MORE THAN BROADWAY, THIS PRODUCTION IS MORE INTIMATE WITH MORE HEART AND MORE FUN Wise and warm, funny and tender, this 100-minute family memory-play musical charts the twisted courses of a …
THE WORLD IS FLAT Musical revues are a tricky business. While highly enjoyable and entertaining, even high profile compilations such as Side by Side by Sondheim and the Fats Waller son…
AND NOW, WITH FURTHER ADO… Not only is it one of my favorite Shakespeare plays, but Much Ado About Nothing contains a favorite character: Dogberry. This bumbling constable arrives…
A STORY OF IMPORTANCE Unlike manipulative Broadway machines such as Priscilla and Kinky Boots, which shove issues down our throats, the societal consequences for a homosexual in …
LOOKING FOR PROOF Proofreading: It may be a lost art. As an editor, I have become accustomed to scanning copy everywhere for mistakes, either in grammar or with facts. But lately, the effect…
WORD FOR WORD’S PERSONAL VICTORY LAP MAY BE THE BEST DEEP KISS YOU’VE EVER HAD San Francisco's Word for Word has been transforming classic and contemporary fiction into amazing t…
THE GLOBE MAKES IT LOOK LIKE A WALK IN THE PARK Barefoot in the Park, Neil Simon's second Broadway hit after Come Blow Your Horn, played a staggering 1,530 performances in its initial run, w…
SHE'S BA-A-A-ACK For those who think the sun won’t come up until 2020, here comes another Annie, that 1977 optimistic spitfire of a musical — based on the Harold Gray comic st…
ITCHING TO BE SWITCHING ROLES Burt Grinstead and Anna Stromberg's take on Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde switches between comedic farce and serious scen…
PUMP GETS YOU PUMPED This invigorating, modest little 1980 musical was nominated for both a Tony and Drama Desk Award for Best Musical in 1982. It may seem commonplace now thanks to John Doy…
WE NEVER STOP CRYING IT OUT The term “cry it out” refers to the practice of letting babies bawl until their fit subsides without parents coddling and mollifying them; assumedly t…
FRIED, STEWED OR BROILED, THIS FISH WILL NEVER TASTE GOOD So here’s what baffles me: A show which is middling at best is suddenly showing up at regional, community and high school thea…
DANCE DELIRIUM As jukebox musicals go, the rags-to-riches bio On Your Feet! definitely earns its exclamation point. No question, the upbeat tunes, with their irresistible Cuban-fusi…
THE MONTALBÃN MIXES MOVIES, MINGLING AND MERRY MASTICATING Always fun, outdoor cinema hits the summer ether like the smell of fresh cut grass and smoked meat (or is that fresh cut meat an…
BETTER THAN FAIR As musical revivals went from a few nostalgic productions in the 1970s to the ubiquity of resurrections we see today — both from the Golden Age (Porter, Rodgers and Ha…
SWEETER THE SECOND TIME AROUND It's like kicking a puppy dog to dislike Charity Hope Valentine. Charity is the heroine of the 1966 musical Sweet Charity — a strange amalgam of high hop…
ALL TOO HUMAN Stephen Karam's remarkable Tony-winning play The Humans — which is winding up its national tour at the Ahmanson with members of the Broadway production — …
DON’T LET THIS PARADE PASS YOU BY With no intentions of reviewing, I attended 3-D Theatricals’ astounding rendition of Parade, bookwriter Alfred Uhry and composer/lyricist Jas…
ONCE MORE UNTO THE BREACH Eugene O'Neill twice turned his troubled youth into all-absorbing drama. His family first appeared as a happy tangle of eccentric loved ones in Ah, Wilderness!, a h…
ON CONFORMING AND CHRIST Ah, what better fodder for drama is there than the dysfunctional American family? You know the ingredients: accusations hurled back and forth by the walking wounded;…
BREAKING DOWN FENCES An American requiem, an oratorio, and a choral masterpiece elegantly and movingly performed, Considering Matthew Shepard, which closes tonight at the Ford Amphitheatre, …
FLY TO THIS NEST Boy oh boy, if you like immersive theater, than check yourself into the madhouse over in Burbank. When the rebellious, charismatic and playful Randle McMurphy gets reassigne…
SORRY TO BURST YOUR BABBLE In this unfortunate world premiere, the winsome cast begins with angry pessimistic post-millennial Benji (Will Choi), an Asian-American comic book artist whose bos…
PIRATES STEALS YOUR HEART Music Theater Works just unleashed 140 minutes of undiluted ecstasy and hilarious nonsense, and the lucky location is Northwestern University's Cahn Auditorium in E…
LULA’S BACK IN TOWN The Ford Theatres presents Lula Washington Dance Theatre (LWDT) on Friday, June 8 at 8:30pm, as part of its IGNITE @ the FORD! series. For this joyous evening of da…