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1,382 stories by "Tony Frankel"

Chicago Theater Review: IVYWILD (The Hypocrites at Chopin Theater) by Tony Frankel

I REMEMBER THE AMUSEMENT PARK BUT FORGOT WHAT THE RIDE WAS ABOUT The more I think about the Hypocrites' latest theater spectacle, Ivywild, the more entranced I feel about the imaginative pro…

SOURCE: Stage and Cinema at 6:31pm on May 7, 2013

Chicago Theater Review: OKLAHOMA! (Lyric Opera) by Tony Frankel

CORNOGRAPHY It's been 70 years since Rodgers and Hammerstein ushered in the "golden era" of Broadway musicals with Oklahoma! and some dust has settled on the green corn of the 40s. Well, an …

SOURCE: Stage and Cinema at 2:58pm on May 5, 2013

Stage and Cinema Interview: MICHAEL PERETZIAN (Director of DYING CITY at Rogue Machine in L.A.) by Tony Frankel

DYING TO DIRECT It turns out that a career as a top literary agent at William Morris and CAA served as a solid stepping-stone for Michael Peretzian's dream job: directing in theater. As an a…

SOURCE: Stage and Cinema at 1:24pm on May 4, 2013

Chicago Theater Review: COLLECTED STORIES (American Blues Theater) by Tony Frankel

PERFECTED STORIES Ever since Donald Margulies’ Collected Stories premiered at South Coast Rep in 1996, and especially after it hit the Broadway boards starring Linda Lavin in 2010, the…

SOURCE: Stage and Cinema at 1:05pm on May 4, 2013

Chicago Theater Review and Commentary: THE EMPEROR'S NEW THREADS (Lifeline Theatre) by Tony Frankel

LEAVE IT TO CHILDREN’S THEATER TO MAKE THE BIGGEST STATEMENT OF ALL The biggest opening in Chicago last week was the behemoth pre-Broadway spectacle Big Fish, but right across to…

SOURCE: Stage and Cinema at 3:43pm on April 30, 2013

Chicago Theater Review: THE LAKE EFFECT (Silk Road Rising at Chicago Temple) by Tony Frankel

BLIZZARD TALE In meteorology, the phenomena known as Lake Effect occurs when a cold system glides over the warmer water of a large lake and dumps huge amounts of precipitation, usually snow,…

SOURCE: Stage and Cinema at 2:30pm on April 29, 2013

Chicago Theater Review: PLOUGHED UNDER: AN AMERICAN SONGBOOK (House Theatre at Chopin) by Tony Frankel

PLOUGHED UNDER BY GOOD INTENTIONS AND BAD SONGWRITING What a great idea: Create modern folk songs to represent Americans whose voices have been given short shrift (or ploughed under) b…

SOURCE: Stage and Cinema at 1:52pm on April 29, 2013

Chicago Theater Review: CORE OF THE PUDEL (Trap Door Theatre) by Tony Frankel

FAUST IN SPACE Just because I recommend Trap Door's latest production doesn't mean that I understand it. Core of the PUDEL (pronounced "poodle") is an Avant Garde/Experimental/Movement Theat…

SOURCE: Stage and Cinema at 2:00am on April 27, 2013

Chicago Theater Review: YELLOW MOON (Writers' Theatre in Glencoe) by Tony Frankel

ALMOST A FULL MOON The theater has been sorely affected by electronic communication. Since the advent of the internet, at least, the cumbersome amount of news bits and twittering has infecte…

SOURCE: Stage and Cinema at 12:48am on April 26, 2013

Los Angeles Theater Review: SEVEN BRIDES FOR SEVEN BROTHERS (La Mirada Theatre for the Performing Arts) by Tony Frankel

OH BROTHERS! Seven Brides for Seven Brothers: Talk about a musical with a strange history! It begins with the Ancient Roman legend "The Rape of the Sabine Women" " attributed to Plutarch " f…

SOURCE: Stage and Cinema at 10:48am on April 18, 2013

Los Angeles Theater Review: A CHORUS LINE (Musical Theatre West in Long Beach) by Tony Frankel

THE MUSICAL WITH LEGS Musical Theatre West's (MTW) exuberant production of A Chorus Line proves that the musical is as fresh as the day it appeared almost forty years ago, when the standard …

SOURCE: Stage and Cinema at 1:06pm on April 15, 2013

Los Angeles Theater Review: OUR CLASS (Son of Semele at Atwater Village Theatre) by Tony Frankel

SO MANY ATROCITIES IN ONE EVENING When stories appear which elucidate the carnage during WWII, many look to heaven and ask, "Why?" But the script and execution of Our Class, about a true-lif…

SOURCE: Stage and Cinema at 4:06pm on April 13, 2013

San Diego Theater Review: A DOLL'S HOUSE (Old Globe, Sheryl and Harvey White Theatre) by Tony Frankel

NO GOOD DEED GOES UNPUNISHED Henrik Ibsen stated that he had no conscious thought of making propaganda with A Doll's House (1879). Yet many productions have a feminist bent: Nora is the misu…

SOURCE: Stage and Cinema at 2:26am on April 8, 2013

Los Angeles Theater Review: MELANCHOLIA (Los Angeles Theatre Center) by Tony Frankel

BETWEEN IRAQ AND A HARD PLACE A soldier named Mario returns from Iraq just in time for the 2005 New Year's celebration with his East Los Angeles family, friends and novia " but he also retur…

SOURCE: Stage and Cinema at 7:13pm on April 6, 2013

San Diego Opera Review: MURDER IN THE CATHEDRAL (San Diego Opera) by Tony Frankel

MURDER IN THE CATHEDRAL Although he wrote at least 15 complete operas, Ildebrando Pizzetti (1880-1968) is not a familiar name, even to many in the opera world. The first-generation modernist…

SOURCE: Stage and Cinema at 4:25pm on April 2, 2013

Los Angeles Theater Review: LUNCH LADY COURAGE (Cornerstone at Cocoanut Grove Theater) by Tony Frankel

FOOD FIGHT Using Brecht's Mother Courage and her Children (1939) as a template, writer Peter Howard has created a wartime tale about the need to survive in challenging times. But the war isn…

SOURCE: Stage and Cinema at 3:56pm on March 31, 2013

Los Angeles Opera Review: CINDERELLA (LA Opera at Dorothy Chandler Pavilion) by Tony Frankel

EVERYBODY HAS A BALL AT THIS CINDERELLA Gioachino Rossini's Cinderella (La Cenerentola) was written in 1817 during the bel canto era when operas were written to showcase beautiful singing, b…

SOURCE: Stage and Cinema at 9:58pm on March 27, 2013

Los Angeles Theater Review: THE NETHER (Kirk Douglas Theatre in Culver City) by Tony Frankel

NETHER NOR Reality is the state of things as they actually exist, right? Not anymore. It's fascinating that the World English Dictionary defines reality as "the state of things as they are o…

SOURCE: Stage and Cinema at 12:40pm on March 26, 2013

Los Angeles Theater Review: ON THE SPECTRUM (Fountain Theatre) by Tony Frankel

HAVING ISSUES WITH ISSUES Ken LaZebnik's On the Spectrum, which opened last week at the Fountain Theatre, belongs to a genre known as Theatre of Identity, aka Social Issues Theatre; the idea…

SOURCE: Stage and Cinema at 2:50am on March 25, 2013

Los Angeles/Regional Theater Review: THE WHALE (South Coast Repertory in Costa Mesa) by Tony Frankel

NOT WORTH THE WEIGHT The title of Samuel D. Hunter's The Whale refers to three things. The first is Charlie, a homebound, 600-pound tutor who instructs online classes in expository writing. …

SOURCE: Stage and Cinema at 2:08pm on March 22, 2013

Los Angeles Theater Review: URBAN DEATH II (Zombie Joe's Underground) by Tony Frankel

L. A. THEATER RISES FROM THE DEAD With an assemblage of the bravest actors in Los Angeles, Zombie Joe returns with an all-new Urban Death, the naturalistic horror show in the style of Le ThÃ…

SOURCE: Stage and Cinema at 9:46pm on March 12, 2013

Los Angeles Theater Review: THE TROUBLE WITH WORDS (Coeurage Theatre Company at Lost Studio) by Tony Frankel

THE TROUBLE WITH THE TROUBLE WITH WORDS In 2011, I stumbled upon a refreshing new composer at the Hollywood Fringe Festival. The extraordinarily encouraging work in Gregory Nabours' song cyc…

SOURCE: Stage and Cinema at 2:57am on March 12, 2013

Los Angeles Theater/Dance Review: KEN ROHT'S MISS JULIE(N) (MorYork Gallery in Highland Park) by Tony Frankel

GAY ABSTRACTION For years, Ken Roht has proved himself to be one of the most inventive theater practitioners in Los Angeles. His avant garde works include the renown 99 Cent Only shows, whic…

SOURCE: Stage and Cinema at 4:15pm on March 9, 2013

Los Angeles Theater Review: WHEN YOU'RE IN LOVE, THE WHOLE WORLD IS JEWISH (Greenway Court) by Tony Frankel

WHAT WERE JEW THINKING? Baby boomers should recall the time when a great comedy album could be played with regularity. Some of my favorites were Bill Cosby Is a Very Funny Fellow…Right…

SOURCE: Stage and Cinema at 10:11pm on March 8, 2013

Los Angeles Theater Review: OKLAHOMA! (Musical Theatre West) by Tony Frankel

THE CORN IS HIGH INDEED Messrs. Rodgers and Hammerstein reinvented American Musical Theater for the ages when they created Oklahoma! in 1943, incorporating song and dance to tell their story…

SOURCE: Stage and Cinema at 2:02am on March 1, 2013
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