This Is My Favorite Song
Walking into the Peter Sharp Theater we have no hint of what is behind what look like opaque vinyl shower curtains from one end of the stage to the other. Within moments of her appearance, d…
Walking into the Peter Sharp Theater we have no hint of what is behind what look like opaque vinyl shower curtains from one end of the stage to the other. Within moments of her appearance, d…
The success of this play and our ability to navigate the ride relies heavily on the flawless cast led by Troyano herself. She shepherds us through every turn of the script and we willingly f…
While the musicians are exemplary, it is Lipton who does the heavy lifting in the show. With what amounts to a very witty hosting duty, his singing voice is one that is rich and quite comfor…
Director Scott Ebersold works wonders with the double-edged sword of the audience knowing full well these performances are colored by the play taking place close to 20 years ago when girls t…
As long as you come to John Yearley's "Triptych" with the understanding that grief is a deeply personal and complex emotion and that just because two people are married doesn't mean they wil…
As both playwright Harry Teinowitz and his co-author Spike Manton spent time in rehab, they carry us through the epiphanies as well as the relapses by injecting humor in every "shot glass" o…
"Bad Kreyòl" is gifted with a pre-show voiceover from the playwright herself: "To love a people is to learn their language." This speaks volumes for two women who know what they know, are…
This stunning theatrical work is a creation of the two-member On The Rocks Theatre Co. (Christopher Ford and Dakota Rose), two ingenious artists who have been at work on "The Beastiary" sinc…
Director Jared Mezzocchi uses the proximity of the actors to the audience to its best advantage. We don't even question when one of our ranks is pulled out to play Young Sunny. It adds to th…
Gabriel Kahane's pair of song cycles are a welcome throwback to when lyrics were poetry and told great stories. Think of the 70's when the airwaves were blessed with the voices and songwriti…
Four hardened male plainclothes police officers are being coached for a "suppression hearing" " that is a court proceeding prior to trial to challenge the legality of the evidence taken from…
In this return engagement of the site-specific "The Voices in Your Head" we are often asked to give pause in order to consider how differently we all process our grief. Earlier this summer a…
Betsy Aidem and Colleen Litchfield in Matthew Freeman's "The Ask" at the wild project (Photo credit:Â Kent Meister) We are still not done blaming Covid for the upsetting of our routines. …
Tarlton's work is not without promise. As a social critique of people who are surgically attached to their smartphones, it is somewhat spot-on. (Heaven forbid we miss that recent post docume…
Ehrenpreis' "Clowns Like Me" is sad, but true, and with the help of writer and director Jason Cannon, the brutally honest tale finds all the humor that's possible. Within a very few minutes …
Perhaps "Midnight Coleslaw's Tales from Beyond The Closet!!!" 's tagline "an evening of boner-chilling terror" was not meant to be a typo. The premise of an evening of one-act plays that exp…
Raja Feather Kelly, an award-winning choreographer of recent Broadway musicals "A Strange Loop" and "Lempicka," as well as "Teeth," the recent Playwrights Horizons success imminently getting…
Someone once coined the adage, "Write what you know."Â For the past few seasons, we have seen many writers have a lot to say about surviving the Covid lockdown, but none so eloquently as …
Koogler began writing "Staff Meal" in January 2020 and completed the first draft in April 2020…well, he certainly had time on his hands, but so did a lot of people. It's a wonder we didn't…
As we are instructed early on, the meal and the service are divided into 15 sections. The Seder is held in the midst, or as a significant part, of the whole of the play. It is then complemen…
While the ensemble cast is excellent throughout, we do feel Taylor Mac's absence when he goes offstage to change costumes (and that is quite a few times, one more sumptuous than the other " …
The performances are quite stellar. Jayne Atkinson's Helen is simply gorgeous. We do see that woman who 30 years ago wore a red dress to a party…and that was enough for Mark and Lorraine t…
Playwright Kairos Looney has given us a gift in these painfully beautiful moments. We explore a family's various ways of approaching love for and duty to each other with the result that we a…
Sarah Benson's direction is spot-on, but we find ourselves wishing the closing scene was more than just a plethora of bloody penises. This is where the creatives needed to say, "Okay, this i…
Enter young baritone Edwin Joseph. He has that dark curly hair and handsome face, yes, and the crucial understanding of the necessary swagger and selfishness that carries this character thro…