BONA FIDE ACTING FUELS DIDACTIC SCRIPT At about the same time that the United States entered WWI, units of the 24th Infantry Regiment, one of the Army's four black regiments, set up camp on …
WHERE IS MRS. O’LEARY’S COW WHEN YOU NEED HER? Had the inexhaustible 57-year-old Christie Brinkley performed "Roxie" on America's Got Talent, I would have demanded that she make …
IT WOULD HAVE BEEN WONDERFUL East West Players' cross-cultural take on the Stephen Sondheim/Harold Wheeler musical A Little Night Music highlights one of the most shimmering and romantic sco…
BETTER BE ON YOUR AVANT-GARDE Have you ever eaten at a new restaurant and summed it up thusly?: "I have no idea what I just ate! It was a little tough to chew and digest, but the presentatio…
A CAPTIVATING GENDER-BENDING STORY In Michael Premsrirat's thoroughly engaging The Girl Most Likely To, an unnamed teenage Boy (a winning Tobit Raphael) is, and always has been, in the wrong…
THE PAINT JOB ON THIS PROMISING MUSICAL NEEDS DARKER COLORS NPR's This American Life is where I first heard about the 1997 film Hands on a Hard Body, which documented a 1995 dealership-spons…
DEAFTRAP Writer Stephen Sachs and the Fountain Theatre have come up with what would appear to be a fresh approach to Rostand's classic play, Cyrano de Bergerac. In this modern-day version, C…
A WAR OF IDEAS For the first forty-five minutes of City Lit's OPUS 1861, a miracle occurred: I wept. Consistently. The simple but mighty idea is this: six actors dressed in simple army fatig…
TIMON ON OUR HANDS OK, raise your hand if you have read Shakespeare's Timon of Athens. No? Do you even know how to say Timon? It is pronounced TIME-uhn. Have you seen a production? Probably …
TOO MANY THEATER INGREDIENTS SPOIL THE BROTH If there were a Joseph Jefferson Award simply for risk-taking in the theatre, Brandon Bruce would most assuredly win for his direction of John We…
ONE FROGGY EVENING Once again, Musical Theatre Guild (MTG), a company of professional performers who present concert-staged readings, has produced a stellar offering of a rarely-seen musical…
SIXTY MILES TO NOWHERE The setting for Dan LeFranc's Sixty Miles to Silverlake is the front seat of a car. Ky (Sean Bolger) has picked up his son Denny (Ethan Dubin) from a soccer game, as h…
A REFRESHING RAIN When reviving an oft-produced play like N. Richard Nash's The Rainmaker, the hope is that the director will somehow put a new spin on the production so that the piece doesn…
FEELING A LITTLE BLUE In 1992, a friend insisted that we see Blue Man Group: Tubes at the tiny, cramped Astor Place Theatre in New York City. At the time, people were calling it a new genera…
THERE'S MUCH TO DESIRE One of the most truly inspiring films of the last year was Joffrey: Mavericks of American Dance, not just for its devotion to Joffrey's legacy, but because the docu…
GET THEE TO BEING SHAKESPEARE There's simply no other way to encourage your attendance to Being Shakespeare than to submit my unequivocal good word. Those who fret at comprehending Shakespea…
AS GOOD AS IT GETS In his extraordinary production of Good People at the Geffen, director Matt Shakman has validated the necessary ingredients of a great show: First: Storytelling. In descri…
THE IMPORTANCE OF A BIG BROTHER When you hear of Billy Elliot being a phenomenal world-wide success, it is almost shocking that the popular musical (music by Elton John, book and lyrics by L…
AWAKENING TO THE FACT THAT IT’S A POORLY-WRITTEN MUSICAL I feel sorry for the cast and crew of Over the Moon Productions (OTM). The hard-working Broadway-caliber talent in Spring Awake…
KILLER HUNK, KILLER SET, AND KILLER STORY MAKE UP FOR BLOODLESS PERFORMANCES As evidenced by his astoundingly beautiful production of Ira Levin's 1978 comedy-thriller Deathtrap, Jon Imperato…
THE DISNEYFICATION OF LINCOLN’S DEATH In many ways, Hershey Felder is a theater machine. In his four previous self-crafted one-man shows, the earnest and multi-talented actor/pianist/c…
A CHARMING MUSICAL WITHOUT A VIEW Theatre lore maintains that creating a successful new musical for the stage is more difficult and trying than creating peace in the Middle East. Noticing th…
SOMEHOW, IT KEEPS ON WORKING For those who have never seen the 1978 musical Working, the Production Company's current revival may be somewhat of a revelation. The subtitle of Studs Terkel's …
ODD CASTING CHOICE NEARLY SINKS SHOW There is a perplexing and ultimately infuriating casting choice in the Old Globe's production of Anna Christie that nearly sinks Eugene O'Neill's 1921 ta…
OH WHAT A TANGLED WEB WE WEAVE While Theatre Unleashed's cast and crew have a gloriously and unashamedly good time bringing The Spidey Project to the West Coast, it's a shame that their sour…