shakespeare, Fiona Laird's new Mer…

SOURCE: The Arts Desk at 11:32am on December 13, 2018[SHARE]

Nine Night, Trafalgar Studios review - hilarity and heartbreak by Tom Birchenough

Natasha Gordon joins the company as her debut drama transfers from the NationalThis is Natasha Gordon's first play, and in it she has created a whole world. A world of grief and laughter, co…

SOURCE: The Arts Desk at 8:36am on December 7, 2018[SHARE]
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