192 stories by "Toni Tresca"
Shakespeare in the Wild turns an opening-night curveball into a rollicking evening in a former Ross.
Jonathan Spector’s school-board satire thrives in The Fifty-Niner’s close quarters.
Phamaly’s optimistic, intersectional new musical centers a sit-in that led to a landmark disability-rights victory.
Suzanna Champion’s slick staging leans so hard into the jokes that it dilutes the musical’s dark, timely satire.
Elemental Theatre Company’s old-time-radio take on The Scarlet Pimpernel has lively Foley work but little dramatic urgency.
Denver Theatre Ensemble gives Derek Murphy’s Closing Times an intimate, atmospheric world premiere.
Jessica Robblee and Marco Alberto Robinson ignite Jen Silverman’s bleak comedy.
Impact Theatre Collective opens Aurora’s Storyteller Theatre with an impassioned, inconsistent production.
Jessica Hindsley’s sparse staging puts the focus on the young performers powering this country jukebox musical.
Creede Rep’s The 25th Annual Putnam County Spelling Bee pairs winning comedy with a tender portrait of belonging.
Localized production of Working is a heartfelt hometown tribute to Creede hampered by laborious scene changes.
Colorado Shakespeare Festival's ambitious new Julius Caesar riff needs to give its peripheral Romans more room to lead.
Strong young performers and inventive staging lift Candlelight’s Matilda, though broad comedy slows the show.
The Storyteller Theater opens July 17 on East Colfax, offering an accessible, flexible home for local artists.
Toni Tresca shares what he learned at the National Critics Institute and how it will shape OnStage Colorado’s coverage.
The ritual power of Akram Khan Company’s final touring production does not need to be fully decoded to be felt.
The South Broadway attraction brings Harry Potter props, costumes, games and immersive rooms to Denver.
Dirty Rotten Scoundrels is a fizzy Grand Lake getaway with charm, laughs and a few rough edges.
Lakewood production delivers a lush, sharply sung My Fair Lady, though Eliza’s final return still stings.
The Moot Point Project's absurdist comedy transforms empathy training into biting workplace satire.
Su Teatro turns affordability concerns into a zany, timely farce about working-class survival.
Amy Taylor turned Red Rocks into a punk rally during Amyl and the Sniffers’ explosive June 17 set.
Colorado Shakespeare Festival reopens Boulder's Mary Rippon with sharp performances, lush design and a few pacing bumps.
Aurora Fox and Phamaly bring vocal power and nuance to a messy, moving Violet.
Bekah Brunstetter's dramedy about queer love and faith receives a stimulating staging in Denver.
