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123 stories by "Tom Wicker"

We Raise Our Hands in the Sanctuary review at the Albany, London " 'moving and impassioned' by Tom Wicker

It's 1981 and London's gay club scene is a refuge for stage electrics student Joseph and the only place ambitious would-be DJ

SOURCE: The Stage Registration at 7:39am on February 6, 2017[SHARE]

The Pitchfork Disney review at Shoreditch Town Hall, London " 'a shot in the arm' by Tom Wicker

It's a wonder that Jamie Lloyd hasn't directed Philip Ridley's work before. Recognised for his signature in-your-face directorial style, here he's tackling

SOURCE: The Stage Registration at 4:28am on February 3, 2017[SHARE]

Ashes review at Jackson's Lane Theatre, London " 'exceptional puppeteering' by Tom Wicker

A chill permeates Ashes. It's a melancholic, mournful portrait of obsession that doesn't try to explain the destructive acts it depicts. Instead,

SOURCE: The Stage Registration at 8:21am on January 30, 2017[SHARE]

Dirty Great Love Story review at Arts Theatre, London " 'a feel-good show' by Tom Wicker

Dirty Great Love Story has got bigger and bigger. Starting out as a short poetry two-hander in a pub backroom, it grew

SOURCE: The Stage Registration at 5:17am on January 26, 2017[SHARE]

How theatres can tap into new cash streams with fundraising by Tom Wicker

Budget-slashed local authorities continue to tighten their belts and Arts Council funding has either levelled off or been reprioritised in the face

SOURCE: The Stage Registration at 5:00am on January 26, 2017[SHARE]

Extra Yarn review at the Orange Tree Theatre, London " 'warm as a hug' by Tom Wicker

Extra Yarn is the Orange Tree Theatre's first in-house show for young people under artistic director Paul Miller. Elinor Cook's adaptation of

SOURCE: The Stage Registration at 4:55am on December 20, 2016[SHARE]

Kiki's Delivery Service review at Southwark Playhouse " 'looks lovely, lacks depth' by Tom Wicker

Witches and wizards are flying high, post Harry Potter. Kiki's Delivery Service, adapted for the stage by Jessica Sian and based on

SOURCE: The Stage Registration at 7:55am on December 14, 2016[SHARE]

All the Angels: Handel and the First Messiah review at Sam Wanamaker Playhouse, Globe Theatre " 'beautifully performed' by Tom Wicker

It's a welcome return for All the Angels. Nick Drake's choral play about the first public performance (in Dublin) of 18th-century composer

SOURCE: The Stage Registration at 6:16am on December 9, 2016[SHARE]

Babe, the Sheep-Pig review at Polka Theatre, London " 'Gorgeous-looking but lacks clarity' by Tom Wicker

This new production of playwright David Wood's adaptation of Dick King-Smith's much-loved children's story, Babe the Sheep-Pig, gets a lot right. Director

SOURCE: The Stage Registration at 6:06am on December 5, 2016[SHARE]

The Seven Acts of Mercy review at the Swan Theatre, Stratford-upon-Avon " 'fiercely resonant' by Tom Wicker

"Yeah, well, ancient history," says one character in Anders Lustgarten's new play, The Seven Acts of Mercy. Not so for Lustgarten, whose

SOURCE: The Stage Registration at 6:54pm on December 1, 2016[SHARE]

Scrooge and the Seven Dwarves review at Theatre503, London " 'infectiously bonkers' by Tom Wicker

Scrooge and the Seven Dwarves won't win awards for its slickness. But its festive mash-up of Father Christmas, Dickens, Snow White and

SOURCE: The Stage Registration at 5:11am on November 29, 2016[SHARE]

Underneath review at Soho Theatre, London " 'laughter and darkness' by Tom Wicker

Underneath is a tale from the crypt that brings new meaning to the term corpsing. With a rumbling laugh, Pat Kinevane "

SOURCE: The Stage Registration at 7:18am on November 25, 2016[SHARE]

Putting Words in Your Mouth review at Roundhouse, London " 'unsettling and complicated' by Tom Wicker

Putting Words in Your Mouth is a verbatim show that gets messier and more complicated the more you grapple with it "

SOURCE: The Stage Registration at 6:12am on November 24, 2016[SHARE]

The Residents review at various secret locations, London " 'intriguing but loses focus' by Tom Wicker

At a time when people are being priced out of the London housing market, Teatro Vivo (co-producing with the Albany) serves up

SOURCE: The Stage Registration at 11:50am on November 17, 2016[SHARE]

30 years of creative mischief from Forced Entertainment by Tom Wicker

After two hours, the stage was strewn with foil curtains, roadie paraphernalia and dry ice. "I'll never forget my first Forced Entertainment

SOURCE: The Stage Registration at 10:00am on November 4, 2016[SHARE]

How New York drama schools are focusing on the world of work by Tom Wicker

Christian Parker, chair of the graduate theatre programme at Columbia University School of the Arts, notes how times have changed. "Culturally, we're

SOURCE: The Stage Registration at 5:00am on October 7, 2016[SHARE]

What makes a West End hit? by Tom Wicker

This month, Wicked celebrates a decade on stage in London. In October, The Phantom of the Opera will have stumped up 30

SOURCE: The Stage Registration at 5:00am on September 29, 2016[SHARE]

How opera is extending its reach by Tom Wicker

Cressida Pollock, chief executive of London-based English National Opera, recently observed that the majority of performing arts audiences in the UK are

SOURCE: The Stage Registration at 5:00am on September 1, 2016[SHARE]

How to get spotted at Edinburgh, theatre's transfer window by Tom Wicker

This August, there will be 3,269 shows at the Edinburgh Festival Fringe. Of these, 1,731 will be premieres. The fringe might well

SOURCE: The Stage Registration at 5:40am on August 4, 2016[SHARE]

Profile: Polka Theatre, the revolutionary venue built around kids by Tom Wicker

In Polka's main theatre, there's netting ready to tip a giant, inflatable fruit over the audience as part of a production of

SOURCE: The Stage Registration at 9:00am on July 29, 2016[SHARE]

Why working with a big brand doesn't have to mean selling out by Tom Wicker

The Faction theatre company's latest production is a pop-up staging of Shakespeare's comedy, Much Ado About Nothing. But it's not where you

SOURCE: The Stage Registration at 5:00am on July 14, 2016[SHARE]

Iqbal Khan: 'I want Shakespeare to speak urgently in a 21st-century context' by Tom Wicker

Director Iqbal Khan has had a longstanding relationship with Macbeth " since he was an eight-year-old growing up in Birmingham, in fact.

SOURCE: The Stage Registration at 1:23pm on June 28, 2016[SHARE]

Freddie Fox: 'If my family did Hamlet we'd fight over the title role' by Tom Wicker

Other than Joan Collins, Freddie Fox probably gets asked about dynasty more than most. He laughs when I try this line out

SOURCE: The Stage Registration at 5:00am on June 3, 2016[SHARE]

Shakespeare 400: the UK's best events by Tom Wicker

If all the world's a stage, Shakespeare will definitely be hogging it this weekend. April 23 marks the 400th anniversary since his

SOURCE: The Stage Registration at 2:00am on April 13, 2016[SHARE]

Michael Buffong: 'Putting black actors on stage is the easy bit' by Tom Wicker

The artistic director of Talawa Theatre Company is in reflective mode: "There should be more black theatre companies. I think, in the

SOURCE: The Stage Registration at 1:45pm on March 28, 2016[SHARE]
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